Experience: American Horror

Abishai100

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Sep 22, 2013
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Why do Americans love horror films?

Americans arguably make the best horror films, and the 'Big 4' of horror cinema --- Michael Myers (Halloween), Freddy Krueger (A Nightmare on Elm Street), Jason (Friday the 13th), and Leatherface (The Texas Chainsaw Massacre) are all American.

Maybe America's brand of multi-cultural pedestrianism is conducive to 'everyday fears' about life turbulence.

American horror films delve into the shock of unexpected strangeness and the allure of 'empiricism consciousness,' which is why comic books perhaps are so popular in America (since comic books speak to layman curiosities about the 'experience of the other-worldly').

The great American writer Herman Melville explored the fascination with everyday experience and how it can be elevated to the level of metaphysics in strange stories such as Moby Dick and Bartleby the Scrivener.

The Halloween American horror film franchise examines the perceptible eeriness of masquerade and how it speaks to the 'experience of being surprised by a stranger.' We see a ghoulish masked serial killer named Michael Myers who prey on our sensibilities about suburban mingling.

After all, Americans make experience-rich films such as Barefoot in the Park and Toys.

So I thought it would be interesting to put an 'experience-heavy' spin on the Texas Chainsaw Massacre storyline by positing that two American Civil War soldiers (brothers) go through a time portal during a battle and end up in modern-day Texas where they both decide to become the chainsaw-wielding super-ghoul Leatherface and in the process discover the strange reality of 'American bigotry.'


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Daniel and Robert were brothers in Virginia during the American Civil War and had enlisted in the Union and Confederate armies, respectively. Daniel was the older brother and very focused on civics and frustrated about democracy corruption. Robert was the younger brother who opted to enlist with the South and was very passionate about American tradition, even if it warranted criticism.

Daniel and Robert found themselves face-to-face at the Battle of Vicksburg. Daniel couldn't believe he was shooting his rifle towards his own brother, and he became paranoid about the strangeness of politics. Robert was less concerned about brotherly betrayal but wondered what his deceased mother would think about her two sons fighting on opposite sides, and the idea excited him, oddly enough. Suddenly, the two brothers, sitting on opposite ends of the battlefield, both saw a vision of an angel opening up some kind of portal. Daniel and Robert both decided to walk through these portals.

Daniel realized he was somewhere in Texas but at some point in the future. He was still dressed in his Union outfit and wondered where his brother Robert was, and Robert was also in Texas somewhere at the same time and wondered if he could find his brother Daniel. Daniel stumbled into a saloon in Austin and asked around about the date and time, and the laughing patrons told him it was September 1995. Robert was at a hardware store where he stole a chainsaw.

It was Halloween Eve, just one month later, and Daniel and Robert were both wandering around Austin. Robert was dressed as a monster carrying his chainsaw, and he walked upon Daniel who was wearing a similar costume and also carrying a chainsaw. "So, brother, you're in Texas in 1995 too. I suppose you walked through a portal of your own. Well, I found this nifty little devastating chainsaw tool at a hardware store myself, and I suppose you're calling yourself Leatherface too!" Daniel stated to his brother Robert who couldn't believe he was seeing a mirror image of himself.

Robert knew he wanted the mantle of Leatherface, and he was willing to kill his brother to win the dubious honor. Robert asked his brother why time-travel had turned them both into monsters, and his older brooding brother Daniel coldly told him that human beings were not meant to travel through time. The two chainsaw-wielding lost souls ran towards each other, and with one swift and accurate swipe, Robert killed his older brother on a field in an Austin park on Halloween Eve. As Robert stood over the fallen body of his brother Daniel, he looked up into the sky and eerily said, "The Devil never pardons political crusaders!"

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:2up:



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In Bruges: The Batman-Leatherface 'Aesthetic'



I don't think you have to be American to appreciate this new 'shock aesthetic' emergent in modern art.

Batman (DC Comics) is a fictional masked urban vigilante who tackles criminally insane super-terrorists and ghouls such as Scarecrow (a masked terror wielding fear-toxins), Harley Quinn (a mayhem-artist), and Bane (a pumped up bully).

Leatherface is the iconic chainsaw-wielding cannibal from the Texas Chainsaw Massacre horror film franchise.

Both Batman and Leatherface represent perspectives on insanity and the will to find self-control (or contemplate self-destruction).

Batman is a vigilante, while Leatherface is a panic prophet.

The recent flurry of horror films and comics-adapted films has people talking about strange new age 'aesthetics' involving 'shock-value art,' which has boosted sales of offbeat horror films such as Hatchet and offbeat comic book anti-heroes such as Spawn and Deadpool.

Thinking about the 'insanity-dialogue' academic value of a Batman-Leatherface aesthetic can help us evaluate calamity trends in modern art.


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BATMAN: Put down that chainsaw!
LEATHERFACE: Woo!!!
BATMAN: I'll help you find God.
LEATHERFACE: Sniff!
BATMAN: We'll treat you at Arkham Asylum, troubled friend.
LEATHERFACE: Hellboy.

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Batman

Leatherface



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The Dollmaker's Muse

I wanted to re-spin the
Arabian Nights character Scheherazade (a storytelling hostage) to posit a 'landscape perspective' on ambition anthropology, to see where threads of horror art interest can arise (I've bolded the appropriate text).


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Scheherazade was delighted at her recent mini-accomplishment in her ongoing metaphysical struggle with her jailer-lord. She had helped a young girl escape from the clutches of an evil soul bargain wagering imp named Rumpelstiltskin while traveling with her lord on a trip and meeting the young girl in a neighbouring chamber in one of her lord's vacation castles in Romania. Nevertheless, she was still a prisoner to her lord, requiring to relay to him one satisfying tale every night to pardon her from the next day's bride-sacrifice death penalty. She started to think she was something of a jinx to the timeless species struggle between the genders.

Scheherazade told his lord of a prologue to one of her standard Arabian folklore/legend woven tale which involved an axe-wielding psychotic young princess named Aliyah who tried to murder every royal resident of her palace in Monaco. Scheherazade challenged her lord with a question about his willingness to save or redeem Aliyah simply because she was a woman; Scheherazade explained that the rationale of her suggestion was that women by nature draw more human sympathy, regardless of the degree of their crimes. This perplexed her lord.

Scheherazade proceeded to challenge her lord further by suggesting that since gender controversies exist by some law of psychology or nature, her being imprisoned as a blackmailed nightly storyteller was exposing her lord's gender blindness. When her lord became enraged and tried to strike at her, Scheherazade pulled out a safety-pin she found and jammed it into his eye, and as he bled to death, she lurched over his body to eerily tell him that the female storyteller is the only truly liberated sensualist. Only fate would decide if the entertainer/assassin Scheherazade would be remembered as a djinn or a deceiver.

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Arrow-Leatherface Breach

Why not pit the American urban vigilante Green Arrow (DC Comics), a super-archer, against Leatherface?


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Oliver Queen realized that his superior archery skills made him capable of tackling humanity's newest and arguably most terrifying metaphysical adversary, the chainsaw-wielding Leatherface, a psychotic cannibal terrorizing the residents in and around Austin, Texas. Oliver donned his superhero costume and went by his alter-ego name the Green Arrow, and he was confident that he could use his sensitivity towards aim and navigation in Austin to outwit and outshoot the ghoulish Leatherface, who was sure to be creating mayhem and mania on Halloween Eve that year. Green Arrow decided his arrows symbolized a human defiance of pure death and magical resilience to manic murderous instincts. "The bow and arrow are sacred," Oliver remarked.

Leatherface was in Austin on Halloween Eve, buzzing his chainsaw around in a haunted house at a carnival. Leatherface had snuck inside the haunted house and 'blended' in with the other entertaining horror-costumed carnival employees and then began his reign of blood-hunting by chasing visitors inside the haunted house. Oliver knew the carnival would draw in the true psycho, so he positioned himself on an advantageous spot on the roof of the haunted house as Green Arrow and then used his sturdy rope-gun to lower himself down onto Leatherface's back. The brute fell down, and his chainsaw landed on his own leg, gashing it deeply and causing the monster to scream out in pain.

Green Arrow hauled off a tied-up Leatherface to Arkham Asylum and turned him over to the Dark Knight and Commissioner James Gordon of the famous Gotham Police Department on the East Coast, since Arkham was the premier housing and incarceration-rehabilitation center for America's most unsightly criminally insane. Green Arrow then requested a special audience with Leatherface, so he could see if it was even possible to engage the psychopath in a psychiatrically insightful conversation. The two were separated by thick glass but heard each other over the microphone-connected PA system across their two chambers.

ARROW: Why don't you take up tennis?
LEATHERFACE: Tennis?
ARROW: Shooting an arrow requires more finesse than hurling a chainsaw.
LEATHERFACE: Chainsaw!
ARROW: The truly wise warrior knows when humility is strength.
LEATHERFACE: Strength.
ARROW: Arkham will give you plenty of mac-n-cheese.
LEATHERFACE: Yum!
ARROW: Remember, you brute, you're here to pay God.
LEATHERFACE: Mac-n-cheese!!!

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I love horror movies. America and Japan are by far the best. However, I have seen a couple good ones from Europe.
 

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