Abishai100
VIP Member
- Sep 22, 2013
- 4,970
- 252
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When we see our own image in a mirror, we may become ultra-conscious of how we valuate our self-esteem, intelligence, and even physical beauty.
A mime is a face-painted performance-artist who engages in the acting out a story through body motions, without use of speech/language. Watching mimes perform is not unlike watching a silent-film, since the content/theme of the artistic 'message' (or story) is delivered without actually hearing the performers speak.
Therefore, when we see a mime perform his craft, we become sensitive about what can be conveyed without language. Instrumental musicians (e.g., pianists) understand this artist-audience 'dynamic.'
The Mohegan Sun is a relatively successful gaming/casino center in Connecticut founded and operated by the Native-American people of the Mohegan Nation. When patrons/tourists/players go to Mohegan Sun, there is an 'unspoken' cultural 'contract' to honor the struggles of the Mohegan peoples as customers of their 'casino-shop.'
If we go to Mohegan Sun as conscious political activists regarding the democratic rights of under-represented (minority) groups working to achieve social/cultural/political recognition (and even economic aid), we may feel like we are being treated with a 'pseudo-political' mime-art 'act'!
In other words, in our modern profiteerism-gauged 'geo-political culture' (e.g., Wall Street, European Union, NATO, etc.), understanding the cultural ramifications of social initiatives can feel as charming or as confusing as witnessing a 'mime-art' act.
That's why free-speech is so important to Americans who cherish democracy and intellectual freedom, and it separates the USA philosophically from pseudo-fascist (or communist) nations in world history such as USSR, North Korea, and Nazi Germany.
This all makes me think that one of the reasons American film-makers like to make pictures in black-and-white (even modern-day film-makers who denounce the use of colors in film-making!) is because the glaring lack of color on screen forces audiences to deal with the 'subconscious complexities' of the usually-heavy cultural/political storylines/themes presented. Such films include Celebrity, Good Night and Good Luck, and Sin City.
So here's a short-story I cooked up about an American film-maker (Bryan Singer) visualizing a black-and-white modern film about a group of robbers ('crusading citizens') attempting to do a politics-themed heist of Mohegan Sun.
How would the capitalism-subjective Trump Administration respond to such consumerism-critical 'pedestrian storytelling'? The answer to such a question will illuminate if Trump is remembered as a 'token capitalist' (i.e., Trump Taj Mahal) or as a 'consumerism diplomat' (e.g., Wall Street).
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Tom Cruise, the American movie superstar, was bored with being just a 'celebrity' and wanted to use his interests in the Church of Scientology to feel more politically-active, so he started delivering messages in the media about the democratic value of religious pluralism. When one of the newsies that swarm around Cruise asked the actor what he thought about the consumerism value of the Native-American peoples-controlled Mohegan Sun casino, Cruise had to admit he was unfamiliar with the sociological activities of that establishment. Embarrassed by his ignorance, Cruise decided to stage a special 'celebrity PR bank-robbery' at Mohegan Sun to bring some welcomed and intriguing media attention to the needs of the Mohegan Nation.
Cruise recruited his friend Sebastian Stan (who had just finished work on his comic book adapted vigilantism-daydream film Captain America: Civil War) and two idealistic Internet-bloggers he found on World Discussion Forum (two Ivy League graduates and amateur sociologists named Ajay Satan and Ben Frank). The 4Some decided to call themselves the Mohegan Messengers. Cruise's plan was to break into Mohegan Sun on Halloween Eve costumed in masks of ex-Presidents (e.g., Reagan, Carter, Clinton, Nixon, etc.) and carrying video-cameras and stage a 'fake robbery of the casino.' He would then sell the tape of the staged robbery to news networks and use the video as a platform to deliver his idealistic message, "We can use the media and Americans' fascination with adventure to surprisingly promote ethnic business establishments/districts such as Chinatown and Mohegan Sun!"
The Mohegan Messengers succeeded in their daring and clever little 'media PR stunt,' and Cruise was commended in the press for his creative political consciousness. He even received a special marketing offer from the eco-activism celebrity-managed organization The Leonardo DiCaprio Foundation which was working in Europe to bring eco-activism to EuroDisney with clever celebrity-operated 'diplomatic' eco-inquiry visits. Cruise felt much better about being just an 'average wealthy movie star' and started to cook up ideas about how to link his newfound interests in the Mohegan Nation to his older interests in Scientology marketing. The American film-maker Bryan Singer got a copy of the Mohegan Sun 'media PR' robbery-video performed by the now 'infamous' Mohegan Messengers (Tom Cruise, Sebastian Stan, Ajay Satan, Ben Frank) and decided to adapt into a politically conscious provocative film about 'consumerism culture' in the modern world. The politically-active film-maker Michael Moore decided to get on board with the project and proposed that the robbers portrayed in the Singer film perform the Mohegan robbery dressed as mimes!
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A mime is a face-painted performance-artist who engages in the acting out a story through body motions, without use of speech/language. Watching mimes perform is not unlike watching a silent-film, since the content/theme of the artistic 'message' (or story) is delivered without actually hearing the performers speak.
Therefore, when we see a mime perform his craft, we become sensitive about what can be conveyed without language. Instrumental musicians (e.g., pianists) understand this artist-audience 'dynamic.'
The Mohegan Sun is a relatively successful gaming/casino center in Connecticut founded and operated by the Native-American people of the Mohegan Nation. When patrons/tourists/players go to Mohegan Sun, there is an 'unspoken' cultural 'contract' to honor the struggles of the Mohegan peoples as customers of their 'casino-shop.'
If we go to Mohegan Sun as conscious political activists regarding the democratic rights of under-represented (minority) groups working to achieve social/cultural/political recognition (and even economic aid), we may feel like we are being treated with a 'pseudo-political' mime-art 'act'!
In other words, in our modern profiteerism-gauged 'geo-political culture' (e.g., Wall Street, European Union, NATO, etc.), understanding the cultural ramifications of social initiatives can feel as charming or as confusing as witnessing a 'mime-art' act.
That's why free-speech is so important to Americans who cherish democracy and intellectual freedom, and it separates the USA philosophically from pseudo-fascist (or communist) nations in world history such as USSR, North Korea, and Nazi Germany.
This all makes me think that one of the reasons American film-makers like to make pictures in black-and-white (even modern-day film-makers who denounce the use of colors in film-making!) is because the glaring lack of color on screen forces audiences to deal with the 'subconscious complexities' of the usually-heavy cultural/political storylines/themes presented. Such films include Celebrity, Good Night and Good Luck, and Sin City.
So here's a short-story I cooked up about an American film-maker (Bryan Singer) visualizing a black-and-white modern film about a group of robbers ('crusading citizens') attempting to do a politics-themed heist of Mohegan Sun.
How would the capitalism-subjective Trump Administration respond to such consumerism-critical 'pedestrian storytelling'? The answer to such a question will illuminate if Trump is remembered as a 'token capitalist' (i.e., Trump Taj Mahal) or as a 'consumerism diplomat' (e.g., Wall Street).
====
Tom Cruise, the American movie superstar, was bored with being just a 'celebrity' and wanted to use his interests in the Church of Scientology to feel more politically-active, so he started delivering messages in the media about the democratic value of religious pluralism. When one of the newsies that swarm around Cruise asked the actor what he thought about the consumerism value of the Native-American peoples-controlled Mohegan Sun casino, Cruise had to admit he was unfamiliar with the sociological activities of that establishment. Embarrassed by his ignorance, Cruise decided to stage a special 'celebrity PR bank-robbery' at Mohegan Sun to bring some welcomed and intriguing media attention to the needs of the Mohegan Nation.
Cruise recruited his friend Sebastian Stan (who had just finished work on his comic book adapted vigilantism-daydream film Captain America: Civil War) and two idealistic Internet-bloggers he found on World Discussion Forum (two Ivy League graduates and amateur sociologists named Ajay Satan and Ben Frank). The 4Some decided to call themselves the Mohegan Messengers. Cruise's plan was to break into Mohegan Sun on Halloween Eve costumed in masks of ex-Presidents (e.g., Reagan, Carter, Clinton, Nixon, etc.) and carrying video-cameras and stage a 'fake robbery of the casino.' He would then sell the tape of the staged robbery to news networks and use the video as a platform to deliver his idealistic message, "We can use the media and Americans' fascination with adventure to surprisingly promote ethnic business establishments/districts such as Chinatown and Mohegan Sun!"
The Mohegan Messengers succeeded in their daring and clever little 'media PR stunt,' and Cruise was commended in the press for his creative political consciousness. He even received a special marketing offer from the eco-activism celebrity-managed organization The Leonardo DiCaprio Foundation which was working in Europe to bring eco-activism to EuroDisney with clever celebrity-operated 'diplomatic' eco-inquiry visits. Cruise felt much better about being just an 'average wealthy movie star' and started to cook up ideas about how to link his newfound interests in the Mohegan Nation to his older interests in Scientology marketing. The American film-maker Bryan Singer got a copy of the Mohegan Sun 'media PR' robbery-video performed by the now 'infamous' Mohegan Messengers (Tom Cruise, Sebastian Stan, Ajay Satan, Ben Frank) and decided to adapt into a politically conscious provocative film about 'consumerism culture' in the modern world. The politically-active film-maker Michael Moore decided to get on board with the project and proposed that the robbers portrayed in the Singer film perform the Mohegan robbery dressed as mimes!
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