Iraq through Iraqis' eyes

[Zhukov]

Iraq through Iraqis' eyes
Jeff Jacoby


December 17, 2004

A year after Saddam Hussein was captured, how goes the liberation of Iraq?

If a phrase like "the liberation of Iraq" strikes you as ironic, chances are most of what you know about the situation there comes from the mainstream press. After all, a tidal wave of journalism has been portraying Iraq as a chaotic mess more or less from the moment US troops entered the country. Story after story dwells on the inadequacy of the postwar planning and the drumbeat of bad news is inescapable: looting, insurgency, terrorists, kidnappings. And, always, the grimly mounting toll of Iraqi and US casualties. This is liberation?

Yes, it is. But liberations are often dangerous and turbulent, less clear-cut while they are happening than they later become in retrospect. There was chaos during the US occupation of Germany after World War II, and journalists were certain then too that military victory was being squandered through postwar blunders. In 1946, leading publications concentrated bad news in articles with headlines like "How We Botched the German Occupation" (Saturday Evening Post), "US seen 'fumbling' its job in Germany" (New York Times), and "Americans Are Losing the Victory in Europe" (Life).

But how would Iraq appear if it came to us not through the reporting of Western journalists, but through the candid testimony of the Iraqis themselves? American reporters accustomed to freedom and the rule of law experience Iraq today as a place of danger and violence. Iraqis who lived under Saddam were accustomed to tyranny, cruelty, and secret police. What do *they* make of their country today?

Last spring, three enterprising Americans -- filmmakers Eric Manes and Martin Kunert, both former producers for MTV, and Gulf War veteran Archie Drury, a former Marine -- decided to find out. They distributed 150 digital video recorders to ordinary Iraqis and asked them to film anyone or anything they thought important -- and then pass the cameras on to someone else.

From April to September, the cameras circulated from hand to hand through every region of the country. What eventually came back to the three Americans was 450 hours of raw video recorded by more than 2,000 Iraqis from all walks of life -- and not one frame of it influenced by an outside director or crew. Edited down to a taut 80 minutes, the result -- "Voices of Iraq" -- is a gripping documentary that for the first time shows Iraq as even the most skillful American journalist will never be able to show it: through the eyes and ears of Iraq's people.

"Voices of Iraq" is by turns heartbreaking, exhilarating, and inspiring. The war and its destruction is never far from the surface. One of the opening scenes is of a car bombing in Sadr City, and when a little girl is asked by her off-camera interviewer, "What do you want to tell the world about Iraq?" she answers poignantly: "These explosions are hurting everyone." A mother weeps for her son, killed in the crossfire during a fight between US soldiers and looters. There is even footage -- supplied, Drury told NPR, by a sheik from Fallujah -- of insurgents preparing a bomb.

But bad as the war is, the horror it ended -- Saddam Hussein's 24-year reign -- was worse.

In the film, a young Kurdish mother tells her daughter, who is wielding the camcorder, how she would burn herself with cigarettes to prepare for the torture she knew was coming. A policeman recalls what it was like to arrest a member of the Ba'ath Party. "You'd be scared," he says. "You'd shake with fear." One man explains that Saddam's son Uday "used to come often to Ravad Street -- every Thursday for the market -- to choose a girl to rape." A few brief clips are shown from a captured Fedayeen Saddam videotape: A blindfolded man thrown to his death from a rooftop, a man's hand getting severed, someone's tongue being cut out.

It isn't hard to understand the emotions of the man who answers, when asked how he reacted to the news of Saddam's capture, "I danced like this! I kept dancing. Then I cried."

Yet for all they have been through, Iraqis come across as incredibly optimistic, hopeful, and enthusiastic. Above all, perhaps, *normal.* In "Voices of Iraq" they film themselves flying on rides in an amusement park, dancing the night away at a graduation party, taking their kids to a playground, shopping for cell phones. A police officer mugs for the camera. Shoppers throng the streets of Suleimaniyah. A scrawny kid pumps iron with a makeshift barbell -- and makes a request of Arnold Schwarzenegger. ("I like your movies. You're a good actor. Can you please send me some real weights?")

Iraqis haven't had much experience with democracy, but we see the delight they take in the new opportunities Saddam's defeat is making possible. Two women celebrate the freedom to get a passport. An artist talks proudly about work for which he went to prison. A young woman says her dream is to be a lawyer. And one rough-looking fellow says simply, "I wish for a government elected by the Iraqi people."

Yes, it's a liberation. And the men and women we liberated, it turns out, are people just like us. The headlines dwell on the bad news, and the bad news is certainly real. But things are looking up in Iraq, as the Iraqis themselves will be happy to tell you. All someone had to do was ask.

http://www.townhall.com/columnists/jeffjacoby/jj20041217.shtml

 

[Adam's Apple]

Very good article. How this whole story turns out depends largely on the Iraqi people themselves and how they handle the opportunity for freedom they have been given.