TeaBagger
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- Jan 25, 2016
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- #21
1. Mechanical rights: These are held by the person or persons who's performance was recorded (i.e. vocalist, intrumentalist, comedian etc.)
2. Copyright: These are held by anyone that had anything to do with the creative work that was recorded. (i. e. composer, lyricist, arranger etc.)
3. Publishing rights: These are the intellectual property rights to the sound recording that can be bought or sold to parties that may or may not have anything to do with the recording. The owner of these rights have control of where and how the recording is obtained or broadcast.
4. Performing rights: These are held by (ASCAP, BMI, SESAC etc.) as registered by the publisher. These organizations reserve the right to act on behalf of the publisher to obtain monies from the performance or broadcast of a sound recording
2. Copyright: These are held by anyone that had anything to do with the creative work that was recorded. (i. e. composer, lyricist, arranger etc.)
3. Publishing rights: These are the intellectual property rights to the sound recording that can be bought or sold to parties that may or may not have anything to do with the recording. The owner of these rights have control of where and how the recording is obtained or broadcast.
4. Performing rights: These are held by (ASCAP, BMI, SESAC etc.) as registered by the publisher. These organizations reserve the right to act on behalf of the publisher to obtain monies from the performance or broadcast of a sound recording
