- Sep 22, 2013
- 4,956
- 250
- 85
Does the modern media ergonomics in civilization cater to 'traffic-diarism' (e.g., The People vs. Larry Flynt)?
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"Tom Hanks was busy on the set of the production of the new film about iconic American kids' intuition program Mr. Rogers' Neighborhood host Fred Rogers called You Are My Friend. There were more and more films being made about the quality of artistic podiums in modern media/entertainment, and the new civilization sense of networking aesthetics (e.g., Facebook, MySpace, etc.) made socialization evaluations rather symbolic of mob psychology. Hollywood critics wondered if the cinematic landscape was host to a den of aesthetics-unforgiving 'wolves of media'."
"American super-celebrity Leo DiCaprio was busy planning a new film about racing called Speed Racer featuring him as Racer-X, the guardian-like mysteriously-masked American race-car driver and official 'Big Brother' to the entire NASCAR 'aesthetic'. DiCaprio's new film would spotlight society's precocious focus on speed and success in this new age of commerce-traffic imagination. Why were Hollywood stars involved in more projects about macro-sociology?"
"There were celebrities on one-end of this media era spectrum and there were pedestrian servants, bureaucrats, social critics, patriots, crusaders/vigilantes, and doctors on the other end. An Internet-blogging self-proclaimed 'democracy-vigilante' named Ajay Satan was analyzing the presentation of nihilistic or anti-social characters in modern cinema and why movie-stars were interested in socialization and isolationism oriented storytelling in this new age. Ajay wanted to debate with Leo about his new alienation-exposition film The Beach."
AJAY: Are you a fan of Planet Hollywood restaurants?
LEO: I like network-symbolic companies; The Beach is about rejection.
AJAY: Yes, in the Danny Boyle film you play an American tourist named Richard.
LEO: Richard confronts the reality of darkness in the modern sea of claustrophobia.
AJAY: He explores a secret island and mediates on the nature of isolationism.
LEO: Yes, he's both a social witness of modernism philosophy and traveler in history.
AJAY: It's a complex treatise on the 'weight' of bureaucracy on the mind.
LEO: The mind may daydream about Utopia...or vainly rant about Purgatory.
AJAY: This bifurcation in socialization-concepts suggests we're curious about liberty.
LEO: The modern kids' cartoon Liberty's Kids is a nice symbol of socialization-IQ.
AJAY: It presents stories from America's history (e.g., Independence).
LEO: Media offers opportunities for individuals to glorify civics...or glamour.
AJAY: Maybe the real 'wolf of Hollywood' is someone who appreciates aesthetics-piracy.
LEO: Intellectual-property protection is the most important issue in the age of media.
AJAY: No one wants scandals about Colin Hanks (celeb-son) or Emilio Snaps (druglord).
LEO: You have to constantly monitor 'magazine-etiquette.'
"Ajay and Hanks agreed that the marketing of stories with characters symbolizing unfiltered emotions regarding the courage-paranoia and ethics-propaganda of commerce driven by profit-oriented intentions made representative 'folklore avatars' like Cyclonus (a wolfish robot) and Kitana (a bladed warrior diplomat of violence and feminism) reflective of a new kind of 'cartoon-intelligence'. If you weren't in on-the-loop about youth-audience aesthetics, you were considered a 'grumpy old man.' Video-games and cartoons were much more unrefined (intentionally) now."
"The Planet of the Apes sci-fi apocalypto-franchise featuring stories about advanced humans contending with advanced apes on a planet ambiguously 'un-mastered' by both species represented a modernism-interest in dystopian intellectualism. The franchise became very popular, and Lucifer (adversary of mankind and God) wanted to test humanity (and America) to see if it really was committed to substantive forms of revolutionary propaganda. God admonished Lucifer, reminding him that 'sweeping passions' had driven mankind towards macro-errors like Nazi Germany and Chernobyl. The Internet now made it 'anthropological' to embrace counter-culture patterns."
TRUMP: The new net is the 'sea of light.'
CARTER: Everyone loves a good story about humans.
TRUMP: Networking marks commerce etiquette!
CARTER: The World Bank and Wikipedia symbolize new imagination.
TRUMP: Will capitalism facilitate democracy?
CARTER: If it does, we'll all be 'cooler' about diplomacy/governance.
TRUMP: Consumerism favors light-hearted ornamentation.
CARTER: Yes, Black Friday shopping is a 'ribbon' for merchandising.
TRUMP: Perhaps the real 'wolf of Hollywood' is a youth-program profiteer.
CARTER: Fred Rogers was certainly no profiteer/pirate.
TRUMP: I can't wait for the new Hanks film, You Are My Friend.
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"Tom Hanks was busy on the set of the production of the new film about iconic American kids' intuition program Mr. Rogers' Neighborhood host Fred Rogers called You Are My Friend. There were more and more films being made about the quality of artistic podiums in modern media/entertainment, and the new civilization sense of networking aesthetics (e.g., Facebook, MySpace, etc.) made socialization evaluations rather symbolic of mob psychology. Hollywood critics wondered if the cinematic landscape was host to a den of aesthetics-unforgiving 'wolves of media'."
"American super-celebrity Leo DiCaprio was busy planning a new film about racing called Speed Racer featuring him as Racer-X, the guardian-like mysteriously-masked American race-car driver and official 'Big Brother' to the entire NASCAR 'aesthetic'. DiCaprio's new film would spotlight society's precocious focus on speed and success in this new age of commerce-traffic imagination. Why were Hollywood stars involved in more projects about macro-sociology?"
"There were celebrities on one-end of this media era spectrum and there were pedestrian servants, bureaucrats, social critics, patriots, crusaders/vigilantes, and doctors on the other end. An Internet-blogging self-proclaimed 'democracy-vigilante' named Ajay Satan was analyzing the presentation of nihilistic or anti-social characters in modern cinema and why movie-stars were interested in socialization and isolationism oriented storytelling in this new age. Ajay wanted to debate with Leo about his new alienation-exposition film The Beach."
AJAY: Are you a fan of Planet Hollywood restaurants?
LEO: I like network-symbolic companies; The Beach is about rejection.
AJAY: Yes, in the Danny Boyle film you play an American tourist named Richard.
LEO: Richard confronts the reality of darkness in the modern sea of claustrophobia.
AJAY: He explores a secret island and mediates on the nature of isolationism.
LEO: Yes, he's both a social witness of modernism philosophy and traveler in history.
AJAY: It's a complex treatise on the 'weight' of bureaucracy on the mind.
LEO: The mind may daydream about Utopia...or vainly rant about Purgatory.
AJAY: This bifurcation in socialization-concepts suggests we're curious about liberty.
LEO: The modern kids' cartoon Liberty's Kids is a nice symbol of socialization-IQ.
AJAY: It presents stories from America's history (e.g., Independence).
LEO: Media offers opportunities for individuals to glorify civics...or glamour.
AJAY: Maybe the real 'wolf of Hollywood' is someone who appreciates aesthetics-piracy.
LEO: Intellectual-property protection is the most important issue in the age of media.
AJAY: No one wants scandals about Colin Hanks (celeb-son) or Emilio Snaps (druglord).
LEO: You have to constantly monitor 'magazine-etiquette.'
"Ajay and Hanks agreed that the marketing of stories with characters symbolizing unfiltered emotions regarding the courage-paranoia and ethics-propaganda of commerce driven by profit-oriented intentions made representative 'folklore avatars' like Cyclonus (a wolfish robot) and Kitana (a bladed warrior diplomat of violence and feminism) reflective of a new kind of 'cartoon-intelligence'. If you weren't in on-the-loop about youth-audience aesthetics, you were considered a 'grumpy old man.' Video-games and cartoons were much more unrefined (intentionally) now."
"The Planet of the Apes sci-fi apocalypto-franchise featuring stories about advanced humans contending with advanced apes on a planet ambiguously 'un-mastered' by both species represented a modernism-interest in dystopian intellectualism. The franchise became very popular, and Lucifer (adversary of mankind and God) wanted to test humanity (and America) to see if it really was committed to substantive forms of revolutionary propaganda. God admonished Lucifer, reminding him that 'sweeping passions' had driven mankind towards macro-errors like Nazi Germany and Chernobyl. The Internet now made it 'anthropological' to embrace counter-culture patterns."
TRUMP: The new net is the 'sea of light.'
CARTER: Everyone loves a good story about humans.
TRUMP: Networking marks commerce etiquette!
CARTER: The World Bank and Wikipedia symbolize new imagination.
TRUMP: Will capitalism facilitate democracy?
CARTER: If it does, we'll all be 'cooler' about diplomacy/governance.
TRUMP: Consumerism favors light-hearted ornamentation.
CARTER: Yes, Black Friday shopping is a 'ribbon' for merchandising.
TRUMP: Perhaps the real 'wolf of Hollywood' is a youth-program profiteer.
CARTER: Fred Rogers was certainly no profiteer/pirate.
TRUMP: I can't wait for the new Hanks film, You Are My Friend.
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