I saw Terms of Endearment in the theater 38 years ago. Saw it again last night. It reminded me how much I dislike Shirley McClain. In fact none of the four main adult characters was likeable. That's why the SPOILER ALERT sad ending didn't break me up very much. I didn't care enough about any of the characters.
The movie is about the complicated love/hate relationship between overbearing Aurora (McLaine) and her daughter Emma (Debra Winger). Aurora disliked her daughter's unambitious husband Flap (Jeff Daniels). Flap cheats on Emma. Emma in turn cheats on Flap. And Aurora has an illicit affair with the next door ex-astronaut Garrett (Jack Nicholson).
I keep waiting for someone to tell me why the pudgy balding sleepy-eyed 5 foot 9 Nicholson is supposed to be a sex symbol. He plays the same bad-boy-love-interest-for-older-women roles in many of his movies, and I've never gotten it.
And McClain isn't the least bit attractive, and never was. Winger looked about as much like McClain's daughter as DeVito looks like Arnold Schwarzenegger. Let's think. Tall pale redhead mom - short dark-haired daughter. They couldn't have done better?
The acting was pretty good, including the that of the two boys. Winger was probably the weak link if there was one. Her performance was somewhat overwrought.
"Why doesn't she.." Scene Alert: When Garrett is standing/ sitting atop his convertible as it's splashing through the waves, with his hand on the wheel and Aurora's foot on the gas, Aurora shouts "I'm not enjoying this!" Stumper: "Why don't you just take your foot off the gas, then, Aurora?"
There was something about the tone of this movie that wasn't quite right. Summer of 42 had the same off-kilter creepy vibe. So did the television show "Family". Maybe that's true of all films that portray immorality. Maybe it's those with a super serious plot that doesn't resemble real life. Or maybe it's just too many humorless unattractive characters. I also read McClain and Winger didn't get along on the set, so maybe that was it.
And then there are the trashy leftwing 'values'. Illicit sex and cheating all the way around. This is the requirement for "Best Picture" apparently. "How much does a movie degrade societal moral values?" That's the one that gets the Oscar. I give it a 3 out of 10.
The movie is about the complicated love/hate relationship between overbearing Aurora (McLaine) and her daughter Emma (Debra Winger). Aurora disliked her daughter's unambitious husband Flap (Jeff Daniels). Flap cheats on Emma. Emma in turn cheats on Flap. And Aurora has an illicit affair with the next door ex-astronaut Garrett (Jack Nicholson).
I keep waiting for someone to tell me why the pudgy balding sleepy-eyed 5 foot 9 Nicholson is supposed to be a sex symbol. He plays the same bad-boy-love-interest-for-older-women roles in many of his movies, and I've never gotten it.
And McClain isn't the least bit attractive, and never was. Winger looked about as much like McClain's daughter as DeVito looks like Arnold Schwarzenegger. Let's think. Tall pale redhead mom - short dark-haired daughter. They couldn't have done better?
The acting was pretty good, including the that of the two boys. Winger was probably the weak link if there was one. Her performance was somewhat overwrought.
"Why doesn't she.." Scene Alert: When Garrett is standing/ sitting atop his convertible as it's splashing through the waves, with his hand on the wheel and Aurora's foot on the gas, Aurora shouts "I'm not enjoying this!" Stumper: "Why don't you just take your foot off the gas, then, Aurora?"
There was something about the tone of this movie that wasn't quite right. Summer of 42 had the same off-kilter creepy vibe. So did the television show "Family". Maybe that's true of all films that portray immorality. Maybe it's those with a super serious plot that doesn't resemble real life. Or maybe it's just too many humorless unattractive characters. I also read McClain and Winger didn't get along on the set, so maybe that was it.
And then there are the trashy leftwing 'values'. Illicit sex and cheating all the way around. This is the requirement for "Best Picture" apparently. "How much does a movie degrade societal moral values?" That's the one that gets the Oscar. I give it a 3 out of 10.
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