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Edmund Biernacki (1866-1911): Discoverer of the erythrocyte sedimentation rate. On the 100th anniversary of his death

Author links open overlay panelAndrzejGrzybowskiMD, PhDabJarosławSakMD, PhDc
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Abstract
In contemporary medicine, the erythrocyte sedimentation rate (ESR) is used to assess severity in patients with such diseases as erysipelas, psoriasis, eosinophilic fasciitis, dermatomyositis, and Behçet's disease. We remember the scientific achievements of a Polish physician, the discoverer of the erythrocyte sedimentation rate (ESR), Edmund Faustyn Biernacki (1866-1911), on the 100th anniversary of his death. The practical application of ESR in clinical diagnostics in 1897 by Biernacki was little known for many years, because it was often neglected owing to the work of Robert Fåhraeus and Alf Westergren from 1921. In addition, it is also frequently omitted that before Westergren's and Fåhraeus's reports were published, ESR was also noticed by Ludwig Hirschfeld in 1917.

Introduction
The erythrocyte sedimentation rate (ESR) is used to assess the acute phase response of many inflammatory diseases. Contemporary dermatology uses the ESR test for assessing disease severity in patients with erysipelas,1, 2, 3, 4 psoriasis,5, 6, 7 eosinophilic fasciitis,8 dermatomyositis,9 and Behçet's disease.10, 11, 12 An elevated ESR is used as a key diagnostic criterion for polymyalgia rheumatica13 and an independent predictor of giant cell arteritis.14

This year, 2011, marks the 100th anniversary of the death of Edmund Faustyn Biernacki (1866-1911), a Polish physician (Figure 1), who discovered the phenomenon of ESR.

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Fig. 1
Biernacki was one of the representatives of the Polish school of philosophy of medicine15, 16 and the first scientist to use ESR17, 18 in medical diagnostics. Unfortunately, these historical facts are frequently omitted in the English language literature. It was only in the last decade of the 20th19century and the first decade of the 21st20, 21, 22, 23, 24 century that Biernacki's name has appeared. This appearance was connected to the presentation of the Polish school of philosophy of medicine and the discussion on the history of the discovery of ESR. Before this, Polish authors occasionally appealed to acknowledge Biernacki's input into the discovery of ESR.25, 26, 27, 28, 29, 30 This probably contributed to the gradual “rehabilitation” of Biernacki's contribution to this discovery; however, incomplete information concerning the discovery of ESR, which omits Biernacki's input,31 still appears even in the most recent scientific reports.32, 33 Thus, on the 100-year anniversary of Biernacki's death, it is worthwhile to briefly introduce his life and major scientific accomplishments, especially compared with the short history of ESR.

Edmund Biernacki as a physician and philosopher of medicine
The life and professional activities of Edmund Faustyn Biernacki (1866-1911) (Figure 1) coincided with the period of Partitions of Poland. In the 19th century and almost the first 2 decades of the 20th century, the Polish people had no political autonomy while remaining under the Russian, German, and Austro-Hungarian occupation. Biernacki was born in the Russian partition on December 19, 1866, in the city of Opoczno. At the age of 18, he enrolled at the Medical Faculty of the Imperial University of Warsaw. He published his first scientific papers during his medical studies, and for one of them34he received a Gold Medal in a competition announced by the Faculty of Medicine.

After graduating in 1889, Biernacki worked as an assistant in the Therapeutic Department of the Imperial University of Warsaw. There, he published many papers in the field of gastroenterology, neurology, and metabolic disorders. In the following year, he received a scholarship from the Joseph Mianowski Fund35 to conduct research in foreign research centers. First, as an assistant, he held internships in the clinics of Wilhelm Heinrich Erb (1840-1921) and Johann Hoffmann (1857-1919) in Heidelberg, and Jean-Martin Charcot (1825-1893) in Paris.

As an independent researcher, he worked in Heidelberg, Paris, and Giessen. In Paris, under the tutelage of Georges Hayem (1841-1933), he devised methods of examining the gastric contents, and while staying in Giessen at Franz Riegel's (1843-1904) clinic, he examined the importance of saliva and oral digestive physiology in the pathophysiology of digestive processes occurring in the stomach.22, 27, 28 In subsequent years of his career, as the head of the Diagnostic Department of the Imperial University of Warsaw, he devoted much effort to research in the fields of neurology, cardiology, infectious diseases, and hematology. Studies in the field of hematology, which led him to the discovery of ESR, were conducted between 1893 and 1897.

The increasing russification of the Imperial University of Warsaw, including the university clinic, was probably the main factor that caused Biernacki to change his workplace.27 In July 1897, he became department head at the Wola Hospital in Warsaw, and during this period, his fascination with methodology of medical science and philosophy of medicine began. At the turn of the century, he published 3 books concerning these issues,36, 37, 38which presented a meta-analysis of the relationships between diagnostic and therapeutic possibilities of contemporary European medicine.

The fourth book, on the theory of health and illness,39 was published after his transfer to Lviv, which remained in the Austro-Hungarian annexation. This transfer was caused by economic reasons. Because Biernacki was held in high esteem by the Lviv medical environment, in December 1902, the Medical Faculty of the University of Lviv, in recognition of his work, abandoned the procedural nostrification of his diploma. It is essential to mention that during the Partition of Poland, physicians who changed their place of work by leaving for a different partition (occupation zone) were obligated to undergo such nostrification procedure.

In 1908, at the University of Lviv, Biernacki received a title of associate professor at the Department of General and Experimental Pathology. From Lviv, he often traveled to Carlsbad, where he ran a medical practice in a local spa. He died suddenly in Lviv on December 29, 1911, at the age of 45. Unfortunately, he did not live to see the Polish nation gain independence in 1918.

Despite his premature death, his scientific achievements were quite impressive, as he published 98 scientific papers, including experimental and theoretical ones,22, 28 almost all of which were published in both Polish and German. Biernacki's contributions appeared in 21 scientific German language journals. Apart from explaining the nature of ESR, he was also the discoverer of one of the clinical manifestations of tabes dorsalis. In neurology, this symptom, which manifests itself by the analgesia of the ulnar nerve, is called the Biernacki sign.28 At the turn of the 19th and 20th centuries, Biernacki was known in the world literature as an outstanding expert on metabolic disorders. In Norden's textbook, which concerned this issue, apart from many quotes, Biernacki was described as “Der recht kritische Biernacki” (“rightly critical Biernacki”).40

The discovery of ESR
Beginning in ancient times, bloodletting with which the sick were treated, made it possible to make empirical observations on the red blood clot as being covered with a layer of whitish fluid called “crusta phlogistica” or “crusta inflammatoria.”41 In modern times, a Scottish surgeon, John Hunter (1728-1793),21 and a German physician, Hermann Nasse (1807-1892), are believed to be the discoverers of the ESR. In this context, it is also worth mentioning the London physician, William Hewson (1739-1774), considered the “father of hematology,”42 as the first person who noticed that the separation of defibrinated blood occurs more slowly than in the case of undefibrinated blood43; however, the first person to explain this phenomenon by means of an experiment and to use it in clinical diagnostics was Edmund Faustyn Biernacki.17, 18, 22, 24, 25,27, 28, 29, 30,44 The explanation of ESR that was provided by Biernacki was based on proving a close relationship between the speed of sedimentation of red blood cells and the level of fibrinogen.17, 18 Simultaneously, in 1894, Biernacki published his first reports about ESR in the Proceedings of the Warsaw Medical Society,45Wiener Medicinische Wochenschrift,46 and Zeitschrift für physiologische Chemie47; however, he did not include the evaluation of its usefulness in medical diagnostics.

In 1897, Biernacki announced the diagnostic value of ESR together with a pathophysiological explanation of this phenomenon in 2 contributions: one written in Polish in Gazeta Lekarska17 (Figure 2) and the second in German in the Deutsche Medicinische Wochenschrift18 (Fig. 3, Fig. 4). Shortly before the publication of his works describing ESR, during a meeting of the Warsaw Medical Society on June 22, 1897, Biernacki presented the 5 most important conclusions from his observations.22, 28 Those conclusions were as follows: the blood sedimentation rate and volume of residue produced is different in different individuals; blood with small amounts of red blood cells sediments faster; blood sedimentation rate depends on the level of fibrinogen in the blood plasma; during the course of febrile diseases (rheumatic fever included) with large amounts of plasma fibrinogen, the ESR is increased; in defibrinated blood, the sedimentation process is slower.27 Biernacki's findings clearly proved the clinical importance of the discovery of ESR. They indicated the sedimentary features of the plasma fibrinogen, which occurs in increased amounts in febrile disease.

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Fig. 2
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Fig. 3
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Fig. 4
The application of ESR by Biernacki in clinical diagnostics was described in detail in 1902 in a textbook on blood pathology written by Gravitz.48 In 1906, Biernacki modified his method by using a capillary pipette of his own design, called a “microsedimentator,”22, 49 instead of the original glass cylinder (Figure 4). This technique allowed the measurement of ESR after sampling of the capillary blood from the tip of the finger. The reading of the results was possible after 60 minutes. As an anticoagulant, Biernacki used powdered sodium oxalate.

It is immensely interesting that 20 years after Biernacki's publication concerning ESR, 3 independent scientists made similar “discoveries.” Those scientists were Ludwik Hirszfeld (1884-1954), Robert Sanno Fåhraeus (1888-1968), and Alf Vilhelm Albertsson Westergren (1891-1968). First in 1917, 6 years after Biernacki's death, a Polish physician of Jewish origins, who later became famous for research on blood groups and the Rh factor, Ludwik Hirszfeld50, 51 presented a report on ESR. In blood taken from patients diagnosed with malaria, Hirszfeld observed the phenomenon of ESR.52 These observations were made during his stay in Serbia during an outbreak of malaria in 1917.

A year after Hirszfeld's report, a Swedish haematologist, Robert Sanno Fåhraeus, also announced his “discovery.” He analyzed the time differences of erythrocyte sedimentation occurring in 2 groups of women: pregnant and nonpregnant. He presented the results of his work in 1918,53 and 3 years later, he extensively discussed it in the journal Acta Medica Scandinavica.54Fåhraeus saw using ESR as a possible pregnancy test.

Another scientist involved in the “discovery” of ESR was a Swedish internist, Alf Vilhelm Albertsson Westergren (1891-1968). Based on observations of the sedimentation of blood obtained from patients with pulmonary tuberculosis, he presented a similar description of the phenomenon of ESR55 as those given by Biernacki, Hirszfeld, and Fåhraeus. Westergren applied a blood-sampling method to the ESR test using sodium citrate as an anticoagulant. This method of carrying out the ESR test was later recommended by the International Council for Standardization in Hematology (ICSH).56, 57, 58 According to these recommendations, Westergren's ESR test should be performed by filling a 300-mm long pipette graduated to 200 mm with 3.8% trisodium citrate dihydrate, and blood taken from a patient (mixture ratio 1:5). Reading is made in millimeters after 60 minutes.

Westergren also defined standards for the ESR test. What is more, in 1965 he was on the expert panel on the ESR test established by the Third General Assembly of the International Committee for Standardization in Hematology.56 Hirszfeld and Fåhraeus, after hearing about the earlier publications of Biernacki, acknowledged his precedence to the discovery of the ESR. Westergren, however, in the review of the work on the ESR, did not include Biernacki's contributions.29 Hirszfeld believed that Fåhraeus's method was incomplete because he did not include anemia, which influenced the speed of ESR.52 Neither Biernacki's publications nor Hirszfeld's reports concerning ESR were mentioned in the recommendations of ICSH. These recommendations, however, do include both Fåhraeus's and Westergren's publications from 1921.56

Conclusions
This summary of the history of the discovery of the ESR is an example of the existing difficulties in the exchange of medical ideas, not only before the era of Medline and PubMed, but also at a time when medical publications were not yet dominated by the English language. Biernacki's achievements, both in the field of experimental medicine and in clinical studies, were quoted and commented on in German language medical literature,48, 59 especially until 1911. In connection with this, it should be emphasized that Biernacki's discovery is not an isolated historical fact, but a fact influencing further development of clinical diagnostics that uses the phenomenon of ESR.

Biernacki's papers17, 18 stimulated, to a very significant extent, the scientific discussion about ESR in the medical literature.48, 59 There are many causes of the lack of recognition in the medical literature of Biernacki's input into the discovery of ESR, one of which is that after Biernacki's premature death in 1911 until 1917 no mention of ESR was made in medical journals. Unfortunately, the state of “supplanting” Biernacki's achievements from the scientific awareness of the English language literature was not changed, even by Fåhraeus's opinion contained in his work on the ESR in 1921. There he states that “Biernacki has the merit of being the first to have sought to call attention to a practical clinical method of measuring in blood tests in which coagulation has been prevented, the sinking rapidity of the corpuscules.”54

On the 100th anniversary of Biernacki's death, it is worthwhile to remember his achievements as an internist, scientist-experimenter, and philosopher of medicine.

Edmund Biernacki (1866-1911): Discoverer of the erythrocyte sedimentation rate. On the 100th anniversary of his death - ScienceDirect
 
Marek Piechocki and the Polish fashion empire whose global reach has spread to Britain
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LPP, owner of the Reserved brand which took over BHS's Oxford Street flagship, has been growing rapidly
2 SEPTEMBER 2018 • 3:00PM


Marek Piechocki has built a fashion empire that spans 20 countries around Europe and the Middle East, employs 20,000 people and boasts a market value of around £3.6bn.

But while the LPP boss may be one of the wealthiest men in Poland, a lifelong refusal to have his picture taken by the media means you would be hard-pressed to find out what he looks like.

“At the beginning of the Nineties in Poland there were a lot of kidnappings,” he says when we meet at the company’s headquarters in Gdańsk on Poland’s Baltic coast.

“There was a kind of small mafia and I didn’t appear anywhere because I was thinking about my children.”

Such concerns are less of an issue in the Poland of 2018, but Piechocki continues...


Marek Piechocki and the Polish fashion empire whose global reach has spread to Britain
 
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Polish cosmetics conquering the world
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Our shampoos, hair dyes and creams are a hot commodity among Arab, Swedish and Australian women. Polish cosmetics have become a worldwide hit.
Greenpoint, a district in the New York City borough of Brooklyn where Poles have been living for decades, is a shopping destination for an increasing number of Americans living in Manhattan. Once it was Polish cuisine— dumplings and pork cutlets—that attracted visitors. Today, it’s more and more often Polish cosmetics, which are considered natural and effective. Iwona Hejmej, a journalist of the Polish diaspora newspaper Polska Gazeta, regularly comes across female customers from across the East River at Polish stores. “They are familiar with the Irena Eris or Ziaja brands and are looking for natural solutions for their skin. They get that knowledge mainly from cosmetic experts’ blogs,” Ms Hejmej tells Polska.pl.

Such customers are also increasingly likely to visit Polish manufacturers’ websites translated into English and many other languages. Joanna Cosmetic Laboratory from Izabelin near Warsaw, which for 30 years has been specializing in products based on Polish formulas, has its website in English, Slovak, Romanian and Hungarian, with product information also available in Arabic. “Iran and Saudi Arabia are one of major exports markets outside Europe,” Marek Malinowski, an export specialist of Joanna Cosmetic Laboratory, tells Polska.pl. “Arab women are fond of our hair care products, mainly those modern lines based on keratin, argan oil and silk. Hair dyes are extremely popular even though Arab hair is a little different than ours,” he explains. Hair dyes are also a major export for Delia Cosmetics, which sells its products to 50 countries, among others Finland, the Netherlands and Turkey.

Other fans of the Polish company’s hair products include Swedish and British women. They are typically more often interested in cosmetics composed of natural ingredients and prepared based on traditional recipes, such as “Granny’s Remedy” series. It contains Polish herbs and mixtures such as sweet flag, nettle, yolk paste, wheat sprouts, and beer extract. Body care products—fruit- or flower-based peelings (e.g. lilacs), manufactured since 2007—have so far cornered Polish and neighbouring markets. However, Western European female clients may well take to them soon.

Importers from all over the world could get to know the product offerings better at the biggest cosmetics fair Cosmoprof in Bologna, which this year was held between 20 and 23 March. Polish stalls were all the rage there as is the case every year. In 2014, over 100 exhibitors occupied a national pavilion of a several-hundred-metre surface. The biggest Italian daily Corriere Della Sera saw the potential of the Polish cosmetics sector, devoting it a one-page article. “Our stalls, arranged in a row and uniformly marked, made a great impression,” recalls Marek Malinowski from Joanna Cosmetics Laboratory.

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Famous Polish cosmetologists
Great predecessors paved the way for Polish companies. Max Factor (real name Maksymilian aka Michaił Faktor aka Faktorowicz), the founder of a cosmetics brand now owned by Procter&Gamble, was born in Zdunska Wola in 1872. Aged 32, he emigrated from Poland to the United States, where three years later he opened a chemist’s shop. It was him who invented tube packaging of cosmetics. His work as a film make-up artist brought him an Oscar in 1929 for his contribution to film industry.

Helena Rubinstein, real name Chaja Rubinstein, (1872-1965) was born in Krakow and emigrated to Australia in 1902, where she founded a cosmetic company under her own name. The business went so well that she moved to London in 1908 to start an international activity. After WWI broke out, she moved to the United States. In 1973, Helena Rubinstein Inc. was sold to Colgate-Palmolive, and now is owned by L’Oreal.

Currently, it’s the Inglot brand that has been taking international markets by storm. It was founded in 1983 by Wojciech Inglot (1955-2013), a chemist by profession. His first product was a liquid to clean tape recorder heads and another one was VIP, a deodorant stick. Since 1985, the company started to operate in the so-called colour cosmetics branch. Inglot products were at first sold at shopping mall stalls, to transform in time into branded outlets. Canada was the first destination for Inglot’s expansion abroad. Other stalls were launched in Dubai. Today, the company sells its products in 300 outlets in 46 countries on six continents.

According to SPC House of Media, which coordinates a programme to promote Polish cosmetics internationally, now in its fourth year, Poland is ranked sixth among European cosmetics exporters, behind the leaders: France, Italy and the Great Britain. What is more, the value of exports has been on a constant increase. Nowadays, we sell five times more cosmetics abroad than ten years ago, and in 2011 such exports reached €3.1 billion. According to the Central Statistical Office of Poland, every second piece of cosmetics manufactured in Poland is sold somewhere in over 130 countries, including the US, Trinidad or Chile.

Eveline Cosmetics, the biggest Polish exporter, sends its products to over 70 countries including Vietnam, Hong Kong, Iraq and Saudi Arabia, tailoring its offering to the needs of clients in a given country. The manufacturer also utilises ingredients unfamiliar in Poland, such as common celandine and mountain carnation that grows in the mountain ranges of Central Asia—in the Caucasus, Altay or the Himalayas. Eastern markets see successful sales of Eveline’s whitening cosmetics, while all the markets enjoy demand for products based on hyaluronic acid and a series of slimming and anti-cellulite products.

The Polish way of slimming has been appreciated by the Japanese and Vietnamese, who go for slimming products manufactured by Gdansk-based Ziaja, a company established in 1989 by a pharmacist couple. With its neat and simple packaging depicting drawings of plants used as ingredients, Ziaja is the frequent subject of blog entries by global cosmetic eco-news hunters.

Japanese women have also warmed to creams by Oceanic, a company which for 30 years has been offering allergic skin care products. Present on 27 world markets, it also exports to Dubai, Kazakhstan, Armenia and Malaysia. In Dubai, the Oceanica Oillan line is sold in the biggest chain of pharmacies, Life Pharmacy.

Dr Irena Eris Cosmetic Laboratory also owns its success to partnership with chains of pharmacies and chemists in over 40 countries where it ships its products. The company, set up in 1983 as a small beauty salon of Irena Eris, PhD in pharmacy, today is one of the best known Polish cosmetic brands worldwide. “Over the recent years we have expanded our exports in terms of both distribution and sales, recording two-digit growth every year. We have been growing in all directions, with all brands in the portfolio—selective Dr Irena Eris; Pharmaceris, sold in pharmacies; budget Lirene; and Under Twenty for teenagers,” Joanna Łodygowska, head of communications department at Dr Irena Eris Cosmetic Laboratory, tells Polska.pl. She adds that sales are particularly dynamic in the Middle East, Western Europe as well as Ukraine, Latvia and Estonia

Polish cosmetics conquering the world
 
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Following in the footsteps of Bronisław Malinowski
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100 years after the world-famous anthropologist Bronisław Malinowski, she settled among Trobrianders and followed their customs under the nickname Kadamwasila. Aleksandra Gumowska tells Polska.pl how the Trobriand Islands have changed since the father of British social anthropology carried out his research there in 1915. Her reflections can also be found in a book called Sex, Betel and Magic.
Karolina Kowalska, Polska.pl: Why did you go to the Trobriand Islands 100 years after Malinowski? Was it that you wanted to bring his work up to date?

Aleksandra Gumowska: I definitely didn’t want to repeat his work. I would never be able to do that. I’m an anthropologist by education only. Professionally, I’m a journalist. And I wanted to see the mythical Trobriand Islands through the eyes of a journalist, a place which Malinowski described and recorded on black-and-white photos, and whose description gave rise to present-day anthropology. I was curious to know what life was like there today. There might be many anthropological books on this topic but they didn’t give clear answers to my questions.

What questions?

I wanted to know simple things: how do Trobrianders live today, do they have electricity and gas, what shape are their houses, are they made of stone or thatched? I went there for several days in 2009 and felt like in one of Malinowski’s pictures. The only difference was the colours – huge green trees, sandy thatched roofs, walls made of leaves, streets among sand-coloured houses that turn dark-brown when it rains, and colourful clothes instead of grass skirts. On the one hand, nothing has changed; on the other hand, everything has changed. I wanted to check why. In 2012, I spent over a month in Papua New Guinea.

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A family photo was supposed to be the icing on the cake but I was taken ill with malaria and was too weak to even think about taking photos. In addition, I was alone, and Malinowski had his pictures taken by a local merchant, his friend.

The family missing in the picture are relatives of chief Pulayasi who “adopted” you and gave you your island name.

When I came there for the second time, I was named Kadamwasila, Kada for short, by the chief’s wife after her first daughter. The chief’s wife said I would dine with her family, and spend time with them, so I would be just like a family member. This way I joined her clan. This also explains why a pastor’s wife who had never seen me before shared her crab with me as her relative in another village. I was no stranger for her.

I suppose people often ask if you weren’t afraid of going alone into the wild.

Except it’s not wild at all! If I’d been afraid, I probably wouldn’t have gone there. But when I visited the islands for the first time in 2009, I felt quite safe and people would assure me that the Trobriand Islands had a good reputation, that they were safe. Back then I arranged my next longer stay with chief Pulayashi, and his brother kept assuring me: “Remember, next time you come, you’ll have friends”. He made a point of mentioning that once you have friends, you bring them presents.

And so you didn’t come empty-handed.

Apart from betel, a stimulating substance made of chewable pepper leaves I bought right after landing at the airport, I brought T-shirts from the Euro 2012 tournament that was taking place in Poland at the time. The Trobrianders were very grateful for my gift but made it clear that Poland was a country of poor football players. They had satellite TV, so they knew how fast our team was eliminated from the championship.

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Bronisław Malinowski
A legendary Polish anthropologist, founder of British social anthropology, was born on 7 April 1884 on Krakow. He introduced a new method of field study based on long-term, comprehensive contacts with the community under examination. An originator of the functional theory, which posits that every cultural phenomenon, even the smallest one, has a social function that’s important to the entire social system.

Graduate of the Faculty of Philosophy of the Jagiellonian University, where in 1908 he obtained his PhD for a thesis titled On the Rule of the Economy of Thinking.

Malinowski also studied at Leipzig University, and from 1910 to 1913 at the London School of Economics, University of London. In 1914-20 he conducted field research in Australia and Oceania. The writer and painter Stanisław Ignacy Witkiewicz (Witkacy) accompanied him on the first leg of his journey.

Altogether, Malinowski spent one and a half years on the Trobriand Islands, with a break in Australia for “summing up the material, receiving his doctorate in natural science, flirting(.), recuperating and matching his false teeth,” according to Aleksandra Gumowska,

The fruits of his journeys include books which form a foundation of modern anthropology: The Sexual Life of Savages in North-Western Melanesia (published in 1929), Argonauts of the Western Pacific (published in 1922), and Coral Gardens and their Magic (published in 1935). In 1927, he was appointed to the first Chair of Anthropology at the University of London. In 1936, he received an honorary degree at Harvard University, and from 1939 onwards worked as professor at Yale University in New Haven, Connecticut.

Malinowski died on 16 May 1942 in New Haven, USA.

However, not everybody was so friendly. Chief Kwaiwaya, famous for his black magic, would talk at length about how he would take care of you after your husband’s death. And pastor Rex, who accompanied you to the village of Vakuta, confessed that he would “sometimes visit the village and pick up a girl for company”. And if she informed the police, he would kidnap her and let his mates rape her. It makes your hair curl!

Frankly speaking, chief Kwaiwaya really pissed me off. He seemed to manipulate me, to make me think what a great magician he was. But fairly soon we reached a quiet compromise not to carry on with this issue. I was later told that he had often played this trick before. As for pastor Rex, he would talk about the past using the present tense. I realized that when, after enumerating some cruelties, he said: “But at some point I confided my life to God”. He had been a rapist and thief before he became a pastor.

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Unlike Malinowski, I only saw mulukwausi in the stories of others, but I must admit that ghosts come into their own in the evening on the Trobriand Islands, where moonless nights are truly pitch-dark. Mulukwausi were supposedly messing around when a boat I was sailing across the Solomon Sea in bumped into the reef and almost capsized. At least that’s what a minister of the United Church in Papua New Guinea told me. He said he saw mulukwausi in action, women who leave their bodies behind somewhere on land, and then attack sailors, overturn ships, devour crews and passengers. The minister studied the way witches behave.

And how about some more tangible threats – poisonous spiders, insects?

There are no tarantulas, or hairy spiders on the Trobriand Islands. The biggest specimens are the size of large spiders that live in Poland. There are some venomous snakes but the most serious threat comes from tiny mosquitos that spread malaria. There are also some big downy millipedes that spit up caustic venom. I once saw a teacher who accidentally pressed against such creature at night. She had a hole in her neck! That has certainly taught me to respect woodlice!

And sexual threats? Based on your book, it seems that a century on, The Sexual Life of Savages is no longer as scandalous, and the Trobrianders are in many ways more prudish than Europeans or Americans.

Married couples still show no public signs of affection towards each other. They cannot even hold their hands. Sex of teenagers, especially with many partners, is accepted and even desired. Teenagers have sex, or, translating from the Kilivila language, “they make friends”. After the wedding, however, promiscuity comes to an end. Husband and wife must be faithful to each other. Malinowski’s book was scandalous in the 1930s on account of its depictions of sexual positions, even though they took up only a fraction of a huge work dealing with social and family structures. Sex is a buzzword that lets you describe society.

It became a buzzword also for you in your brand new book about sex life of big cities.

I’m currently working on true stories about love and sexual relations in 11 world metropolises that are located along the route Jules Verne described in his novel Around the World in Eighty Days, including Hong Kong, Singapore, Mumbai, Cairo, New York and San Francisco. Those relations run into troubles everywhere you turn to. In the Trobriand Islands it’s a cultural norm prohibiting relationships within the same clan; in big cities it’s the rush, the fact that people have no time for each other, and keep chasing an ideal. And the more they look for it, the more unattainable it becomes.

Interviewed by KAROLINA KOWALSKA

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Aleksandra Gumowska
A journalist, reporter, born in 1979, currently working for Newsweek Polska, and previously for Gazeta Wyborcza and its magazines – Duży Fomat and WysokieObcasy. An anthropologist by education. She is working on a book that will describe sexual habits in the 11 biggest cities of the world, and chronicle her journey in the footsteps of Phileas Fogg, a hero of Jules Verne’s book Around the World in Eighty Days.

Sex, Belet and Magic. The Sexual Life of Savages 100 Years Later – a book published in 2014 by the Znak Publishing House is an account of Aleksandra Gumowska’s over a month stay in Papua New Guinea, and the Trobriand Islands, which the famous Polish anthropologist Bronisław Malinowski visited back in 1915. Nominated for the Beata Pawlak Award in 2014, and National Geographic’s Traveller Award in 2015.

Following in the footsteps of Bronisław Malinowski
 
Geez, Poland ain't got much to brag about, brah.
 
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Poland 3rd on the list of the 20 best countries to invest in
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  4. Poland 3rd on the list of the 20 best countries to invest in
Poland came in 3rd place on the ranking of the top 20 countries for investment published by U.S. News & World Report. The ranking is based on 8 attributes: entrepreneurship, dynamism, corruption, economic stability, favourable tax environment, innovation, skilled labour and technological expertise.


The list is part of the comprehensive 2018 Best Countries ranking, released by U.S. News.

The authors surveyed over 21,000 people in about 80 countries around the world. In the part focused on investment, U.S. News took into account scores primarily from more than 6,000 business decision makers.



Why Poland?

According to the ranking, the World Bank predicts that the Polish economy will be in good condition despite regional problems caused by Brexit and the refugee crisis in Europe. Moreover the Polish trade economy is closely tied to Germany. The assembly plants of many automotive concerns operate in Poland. Polish government supports the aerospace sector, as well as the electronics and energy industries believing that these sectors will provide opportunities for further development.



List of the 20 best countries to invest in

1. Philippines

2. Indonesia

3. Poland

4. Malaysia

5. Singapore

6. Australia

7. Spain

8. Thailand

9. India

10. Oman

11. Czech Republic

12. Finland

13. Uruguay

14. Turkey

15. Ireland

16. Netherlands

17. United Kingdom

18. Brazil

19. France

20. Chile

Poland 3rd on the list of the 20 best countries to invest in
 
Geez, Poland ain't got much to brag about, brah.

Poland's got a fabulous history, Western Europeans, and Americans, not so much.
(Unless you're into genocide, and slavery)
A fabulous history of getting your ass kicked, maybe. For the rest, there doesn't seem to be to many things for Poles to brag about, what's the best thing Poland or a Pole ever did? Aside from being crazy winter mountain climbers.
 
Geez, Poland ain't got much to brag about, brah.

Poland's got a fabulous history, Western Europeans, and Americans, not so much.
(Unless you're into genocide, and slavery)
A fabulous history of getting your ass kicked, maybe. For the rest, there doesn't seem to be to many things for Poles to brag about, what's the best thing Poland or a Pole ever did? Aside from being crazy winter mountain climbers.

Poland actually won most of it's Battles, many when severely outnumbered.

You're very ignorant, extremely arrogant, and downright obnoxious.

You are just like a Negroid, a lot of Western Europeans are if you ask me.
 
Polish WWII airmen commemorated in London
02.09.2018 09:00
An event honouring the memory of Polish pilots who fought alongside the Royal Air Force during World War II was held in the UK capital on Saturday.
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Franciszek Kornicki. Photo: Kornicki family archive/Wikimedia Commons (CC BY-SA 4.0)

Commemorations held at the historic RAF Northolt base in west London included a flyover of a Spitfire fighter plane known to have been operated by WWII airman Franciszek Kornicki, who fought in the Battle of Britain in 1940.

Kornicki, who died last November, was named the most heroic RAF Spitfire pilot in an online people’s choice poll last year. Kornicki was part of several Polish fighter squadrons including squadron 303, which shot down a record 126 German planes in the Battle of Britain.

The ceremony was attended by Polish and British air cadets, the Polish ambassador to the UK Arkady Rzegocki and Prince Edward.

The event was organised by the son of Franciszek Kornicki, Richard Kornicki, Chairman of the Polish Air Force Memorial Committee.

Richard Kornicki said: “Although the number of veteran pilots is declining each year, the number of people attending the ceremony is growing, which serves to expand the knowledge and foster the memory of Polish pilots.”

Numbering 146, Polish airmen comprised the largest group of foreigners taking part in the Battle of Britain.

Polish WWII airmen commemorated in London
 
Geez, Poland ain't got much to brag about, brah.

Poland's got a fabulous history, Western Europeans, and Americans, not so much.
(Unless you're into genocide, and slavery)
A fabulous history of getting your ass kicked, maybe. For the rest, there doesn't seem to be to many things for Poles to brag about, what's the best thing Poland or a Pole ever did? Aside from being crazy winter mountain climbers.

Poland actually won most of it's Battles, many when severely outnumbered.

You're very ignorant, extremely arrogant, and downright obnoxious.

You are just like a Negroid, a lot of Western Europeans are if you ask me.
So you have nothing amazing that a Pole ever did. Thanks for clearing that up, I assumed there must be SOMETHING.

You think negros are ignorant? lol.
 
Geez, Poland ain't got much to brag about, brah.

Poland's got a fabulous history, Western Europeans, and Americans, not so much.
(Unless you're into genocide, and slavery)
A fabulous history of getting your ass kicked, maybe. For the rest, there doesn't seem to be to many things for Poles to brag about, what's the best thing Poland or a Pole ever did? Aside from being crazy winter mountain climbers.

Poland actually won most of it's Battles, many when severely outnumbered.

You're very ignorant, extremely arrogant, and downright obnoxious.

You are just like a Negroid, a lot of Western Europeans are if you ask me.
So you have nothing amazing that a Pole ever did. Thanks for clearing that up, I assumed there must be SOMETHING.

You think negros are ignorant? lol.

I've posted many great things Poles have done through-out the Ages, not my fault you suffer from a reading disability.
 
Prussian Homage
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See also: Prussian Homage (painting)

The Prussian Homage by Jan Matejko

The Prussian coat of arms with the letter "S" (Sigismundus) and a crown around the eagle's neck, reflecting that Ducal Prussia was a fief of the Polish king and crown.

Prussian Homage by Marcello Bacciarelli
The Prussian Homage or Prussian Tribute (German: Preußische Huldigung; Polish: hołd pruski) was the formal investment of Albert of Prussia as duke of the Polish fief of Ducal Prussia.

In the aftermath of the armistice ending the Polish-Teutonic War Albert, Grand Master of the Teutonic Knights and a member of the House of Hohenzollern, visited Martin Lutherat Wittenberg and soon thereafter became sympathetic to Protestantism. On April 10, 1525, two days after signing of the Treaty of Kraków which officially ended the Polish–Teutonic War (1519–21), in the main square of the Polish capital Kraków, Albert resigned his position as Grand Master of the Teutonic Knights and received the title "Duke of Prussia" from King Zygmunt I the Old of Poland. In the deal, partially brokered by Luther, the Duchy of Prussia became the first Protestant state, anticipating the Peace of Augsburg of 1555. The investiture of a Protestant fief of Duchy of Prussia was better for Poland for strategic reasons than a Catholic fief of State of Teutonic Order in Prussia, formally subject to the Holy Roman Emperor and the Papacy.

As a symbol of vassalage, Albert received a standard with the Prussian coat of arms from the Polish king. The black Prussian eagle on the flag was augmented with a letter "S" (for Sigismundus) and had a crown placed around its neck as a symbol of submission to Poland.

Homages of Grand Masters of the Teutonic Knights[edit]
The tradition of Prussian Homages dates back to the year 1469, when, after the Thirteen Years' War, and the Second Peace of Thorn, all Grand Masters of the Teutonic Knights were obliged to pay homage to Polish rulers within six months of their election. Some Grand Masters refused to do so, claiming that the Teutonic Knights were under Papalsovereignty. Among those who refused were Martin Truchseß von Wetzhausen, Frederick of Saxony (who referred the matter to the 1495 Imperial Diet), as well as Duke Albert.

Homages of Dukes of Prussia[edit]
The Duchy of Prussia was created in 1525, and the homage of Duke Albert of Prussia took place on April 10, 1525 at Kraków. Last homage took place on October 6, 1641 in front of the Warsaw's Royal Castle. Following the Treaty of Bromberg (1657), Prussian rulers were no longer regarded as vassals of Polish kings.

Prussian Homage - Wikipedia
 
MOVEMENTS ARTISTS TIMELINES IDEAS BLOG

ARTISTS KAZIMIR MALEVICHFOR EDUCATORS
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Kazimir Malevich

Russian Painter, Sculptor, and Stage Designer

Movement: Suprematism

Born: February 26, 1879 - near Kiev, Ukraine

Died: May 15, 1935 - Leningrad, Soviet Union

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TABLE OF CONTENTS

Synopsis
Key Ideas
Most Important Art
Biography
Influences and Connections
Resources
QUOTES



1 of 6
"Academic naturalism, the naturalism of the Impressionists, Cézanneism, Cubism, etc., all these, in a way, are nothing more than dialectic methods which, as such, in no sense determine the true value of an art work."
Kazimir Malevich
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"To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth."

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Synopsis
Kazimir Malevich was the founder of the artistic and philosophical school of Suprematism, and his ideas about forms and meaning in art would eventually constitute the theoretical underpinnings of non-objective, or abstract, art. Malevich worked in a variety of styles, but his most important and famous works concentrated on the exploration of pure geometric forms (squares, triangles, and circles) and their relationships to each other and within the pictorial space. Because of his contacts in the West, Malevich was able to transmit his ideas about painting to his fellow artists in Europe and the United States, thus profoundly influencing the evolution of modern art.


Key Ideas
Malevich worked in a variety of styles, but he is mostly known for his contribution to the formation of a true Russian avant-garde post-World War I through his own unique philosophy of perception and painting, which he termed Suprematism. He invented this term because, ultimately, he believed that art should transcend subject matter -- the truth of shape and color should reign 'supreme' over the image or narrative.
More radical than the Cubists or Futurists, at the same time that his Suprematistcompositions proclaimed that paintings were composed of flat, abstract areas of paint, they also served up powerful and multi-layered symbols and mystical feelings of time and space.

Malevich was also a prolific writer. His treatises on the philosophy of art addressed a broad spectrum of theoretical problems conceiving of a comprehensive abstract art and its ability to lead us to our feelings and even to a new spirituality.
Biography
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Childhood and Early Training
Malevich was born in Ukraine to parents of Polish origin, who moved continuously within the Russian Empire in search of work. His father took jobs in a sugar factory and in railway construction, where young Kazimir was also employed in his early teenage years. Without any particular encouragement from his family, Malevich started to draw around the age of 12. With his mind set firmly on an artistic career, Malevich attended a number of art schools in his youth, starting at the Kiev School of Art in 1895.

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Kazimir Malevich Biography Continues

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Important Art by Kazimir Malevich
The below artworks are the most important by Kazimir Malevich - that both overview the major creative periods, and highlight the greatest achievements by the artist.

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The Reaper (1912-13)
Artwork description & Analysis: In The Reaper, Malevich explored the human figure through a pictorial vocabulary reminiscent of the work of the French Cubist Fernand Leger. The body and the dress of the peasant are rendered in conical and cylindrical forms adopted by Malevich from the Cubist school. The flat and vibrant palette of the painting derive from Post-Impressionism and later modernists, indicating Malevich's exposure to the dominating artistic styles of his time. The peasant theme, part of the more general modernist attraction to the "primitive" is reinterpreted from the traditional folk motif, known as Lubok, which was in vogue in popular prints and textile designs within the Russian avant-garde milieu. While still clearly figurative, this composition anticipates the move toward abstraction by the employment of abbreviated and stylized forms.

Oil on canvas - The Fine Arts Museum, Nizhnij Novgorod, Russia

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Woman With Pails: Dynamic Arrangement (1912-13)
Artwork description & Analysis: In this composition, also derived from Fernand Leger (through Paul Cézanne, who believed that all forms in nature could be reduced to the sphere, cylinder, and cone), Malevich moved more decisively toward abstraction by dissecting the figure and picture plane into a variety of interlocking geometric shapes. The figure is still identifiable, as are the pails that she carries; Malevich has not yet abandoned representation entirely. The general palette is comprised of cool colors dominated by blues and grays, though the accents of red, yellow, and ochre add to the visual dynamic of the composition, thus bringing us closer to the feeling that Malevich intended to communicate as indicated by the title. The few identifiably figurative elements, such as the figure's hand, seem to be lost inside the whirlpool of completely abstracted forms that structure the canvas.

Oil on canvas - The Museum of Modern Art, New York

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Black Square (c. 1915)
Artwork description & Analysis: Now badly cracked, the iconic Black Square was shown by Malevich in the 0.10 exhibition in Petrograd in 1915. This piece epitomized the theoretical principles of Suprematism developed by Malevich in his 1915 essay From Cubism and Futurism to Suprematism: The New Realism in Painting. Although earlier Malevich had been influenced by Cubism, he believed that the Cubists had not taken abstraction far enough. Thus, here the purely abstract shape of the black square (painted before the white background) is the single pictorial element in the composition. Even though the painting seems simple, there are such subtleties as brushstrokes, fingerprints, and colors visible underneath the cracked black layer of paint. If nothing else, one can distinguish the visual weight of the black square, the sense of an "image" against a background, and the tension around the edges of the square. But according to Malevich, the perception of such forms should always be free of logic and reason, for the absolute truth can only be realized through pure feeling. For the artist, the square represented feelings, and the white, nothingness. Additionally, Malevich saw the black square as a kind of godlike presence, an icon - or even the godlike quality in himself. In fact, Black Square was to become the new holy image for non-representational art. Even at the exhibition it was hung in the corner where an Orthodox icon would traditionally be placed in the Russian home.

Oil on canvas - Tretyakov Gallery, Moscow

More Kazimir Malevich Artwork and Analysis:


Kazimir Malevich Overview and Analysis
 
Napoleon Cybulski (1854–1919)
  • Andrzej Grzybowski
  • Krzysztof Pietrzak
  1. 1.
  2. 2.
  3. 3.
Open Access
Pioneers in Neurology
First Online: 13 February 2013
Keywords
Alpha Rhythm Peripheral Nerve Stimulation Cervical Artery Bioelectrical Activity Taste Sensation
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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Napoleon Cybulski was born on September 14, 1854, in Krzywonose, which was then in Polish territory under Russian tsaristic rule. He came from a noble family. After grammar school in Minsk, he started medical studies in Petersburg at the Military Medical Academy. In 1880 he received a diploma in medicine cum exima laude (with the highest distinction). From 1877 to 1885 he was an assistant at the Institute of Physiology. He obtained a doctorate in 1885 [2], with a thesis on the velocity of blood flow as detected by an apparatus called photohematochrometer, of his own construction. He also conducted research on the influence of the phrenic nerve on the respiration rate, and on the larynx and vagus nerves.
In 1885 he was offered the position of chairman at the Institute of Physiology at the Jagiellonian University, Kraków (now Poland, then part of the Austro-Hungarian Empire). There he was dean of the Medical Faculty, and subsequently rector of the University. In Kraków his scientific career blossomed. In 1895 he isolated the active factor from suprarenal tissue: nadnerczyna, later called adrenalin [1]. He measured and described the velocity of the blood flow in femoral and cervical arteries. He also found that an increase in intracranial pressure causes disturbances in blood flow to the brain [8].

Remaining in the same position, he continued his neurological research. Under Cybulski’s supervision, Adolf Beck (1863–1942) started pioneer studies on the activity of the cerebral cortex in response to peripheral nerve stimulation in dogs and monkeys. Electrodes were placed on the skull to record the changes in the electric potential [5]. In this way they invalidated William Horsley’s notion that these changes reflected activity of muscles of the skull. By further analyses of potential changes, they mapped out sensory regions of cerebral cortex. They also showed that the amplitude of the signal depended on the strength and kind of sensory stimulus and on the depth of anesthesia. They suspected that brain function was mediated by bioelectrical activity of neurons. Their studies on brain mapping and nerve stimulation were absolutely innovative, since they were not familiar with earlier research by Richard Caton on changes in bioelectrical activity of the dog brain during to sleep, activity and changes in behaviour. Again in cooperation with Beck, Cybulski showed that every taste sensation in the tongue was caused by a separate kind of receptor. He described the difference between afferent and efferent impulses entering and leaving the spinal cord on the basis of recordings from dorsal and ventral roots [10].

Cybulski also studied the bioelectrical activity of muscles. He used electrical stimulation to study the pathway of an electrical current through muscles, conducting his research using a capacitor of his own construction. Its construction allowed him to make the process of electric irritation very consistently and accurately [3]. Cybulski described the ‘resting current’ as a difference in potential between the interior and exterior of muscle cells caused by two different groups of ions [6]. Today, Cybulski’s resting current is called the resting potential. By explaining that this resting potential difference was the normal state of all muscle cells, he refuted Hermann’s idea that the difference resulted from cell damage. Moreover, he was the first to explain that the division into two groups of ions is caused by different permeability of membranes for various positive and negative ions. That was the new idea which completed and expanded the experiments of Du Bois Reymond and others. He used theoretical and experimental methods on an artificial model of muscle. He suspected that the ion movement caused the ‘active current’—in other words, that the electrical signals are caused by the chemical ones. To prove it, he constructed a model of muscle from a frog’s bowel membrane. By using solutions with different ion concentrations on either side of the membrane, he obtained different resting currents. Cybulski concluded that the resting potential was caused by negative ions inside and positive ions outside the muscle membrane, and that the active current was the effect of positive ion movement from the outside to the inside [6, 7]. He also indicated that temperature had a marked influence on the process. Cybulski also studied the active current in muscle in relation to the force and character of stimulation by means of two electrodes attached to muscle tissue, as well as the influence of the distance between the two stimulating electrodes on the active current. His observations later evolved into electromyography and the study of nerve conduction.

Some ideas from Cybulski’s book about hypnosis [4] were very brave and preceded Freud’s notion of the unconscious.

Between 1913 and 1914, Cybulski again studied the bioelectrical activity of the brain and found changes in the amplitude and rate of cortical electrical activity during an induced seizure [9]. It was 15 years before Berger would discover the EEG and the alpha rhythm.

He was a very loving and humble person, infecting others with his scientific enthusiasm. He authored more than 100 scientific papers and was the spiritual father of several prominent physiologists who started their careers in other Polish academic centres. Cybulski was a declared protagonist of medical education for women, and in 1891 he established the first gymnasium for girls in Kraków. He was also a member of the Kraków city council. He ran a dental surgery office to meet the financial needs of his large family and his wife Julia Rogozinska. He died of a stroke on April 26, 1919, in his university office in Kraków.

Napoleon Cybulski (1854–1919)
 
Józef Lipkowski [edytuj]


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This article is about an inventor and an émigré activist . See also: Józef Lipkowski (Pallottine) .
Józef Lipkowski
Jastroń
50px-PL_Epolet_gen_bryg.svg.png
brigadier general
Date and place of birth November 24, 1863
Rososz in Podolia
Date and place of death May 3, 1949
Przedborz
The course of service
Years of service 1912 - 1921
Armed forces Armed Forces of Bulgaria ,
Polish army
units 1 Field Artillery Regiment Lithuanian-Belarusian ,
Main Office of Army Supply
Major wars and battles The Balkan War ,
World War I ,
Polish-Bolshevik war
Subsequent work member of the management board of Zakłady Mechaniczne Ursus
Honors

Józef Lipkowski ps. Jastroń (born November 24, 1863 in Rososz in Podolia , died on May 3, 1949 in Przedbórz ) - Polish engineer , inventor, constructor, emigre activist, writer and poet, brigadier general [1] of thePolish Army .

Table of Contents
Political, social and economic activities [ edit | edit code ]
He studied various branches of industry in Paris and St. Petersburg . In 1885 he graduated from the Polytechnic Institute of École Centrale in Paris . In 1912 he was the adviser to the Staff of the Bulgarian Army during the Balkan War . During World War I, he stayed in France, being an expert in the French government for armaments and running a propaganda campaign for the independence of Poland.

In 1910 he was a co-founder of the Association of Polish Writers and Writers, and in 1917 together with Stanisław Ziembiński, Association of Polish Engineers and Technicians in France ( French Association des Ingénieurs et Techniciens Polonais en France ) - was its first chairman.

Designed, among others air brakes for the railways, an automatic tram switch and a listening device. In 1902 he patented schemes for multi-rotor helicopters - including a helicopter with 12 rotors .

He was a social and political activist, but mainly an industrialist and an economic activist. He owned industrial plants in Russia , Poland and France . He was a poet, author of memoirs and dissertations in various fields, mainly economics and politics. He published under the pseudonym Jastroń .

Service in the Polish Army [ edit | edit code ]
In 1919 he was admitted to the Polish Army as a military officer of rank VI and appointed head of the department in the Polish Military Mission in Paris. In 1920, he returned to Poland and was assigned to the Section of the War Industry in Division IV of the Staff of the Ministry of Military Affairs . He was a participant in the Polish-Bolshevik war in the rank of a volunteer canoner in the 1st Regiment of the Lithuanian-Belorussian field artillery in the 1st Lithuanian-Belarussian Division . In 1921 he was appointed the director of the Main Office of Supplying the Army.

In October 1921, by the decree of the Chief of State and Chief Commander Józef Piłsudzki , he was renamed a military officer of the rank of officer in the corps of railway officers with the use of administrative service and simultaneous relocation [2] .

He held key positions in business organizations and industry in the reserve: a member of the board of Zakłady Mechaniczne Ursus , president of Elektrobank [3] and the president of the Polish Economic Assembly. He also held managerial positions in the arms export syndicate.

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Ladislas Starevich
From Wikipedia, the free encyclopedia
(Redirected from Władysław Starewicz)

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Ladislav Starevich

Born Władysław Starewicz
August 8, 1882
Moscow, Russian Empire
Died February 26, 1965 (aged 82)
Fontenay-sous-Bois, France
Nationality Russian, Polish[1][2]
Occupation Film director, stop motion animator
Ladislav Starevich (Russian: , Polish: Władysław Starewicz; August 8, 1882 – February 26, 1965) was a Polish-Russian stop-motion animator notable as the author of the first puppet-animated film The Beautiful Lukanida (1912). He also used dead insects and other animals as protagonists of his films. Following the Russian Revolution Starevich settled in France.

Contents
Early career[edit]
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The Cameraman's Revenge (1912)" style="position: relative; margin-right: auto; margin-left: auto; width: 220px;">
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The Ant and the Grasshoper (1913)
Władysław Starewicz was born in Moscow, Russia to Polish parents[1][3] (father Aleksander Starewicz from Surviliškis near Kėdainiai and mother Antonina Legęcka from Kaunas, both from "neighbourhood nobility", in hiding after the failed Insurrection of 1863 against the Tsarist Russian domination), and had lived in Lithuania which at that time was a part of the Russian Empire. The boy was raised by his grandmother in Kaunas, then the capital of Kaunas Governorate. He attended Gymnasium in Dorpat (today Tartu, Estonia).

Starewicz had interests in a number of different areas; by 1910 he was named Director of the Museum of Natural History in Kaunas, Lithuania. There he made four short live-action documentaries for the museum. For the fifth film, Starewicz wished to record the battle of two stag beetles, but was stymied by the fact that the nocturnal creatures inevitably die whenever the stage lighting was turned on. Inspired by a viewing of Les allumettes animées [Animated Matches] (1908) by Émile Cohl, Starewicz decided to re-create the fight through stop-motion animation: by replacing the beetles' legs with wire, attached with sealing wax to their thorax, he is able to create articulated insect puppets. The result was the short film Lucanus Cervus (1910), apparently the first animated puppet film and the natal hour of Russian animation.

In 1911, Starewicz moved to Moscow and began work with the film company of Aleksandr Khanzhonkov. There he made two dozen films, most of them puppet animations using dead animals. Of these, The Beautiful Leukanida(premiere – 1912), first puppet film with a plot inspired in the story of Agamenon and Menelas, earned international acclaim (one British reviewer was tricked into thinking the stars were live trained insects), while The Grasshopper and the Ant (1911) got Starewicz decorated by the czar. But the best-known film of this period, was Mest' kinematograficheskogo operatora (Revenge of the Kinematograph Cameraman, aka The Cameraman's Revenge) (1912), a cynical work about infidelity and jealousy among the insects. Some of the films made for Khanzhonkov feature live-action/animation interaction. In some cases, the live action consisted of footage of Starewicz's daughter Irina. Particularly worthy of note is Starevich's 41-minute 1913 film The Night Before Christmas, an adaptation of the Nikolai Gogol story of the same name. The 1913 film Terrible Vengeance won the Gold Medal at an international festival in Milan in 1914, being just one of five films which won awards among 1005 contestants.[4]

During World War I, Starewicz worked for several film companies, directing 60 live-action features, some of which were fairly successful. After the October Revolution of 1917, the film community largely sided with the White Army and moved from Moscow to Yalta on the Black Sea. After a brief stay, Starewicz and his family fled before the Red Army could capture the Crimea, stopping in Italy for a while before joining the Russian émigrés in Paris.

After World War I[edit]
At this time, Władysław Starewicz changed his name to Ladislas Starevich, as it was easier to pronounce in French. He first stablished with his family in Joinville-le-pont, while he worked as a cameraman. He rapidly returned to make puppet films. He made Le mariage de Babylas (Midnight Wedding), L'épouvantail (The Scarecrow, 1921 ), Les grenouilles qui demandent un roi (alternately called Frogland and The Frogs Who Wanted a King) (1922)), Amour noir et blanc (Love in Black and White, 1923), La voix du rossignol (The Voice of the Nightingale, 1923) and La petite chateuse des rues (The Little Street Singer, 1924). In these films he was assisted first by his daughter Irina (who had changed her name to Irène) who collaborated in all his films and defended his rights, his wife Anna Zimermann, who made the costumes for the puppets and Jeane Starewitch (aka Nina Star) who was engaged by his father in some films (The Little Street Singer, The Queen of the Butterflies, The Voice of the Nightingale, The Magical clock, etc.)

In 1924, Starevich moved to Fontenay-sous-Bois, where he lived until his death in 1965. There where made the rest of his films. Among the most notable are The Eyes of the Dragon (1925), a Chinese tale with complex and wonderful sets and character design, in which Starewitch shows his talent of decorator artist and ingenious trick-filmmaker, The Town Rat and the Country Rat (1926), a parody of American slapstick films, The Magical Clock (1928), a fairy tale with amazing middle-age puppets and sets, starring Nina Star and music by Paul Dessau, The Little Parade, from Andersen's tale The Steadfast Tin Soldier. Six weeks after the premiere of The Little Parade, sound was added by Louis Nalpas company. Starewitch started a collaboration with him, wishing to make a feature full-length film: Le Roman de Renard. All his 1920s films are available on DVD.

"Le Roman de Renard"[edit]
Often mentioned as being among his best work, The Tale of the Fox (French: Le Roman de Renard, German: Reinicke Fuchs) was also his first animated feature. It was entirely made by him and his daughter, Irene. Production took place in Fontenay-sous-Bois from 1929–1930. When the film was ready, the producer, Louis Nalpas, decided to add sound by disc support but this system failed and the film was not released. German film studio UFA got interest to show the film in two parts. Sound was added in German and it premiered in Berlin in 1937. Later, in 1941, Roger Richebé (Paris Cinéma Location) produced a French sound version, which premiered on April 1941. It was the third animated feature film to have sound, after Quirino Cristiani's Peludópolis (1931) and The New Gulliver (1935) from the Soviet Union.

The "Fétiche" series (Mascott)[edit]
In 1933 Ladislas and Irene Starewitch produced and directed a film about 1000 meters title at first in the laboratory "LS 18". Under pressure from distributors, length was greatly reduced, the film became Fétiche Mascotte (The Mascot), about 600 meters, distributed in 1934. Starewitch made a contract with Marc Gelbart (Gelma Films) to make a series with this character. It was intended to make 12 episodes, but for economic reasons, only 5 where made between 1934 and 1937 and distributed in all the world. These are Fétiche prestidigitateur (The Ringmaster, 1934), Fétiche se marie (The Mascott's Wedding, 1935), Fétiche en voyage de noces (The Navigator, 1936) and Fétiche et les sirènes (The Mascott and the Mermaids, 1937) which was not released because sound could not be added. There is an unfinished film, Fétiche père de famille (The Mascott and His Family, 1938).

In 1954, L. Starewitch conceived The Hangover, using the images not included in The Mascot. Just recently, Léona Béatrice Martin-Starewitch, his granddaughter, and her husband, François Martin, started the reconstruction of the original movie from multiple copies of "The Mascot" distributed in the United Kingdom and the United States of America, negative of The Hangover and material from the archives of Ladislas Starewitch. In 2012 LS 18 has found its length and momtage from 1933. It was named Fetish 33-12.

During and after World War II[edit]
During this period (1937–1946), Starewitch ceased his productions. He expressed some intent to make commercial films, but none are known to have been produced during the war.

After World War II[edit]
In 1946 he tried to make The Midsummer Night's Dream but abandoned the project due to financial problems. Next year, he made Zanzabelle a Parisadapted from a story by Sonika Bo. In 1949, he met Alexandre Kamnka (Alkam Films), an old Russian friend, who produced Starewitch's first colour film Fleur de fougère (Fern Flower). It's based on an Eastern European story, in which a child goes to the forest to collect a fern flower, which grows during the night of Saint-Jean, and which makes wishes come true. In 1950, Fern Flower won the first prize as an animated film in the 11th International Children Film Festival in Venice Biennale. Then he started a collaboration with Sonika Bo to adapt another of her stories, "Gazouilly petit oiseau", followed by "Un dimanche de Gazouillis" (Gazouillis's Sunday picnic).

Again produced by Alkam films, Starewitch made Nose to Wind, which tells the adventures of Patapouf, a bear who escapes from school to play with his friends the rabbit and the fox. That year, his wife Anna died. Due to the success from the previous film, Winter Carousel was made, starring the bear Patapouf and the rabbit going through seasons. This was his last completed film. All his family co-labored on it, as remembers his granddaughter Léona Béatrice, whose hands can be seen in animation tests from Like Dog and Cat, Starewitch's unfinished film.

Ladislas Starewitch died on 26 February 1965, while working on Comme chien et chat (Like Dog and Cat). He was one of the few European animators to be known by name in the United States before the 1960s, largely on account of La Voix du rossignol and Fétiche Mascotte (The Tale of the Fox was not widely distributed in the US). His Russian films were known for their dark humor. He kept every puppet he made, so stars in one film tended to turn up as supporting characters in later works (the frogs from The Frogs Who Wanted a King are the oldest of these). For example, in Fétiche mascotte (1933) we can see puppets from The Scarecrow, The Little Parade, and The Magical Clock. The films are united, incredible imagination and development of techniques, like motion blur, replacement animation, multiple frame exposing, and reverse shooting.

Posterity[edit]
Since 1991, Leona Beatrice Martin-Starewitch, Ladislas Starevich's granddaughter and her husband, François Martin, restore and distribute her grandfather's films.

Filmmaker Terry Gilliam ranks The Mascot among the ten best animated movies of all time.

In 2005, Xavier Kawa-Topor and Jean Rubak joined three Starewitch short films in a feature film, with music by Jean-Marie Senia. The film, entitled Tales of the Magical Clock, contributes to the recognition by the press and the public of Starewitch Engineering.

In 2009, Wes Anderson paid homage to Le Roman de Renard in Fantastic Mr. Fox.

In 2012, a new film by Ladislas Starevich was reconstituted Fetish 33-12. This is the original version of the film The Mascot, the 1933 film about 1000 m, but decreased by 600 m distributors by the time.

In 2014, the town of Fontenay-sous-Bois and service Documentation Archive with the family Martin-Starewich organized projections of Ladislas Starewich films in municipal Kosmos cinema with the release of all the preserved films, more than 7 hours on two projection days.

Filmography[edit]
Films directed in Kaunas, Lithuania (1909–1910)[edit]
(with original titles in Polish)

  • Nad Niemnem (1909) – Beyond the River Nemunas
  • Zycie Ważek (1909) – The Life of the Dragonfly
  • Walka żuków (1909) – The Battle of the Stag Beetles
  • Piękna Lukanida (1910) – The Beautiful Lukanida (the first puppet animation film)
These films except for The Beautiful Lukanida are currently considered lost.

Films directed in Russia (1911–1918)[edit]
(with original titles in Russian)

  • Lucanus Cervus (1910) – Lucanus Cervus
  • Rozhdyestvo Obitatelei Lyesa (1911) – The Insects' Christmas
  • Aviacionnaya Nedelya Nasekomykh (1912) – Insects' Aviation Week
  • Strashnaia Myest (1912) – The Terrible Vengeance
  • Noch' Pered Rozhdestvom (1912) – The Night Before Christmas
  • Veselye Scenki Iz Zhizni Zhivotnykh (1912) – Amusing Scenes from the Life of Insects
  • Miest Kinomatograficheskovo Operatora (1912) – The Cameraman's Revenge
  • Puteshestvie Na Lunu (1912) – A Journey to the Moon
  • Ruslan I Ludmilla. (1913) – Ruslan and Ludmilla
  • Strekoza I Muravei (1913) – The Grasshopper and the Ant
  • Snegurochka. (1914) – The Snow Maiden
  • Pasynok Marsa (1914) – Mars’s Stepson
  • Kayser-Gogiel-Mogiel (1914) – Gogel-Mogel General
  • Troika (1914) – Troika
  • Fleurs Fanees 1914 – Faded Flowers
  • Le Chant Du Bagnard (1915) – The Convict's Song
  • Portret (1915) (May Be Produced By The Skobeliew Committee) – The Portrait
  • Liliya Bel'gii (1915) – The Lily of Belgium
  • Eto Tyebye Prinadlezhit (1915) – It’s Fine for You
  • Eros I Psyche (1915) – Eros and Psyche
  • Dvye Vstryechi (1916) – Two Meetings
  • Le Faune En Laisse (1916) – The Chained Faun
  • O Chom Shumielo Morie (1916) – The Murmuring Sea
  • Taman (1916) – Taman
  • Na Varshavskom Trakte (1916) – On the Warsaw Highway
  • Pan Twardowski (in Polish)(1917) – Mister Twardowski
  • Sashka-Naezdnik (1917) – Sashka the Horseman
  • K Narodnoi Vlasti (1917) – Towards People’s Power
  • Kaliostro (1918) – Cagliostro
  • Yola (1918) – Iola
  • Wij (1918) – Vij
  • Sorotchinskaia Yarmaka (1918) – The Sorotchninsk Fair
  • Maiskaya Noch (1918) – May Night
  • Stella Maris (1918) – Starfish
Films directed in France (1920–1965)[edit]
(with original titles in French)

  • Dans les Griffes de L'araignée (1920) – In The Claws of the Spider
  • Le Mariage de Babylas (1921) – Babylas’s Marriage
  • L’épouvantail (1921) – The Scarecrow
  • Les Grenouilles qui Demandent un Roi (1922) – Frogland
  • La Voix du Rossignol (1923) – The Voice of the Nightingale
  • Amour Noir et Blanc (1923) – Love In Black and White
  • La Petite Chanteuse des Rues (1924) – The Little Street Singer
  • Les Yeux du Dragon (1925) – The Eyes of the Dragon
  • Le Rat de Ville et le Rat Des Champs (1926) – The Town Rat and the Country Rat
  • La Cigale et la Fourmi (1927) – The Ant and the Grasshopper
  • La Reine des Papillons (1927) – The Queen of the Butterflies
  • L'horloge Magique (1928) – The Magic Clock
  • La Petite Parade (1928) – The Little Parade
  • Le Lion et le Moucheron (1932) – The Lion and the Fly
  • Le Lion Devenu Vieux (1932) – The Old Lion
  • Fétiche Mascotte (1933) – The Mascot
  • Fétiche Prestidigitateur (1934) – The Ringmaster
  • Fétiche se Marie (1935) – The Mascot’s Marriage
  • Fétiche en Voyage De Noces (1936) – The Navigator
  • Fétiche Chez les Sirènes (1937) – The Mascot and the Mermaids
  • Le Roman de Renard (1930–1939) – The Tale of the Fox
  • Zanzabelle a Paris (1947) – Zanzabelle in Paris
  • Fleur de Fougère (1949) – Fern Flowers
  • Gazouilly Petit Oiseau. (1953) – Little Bird Gazouilly
  • Gueule de Bois (1954) – Hangover
  • Un Dimanche de Gazouilly (1955) – Gazouilly’s Sunday Picnic
  • Nez au Vent (1956) – Nose to the Wind
  • Carrousel Boréal (1958) – Winter Carousel
  • Comme Chien et Chat (1965) – Like Dog and Cat
A documentary about Starevich called The Bug Trainer was made in 2008.

DVD Editions[edit]
  • Le monde magique de Ladislas Starewitch, Doriane Films, 2000.
Content: The Old Lion, The Town Rat and the Country Rat (1932 sound version) The mascot and Fern Flowers.

Bonus: The Town Rat and the Country Rat (1926 silent version)

  • Le Roman de Renard(The Tale of the fox), Doriane Films, 2005.
Bonus: The Navigator

  • Les Contes de l'horloge magique, Éditions Montparnasse, 2005.
Content: The Little Street Singer, The Little Parade and The Magic Clock.

  • The Cameraman's Revenge and other fantastic tales, Milestone, Image Entertainment, 2005
Content: The Cameraman's Revenge, The insect's christmas, The frogs who wanted a king (short version), The voice of the nightingale, The mascot and Winter Carrousel.

  • Les Fables de Starewitch d'aprés la Fontaine, Doriane Films, 2011.
Content: The Lion and the Fly, The Town Rat and the Country Rat (1926), The frogs who wanted a king (original version), The Ant and the Grasshopper(1927 version), The Old Lion and Comment naît et s'anime une ciné-marionnette (How a Ciné marionette born and comes to life).

Bonus: The Old Lion (French narrated version) and The Town Rat and the Country Rat (1932 version)

  • Nina Star, Doriane Films, 2013.
Content: The Sacarecrow, The Babylas's wedding, The voice of the nightingale, The Queen of the butterflies.

Bonus: The Babylas's wedding (tinted colours), The Queen of the butterflies (United Kingdom version), Comment naît et s'anime une ciné-marionnette.

  • L'homme des confins, Doriane Films, 2013.
Content: In the spider's claws, The eyes of the dragon, Love black and withe

Bonus: The eyes of the dragon (1932 sound version), Love black and withe (1932 sound version), Comment naît et s'anime une ciné-marionnette

  • Fétiche 33-12, Doriane Films, 2013
Ladislas Starevich - Wikipedia
 
The Curious Evolution of the Liberum Veto: Republican Theory and Practice in the Polish-Lithuanian Commonwealth, 1639-1705
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Creator
McKenna, Catherine J.M.
Advisor
Kaminski, Andrzej S
Abstract
Historians of the Polish-Lithuanian Commonwealth have traditionally presented the liberum veto, a parliamentary practice that allowed any member of parliament to object to any measure and thereby suspend deliberations, as a result of Polish citizens' (the szlachta's) peculiar political culture, particularly their attachment to the principles of consensus and unanimity. This assumption led scholars to focus on theoretical justifications for the abuse of the veto that began during the second half of the seventeenth century and by the middle of the eighteenth century had paralyzed the Polish parliament (the Sejm) entirely. Until now, no one has considered the advent and persistence of the veto in the context of the long struggle between the two central political ideologies of the early modern period, republicanism and absolutism. By examining the writings of republican citizens who used and defended the veto during the heated battle over constitutional reform waged in the Commonwealth during the 1660s and early 1670s, we see that the veto was initially embraced as a tool to defend republican liberty against the illegal designs of a king bent on monarchical reforms. This tactic proved disastrous for the citizens who first used the veto to suspend parliaments as their opponents quickly embraced the practice for their own selfish ends. The result was partisan gridlock as well as a theoretical impasse between those who advocated a well-regulated (but unfree) monarchy and those who advocated a free (but chaotic) republic. Not until Stanislaw Dunin Karwicki wrote his De ordinanda republica in 1704 or 1705 were republican writers able to propose a constitution that guaranteed both efficient execution of laws and security without sacrificing the positive freedoms Poles understood to be the proper end of any constitution. Although Karwicki's reforms were never put into practice, they shed invaluable light on the struggle that defined seventeenth-century politics across Europe and that in the Polish-Lithuanian Commonwealth led to the creation and curious evolution of the liberum veto.

The Curious Evolution of the Liberum Veto: Republican Theory and Practice in the Polish-Lithuanian Commonwealth, 1639-1705
 
Geez, Poland ain't got much to brag about, brah.

Poland's got a fabulous history, Western Europeans, and Americans, not so much.
(Unless you're into genocide, and slavery)
A fabulous history of getting your ass kicked, maybe. For the rest, there doesn't seem to be to many things for Poles to brag about, what's the best thing Poland or a Pole ever did? Aside from being crazy winter mountain climbers.

Poland actually won most of it's Battles, many when severely outnumbered.

You're very ignorant, extremely arrogant, and downright obnoxious.

You are just like a Negroid, a lot of Western Europeans are if you ask me.
So you have nothing amazing that a Pole ever did. Thanks for clearing that up, I assumed there must be SOMETHING.

You think negros are ignorant? lol.

I've posted many great things Poles have done through-out the Ages, not my fault you suffer from a reading disability.
So you have nothing, got it.
 
The Załuski Library (Polish: Biblioteka Załuskich, Latin: Bibliotheca Zalusciana) was built in Warsaw in 1747–1795 by Józef Andrzej Załuski and his brother, Andrzej Stanisław Załuski, both Roman Catholicbishops. The library was the first Polish public library, the largest library in Poland, and one of the earliest public libraries in Europe.[1][2]

After the Kościuszko Uprising (1794), Russian troops, acting on orders from Czarina Catherine II, seized the library's holdings and transported them to her personal collection at Saint Petersburg, where a year later it formed the cornerstone of the newly founded Imperial Public Library.[2]

In the 1920s the government of the Russian Soviet Federative Socialist Republic returned some of the former Załuski Library holdings to the recently established Second Polish Republic thanks to the Treaty of Riga. These holdings were deliberately destroyed by German troops during the planned destruction of Warsaw in October 1944, following the collapse of the Warsaw Uprising.[2][3]

Contents
History[edit]

Załuski Library under construction, by Vogel

"House of the Kings" today (ul. Daniłowiczowska 14, corner of ul. Hipoteczna 2, Warsaw)
The Załuski brothers' greatest passion was books. Józef Andrzej Załuski and his brother Andrzej Stanisław Załuskiacquired the collections of earlier Polish bibliophiles such as Jakub Zadzik, Krzysztof Opaliński, Tomasz Ujejski, Janusz Wiśniowiecki, Jerzy Mniszech and Jan III Sobieski (the latter, from his granddaughter, Maria Karolina Sobieska).

From the 1730s the brothers planned the creation of a library, and in 1747 they founded the Załuski Library (Biblioteka Załuskich). Located in the 17th-century Daniłowicz Palace in Warsaw (built for Mikołaj Daniłowicz of Żurów),[2][4] the library building had two stories (the large reading room was on the second floor) and was topped with a small tower containing an astronomical observatory.[2] The building's reconstruction in rococo style was accomplished in 1745 by Francesco Antonio Melana and his brother.[5]

The Załuski Library was considered the first Polish public library[6] and one of the largest libraries in the contemporary world.[2] In all of Europe there were only two or three libraries that could boast such holdings.[7]The library initially held some 200,000 items, which grew to some 400,000 printed items, maps and manuscripts[2][8] by the end of the 1780s. It also accumulated a collection of art, scientific instruments, and plant and animal specimens.

This library, open on Tuesdays and Thursdays from 7:00 a.m. to 7:00 p.m., asked patrons to be quiet and to say a prayer in the intention of the Załuski brothers.[7] It was prohibited to take the books outside the library, as the book theft was a growing problem, to an extent that the bishop patrons decided to ask the pope for help.[7] Responding to their request, in 1752 pope Benedict XIV issued a papal bull that threatened to excommunication individuals taking the books from this library; even that did not eliminate the problem completely.[7]


Załuski Library exlibris
After the brothers' deaths, the newly formed Commission for National Education took charge of the library, renaming it the Załuski Brothers' Library of the Republic.

Twenty years later in 1794, in the aftermath of the second Partition of Poland and Kościuszko Uprising, Russian troops, on orders from Russian Czarina Catherine II, emptied[2][9] the library and dispatched the whole collection to Saint Petersburg, where the books formed the mass of the Imperial Public Library on its formation, a year later.[2][10] Parts of the collections were damaged or destroyed as they were mishandled while being removed from the library and transported to Russia, and many were stolen.[2][7] According to the historian Joachim Lelewel, the Zaluskis' books, "could be bought at Grodno by the basket".[2]

The collection was later dispersed among several Russian libraries. Some parts of the Zaluski collection came back to Poland on two separate dates in the nineteenth century: 1842 and 1863.[2] In the 1920s, in the aftermath of the Polish-Soviet Warand the Treaty of Riga[8][11] the RSFSR's government returned around 50,000 items from the collection to Poland,[2] yet German soldiers deliberately destroyed these items during the Planned destruction of Warsaw in October 1944, after collapse of the Warsaw Uprising.[2][3][7] Only 1800 manuscripts and 30,000 printed materials from the original library survived the war.

In 1821 the library's original home was altered into a tenement house.[4] During the building's reconstruction, the busts of Polish monarchs that had originally adorned the library's interiors, and which had been hidden during the Partitions of Poland, were discovered and placed on the building's facade; hence the building came to be called the "House of the Kings" (Dom pod Królami).[4]

The building was destroyed by the Germans during World War II. After the war, it was rebuilt under the Polish People's Republic.[4]

Today's Polish National Library (Biblioteka Narodowa), founded in 1928,[2] considers itself the descendant of the Załuski Library.

Załuski Library - Wikipedia
 
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