Juan Williams was particularly good at what might be the hardest, least appreciated and most important job in cable news.
www.politico.com
"A year of largely calling in to the show remotely, plus a personal bout with Covid-19, had depleted his appetite for a weekly commute to New York, he explained. (He will remain with Fox as a senior political analyst.) Other reporting puts it less politely, saying the drive to bring “The Five” back to the studio—which would likely have forced Williams out of the show—was fueled by animosity between Williams and one of his co-hosts.
I spoke to Williams by phone in March 2020, a few days into the coronavirus lockdown, when he and his colleagues had just been sent home from the studio to ride out a pandemic of unknown length. I had been following the success of “The Five,” one of Fox News’ consistent ratings hits, and wanted to know what it was like to be the show’s only liberal voice. Williams recalled the day, years earlier, when he was summoned to a conversation with then-Fox mastermind Roger Ailes, who described an idea he’d been developing for the hard-to-crack 5 p.m. timeslot. It was inspired, Ailes told Williams, by a stretch of his career in the early 1970s when he had produced a pair of Broadway shows. He wanted to cast a show with five stock characters, among them a “leading man” type with a strong conservative voice; a beautiful woman; and what Ailes described as a “Falstaff-type” figure who would serve as the contrarian. Unlike traditional news panels, where different voices competed in a free-for-all to make brief political points, “this was more like … a conversation among family,” Williams told me, “and the idea was, I guess, that you would become taken with these characters.”
Williams, who had been a rotating panelist, took over the show’s liberal slot full-time in 2017, after Bob Beckel, an original co-host, was fired by the network for a racist comment he made off-air. And Williams understood that being a principal player in a mashed-potato fight requires a certain brand of equanimity, and also a strategy. To prepare for the show every day, he told me, he familiarized himself with the right-wing press, from Drudge to Breitbart to the National Review, “just to know where those voices are, because it will give me a strong clue as to where the conservatives on ‘The Five’ are gonna be coming from.” And he tried to be deliberate about how he made his points when his turn came. A contrarian statement “acts as an accelerant, so it gets the debate energized,” he told me. But “it can’t be something that’s dismissed out of hand or put aside … You don’t want to stop the conversation. You want to feed the conversation.”"