Common Sense For The West: Op Ed From The Editor That Published The Cartoons

[Annie]

Good for WaPo for running it, too bad they wouldn't the cartoons:

http://www.washingtonpost.com/wp-dyn/content/article/2006/02/17/AR2006021702499.html

Why I Published Those Cartoons

By Flemming Rose
Sunday, February 19, 2006; B01

Childish. Irresponsible. Hate speech. A provocation just for the sake of provocation. A PR stunt. Critics of 12 cartoons of the prophet Muhammad I decided to publish in the Danish newspaper Jyllands-Posten have not minced their words. They say that freedom of expression does not imply an endorsement of insulting people's religious feelings, and besides, they add, the media censor themselves every day. So, please do not teach us a lesson about limitless freedom of speech.

I agree that the freedom to publish things doesn't mean you publish everything. Jyllands-Posten would not publish pornographic images or graphic details of dead bodies; swear words rarely make it into our pages. So we are not fundamentalists in our support for freedom of expression.

But the cartoon story is different.

Those examples have to do with exercising restraint because of ethical standards and taste; call it editing. By contrast, I commissioned the cartoons in response to several incidents of self-censorship in Europe caused by widening fears and feelings of intimidation in dealing with issues related to Islam. And I still believe that this is a topic that we Europeans must confront, challenging moderate Muslims to speak out. The idea wasn't to provoke gratuitously -- and we certainly didn't intend to trigger violent demonstrations throughout the Muslim world. Our goal was simply to push back self-imposed limits on expression that seemed to be closing in tighter.

At the end of September, a Danish standup comedian said in an interview with Jyllands-Posten that he had no problem urinating on the Bible in front of a camera, but he dared not do the same thing with the Koran.

This was the culmination of a series of disturbing instances of self-censorship. Last September, a Danish children's writer had trouble finding an illustrator for a book about the life of Muhammad. Three people turned down the job for fear of consequences. The person who finally accepted insisted on anonymity, which in my book is a form of self-censorship. European translators of a critical book about Islam also did not want their names to appear on the book cover beside the name of the author, a Somalia-born Dutch politician who has herself been in hiding.

Around the same time, the Tate gallery in London withdrew an installation by the avant-garde artist John Latham depicting the Koran, Bible and Talmud torn to pieces. The museum explained that it did not want to stir things up after the London bombings. (A few months earlier, to avoid offending Muslims, a museum in Goteborg, Sweden, had removed a painting with a sexual motif and a quotation from the Koran.)

Finally, at the end of September, Danish Prime Minister Anders Fogh Rasmussen met with a group of imams, one of whom called on the prime minister to interfere with the press in order to get more positive coverage of Islam.

So, over two weeks we witnessed a half-dozen cases of self-censorship, pitting freedom of speech against the fear of confronting issues about Islam. This was a legitimate news story to cover, and Jyllands-Posten decided to do it by adopting the well-known journalistic principle: Show, don't tell. I wrote to members of the association of Danish cartoonists asking them "to draw Muhammad as you see him." We certainly did not ask them to make fun of the prophet. Twelve out of 25 active members responded.

We have a tradition of satire when dealing with the royal family and other public figures, and that was reflected in the cartoons. The cartoonists treated Islam the same way they treat Christianity, Buddhism, Hinduism and other religions. And by treating Muslims in Denmark as equals they made a point: We are integrating you into the Danish tradition of satire because you are part of our society, not strangers. The cartoons are including, rather than excluding, Muslims.

The cartoons do not in any way demonize or stereotype Muslims. In fact, they differ from one another both in the way they depict the prophet and in whom they target. One cartoon makes fun of Jyllands-Posten, portraying its cultural editors as a bunch of reactionary provocateurs. Another suggests that the children's writer who could not find an illustrator for his book went public just to get cheap publicity. A third puts the head of the anti-immigration Danish People's Party in a lineup, as if she is a suspected criminal.

One cartoon -- depicting the prophet with a bomb in his turban -- has drawn the harshest criticism. Angry voices claim the cartoon is saying that the prophet is a terrorist or that every Muslim is a terrorist. I read it differently: Some individuals have taken the religion of Islam hostage by committing terrorist acts in the name of the prophet. They are the ones who have given the religion a bad name. The cartoon also plays into the fairy tale about Aladdin and the orange that fell into his turban and made his fortune. This suggests that the bomb comes from the outside world and is not an inherent characteristic of the prophet.

On occasion, Jyllands-Posten has refused to print satirical cartoons of Jesus, but not because it applies a double standard. In fact, the same cartoonist who drew the image of Muhammed with a bomb in his turban drew a cartoon with Jesus on the cross having dollar notes in his eyes and another with the star of David attached to a bomb fuse. There were, however, no embassy burnings or death threats when we published those.

Has Jyllands-Posten insulted and disrespected Islam? It certainly didn't intend to. But what does respect mean? When I visit a mosque, I show my respect by taking off my shoes. I follow the customs, just as I do in a church, synagogue or other holy place. But if a believer demands that I, as a nonbeliever, observe his taboos in the public domain, he is not asking for my respect, but for my submission. And that is incompatible with a secular democracy...

 

[MissileMan]

Good for WaPo for running it, too bad they wouldn't the cartoons:

http://www.washingtonpost.com/wp-dyn/content/article/2006/02/17/AR2006021702499.html

But if a believer demands that I, as a nonbeliever, observe his taboos in the public domain, he is not asking for my respect, but for my submission. And that is incompatible with a secular democracy...

Brilliant!

 

[trobinett]

Those examples have to do with exercising restraint because of ethical standards and taste; call it editing. By contrast, I commissioned the cartoons in response to several incidents of self-censorship in Europe caused by widening fears and feelings of intimidation in dealing with issues related to Islam. And I still believe that this is a topic that we Europeans must confront, challenging moderate Muslims to speak out. The idea wasn't to provoke gratuitously -- and we certainly didn't intend to trigger violent demonstrations throughout the Muslim world. Our goal was simply to push back self-imposed limits on expression that seemed to be closing in tighter.

Enough, is enough, the Danish did NOTHING wrong, or without president.

Hell, how many cartoon`s have we seen around the world, about the United States, and our President? I`ve lost count, did we nuke anybody, send the Marines in, hell no, there FUCKING CARTOON`S fer Christ sake, jeeeezzzzzz.

Muslim`s are about the thinnest skinned group I`ve EVER had the displeasure to come across.

They don`t have themselves very well planted in reality, or the modern world, to react in the manner they have.

The muslims had better start treading a LOT softer, and had better start knocking it off about threat`s, or their dream of dieing for their great, and somewhat fucked up religious leader will come true. Oh, and by the way, there ain`t no virgin`s at the end of the rainbow. I have that on good authority. Read it somewhere in Sports Illustrated.