Best over all, Spartacus: not only is it well-written and well-acted, but behind the scenes, Kirk Douglas used the movie to (a) deliver a hammer blow to the studio system, and (b) delivered a death blow to McCarthys blacklist, by openly hiring blacklisted actors and telling Congress to go pound sand. Ill take this over Hestons stuff in Ben Hur and Ten Commandments any day.
Amazing writing: the Godfather, Casablanca, and also Silence of the Lambs. And of course Young Frankenstein.
Branaghs Henry V. The tracking scene after the battle is a masterpiece.
Some obvious stuff: All the Presidents Men, The Apartment, Goodfellas, The Caine Mutiny, Twelve Angry Men, Cyrano (I played third mandolin from the left years ago), Its a Wonderful Life, Judgment at Nuremberg, Round Midnight.
If you want to learn about Republican political paranoia and insanity, you can learn the whole thing in two bits: the fearmongering of Trouble with a Capital T from Music Man, and General Rippers explanation for nuking the Russians because the Communist plot to fluoridate our water made him impotent.
Big Country: a western that manages to tell a great story and avoid all the stupid western cliches; the female characters are fully drawn, good writing, good acting, the avoided making the pistol duel too cheesy really nice job.
Lord of the Rings, simply because it was so much better than that Ralph Bakshi crap from 30 years ago.
Old stuff: McKellens Richard III, Oliviers Lear and OToole in Lion in Winter, because I played the lead roles in all three plays; Man For All Seasons and Philadelphia Story because I directed them. Its like visiting home again. Also, the Christine Baranski version of Midsummer Nights Dream in Central Park a classic. Also Becket, although I never got to do it.
The first half hour of Amadeus before it sinks under its own weight.
Guilty pleasures: Shes the Man, an incredibly silly teen comedy, completely redeemed by Amanda Bynes who is an absolute scream (a similar breakout role was Natalie Portman, trading scenes with a funny/scary Gary Oldman in The Professional, aka Leon). And recently, Mamma Mia, just to watch Pierce Brosnan pounding away through those songs (and he wasnt all that bad).
Sneakers, just for the blind guy driving the truck.
Best musical, West Side Story.
Pleasant surprise: Julie Taymors staggering Titus, all the more stunning because the original script is one of Shakespeares rare duds.
Best animated: Yellow Submarine, by a mile. Most kids miss the brilliant dialogue. Although watching Ellen DeGeneres try to talk to a whale in Finding Nemo is up there too.
No, I dont like Hello Dolly. Im straight.