Abishai100
VIP Member
- Sep 22, 2013
- 4,970
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Does industrialization create its own form of Orwellian-paranoia?
Anyone know?
====
Ajay Satan was a radical Internet-blogger writing crazy posts about Communism as a form of pornography and pornography as a form of Communism. Tom Hanks and Tom Cruise (super-celebrities) liked Satan's post and decided that there was great modern pedestrian chatter about populism-oriented social aesthetics (e.g., Facebook culture). Satan got readership, because Americans surfing the Web were simply interested in 'convenience philosophy' accessible as a free-exchange activity. Yep, it was the Age of Internet-Journalism (simultaneously low-brow and highly-marketable).
Ajay donned the identity of Shiva (Hindu god of destruction), Hanks adopted Vishnu (Hindu god of protection), and Cruise adopted Krishna (Hindu god of negotiation). Shiva, Vishnu, and Krishna addressed the modern civilization contradiction of pluralism-engaged commercial-exchange bereft of systematized ethnic-equality evaluations. The NAACP couldn't be expected to do everything, and Shiva, Vishnu, and Krishna looked at the modern symbolism of the African-American comic book superhero Green Lantern John Stewart (DC Comics). The 'trio of gods' believed Green Lantern John Stewart (GLJS) was a 'paragon' of pluralism-optimism.
As expected, GLJS was not an affable fellow or peace-loving hippie. He was a skilled warrior and weaponized super-force. He could make weapons-of-holograms on the fly with devastating ethereal impact, capable of rendering him invincible. GLJS was a warrior of defense, however, and was not meant for racism-oriented discussions regarding the placement of ethnic minorities as literary/comics/cinematic characters (or avatars!) in the public power pyramids. Shiva, Vishnu, and Krishna realized this truth and decided to hype GLJS as an 'ambassador' of race-relations negotiations in modern society.
As the 'trio of gods' prepared a film about the accessibility of natural environments such as rainforests untampered/uncontaminated by industrialization/civilization-pollution and toxic-waste, they used GLJS in their offbeat script. He'd be portrayed by African-American actor Denzel Washington who would provide an overvoice narration as a 'supervisor-figure' of the eco-drama. The trio of gods would evaluate how GLJS was serving as a representative of human-wide passion for life-sustainability on Earth and therefore was an 'ambassador' of his race. GLJS would investigate why mishandled or undetected toxic-waste symbolized modernism decay, while the trio of gods would study why mishandled/undetected toxic-waste symbolized modernism insanity. Was it body or mind? Who would win the argument?
As Steven Spielberg was attached to the film-project, he decided to cast actress Connie Nielsen (star of Gladiator and Mission to Mars) as DC Comics eco-terrorist anti-heroine Poison Ivy. Poison Ivy would challenge the claims and idealism of the 'trio of gods' and GLJS. However, the trio of gods would end up making private contracts with her, since she was a knowledgeable biochemist and botanist. Poison Ivy might offer insights into the nature of human curiosity about allele-diversification in the age of genetics and toxic-waste.
Americans are sensitive about toxic-waste, since of course, it makes modern civilization look irresponsible. Americans care about the EPA, the FBI, and the MLB. Americans like normally-regular daily-life activities and festivity and don't want to dread having mishandled toxic-waste lying around the niches of our unmonitored Earth-zones. Americans like stories about magical intellects 'debating' about powerful issues such as the virtue of industrialization. The Spielberg film, titled Toxic-Waste: The Ideal Hexagon was a big hit and reminded people of Soylent Green, The Andromeda Strain, and Congo. The film earned Spielberg the Nobel Prize in Media-Mythology.
Ajay Satan began working for a special computer-firm connected to IBM, evaluating how layerings of algorithms for process-request commands/communiques could fortify large sectors of American computing-networks and create a 'security e-quilt' capable of sophisticated defensibility and therefore a provinciality of the U.S. government (i.e., NSA). Ajay Satan started out as a radical Internet-blogger with dreams about being a 'radical American philosopher.' He was a fan of Frantz Fanon, Bob Ross, Bob Dylan, and Jack Kerouac. Now, he was the 'Steve Jobs of Media Myths.' This was a direct consequence of modernism machinery inventiveness.
Americans love comic book characters and storyboards about great feats of patriotic pride, courage, capitalism-optimism, and teamwork. The Justice League of America (JLA) is comprised of incredible beings capable of very unusual forms of national heroism. JLA is even being studied by history and anthropology professors/scholars at Yale University. The recently-adapted JLA film starring Ben Affleck further reminds us that outlandish stories about passion towards 'modernism ethics' (e.g., regarding industrialization/eco-pollution) seem to 'seep into' modern society. How have we evolved since the days of Sherlock Holmes?
Ajay, Hanks, and Cruise were considered new age 'media dolls.' Ajay started teaching Philosophy at Yale. He married his high-school sweetheart. Hanks and Cruise worked together with Scientology and the metaphysics-novels (Christianity-oriented) of Dan Brown. GLJS saw modest continued social appeal, and they might have referenced GLJS art for some sociocultural evaluations explored by ethnic-pluralism democracy advocates such as the NAACP. Toxic-waste was no myth, but certainly, all the populism hubbub and urban fare made commerce and capitalism 'mediums' through which to better praise 'modernism meteorology.'
THE END
====
Anyone know?
====
Ajay Satan was a radical Internet-blogger writing crazy posts about Communism as a form of pornography and pornography as a form of Communism. Tom Hanks and Tom Cruise (super-celebrities) liked Satan's post and decided that there was great modern pedestrian chatter about populism-oriented social aesthetics (e.g., Facebook culture). Satan got readership, because Americans surfing the Web were simply interested in 'convenience philosophy' accessible as a free-exchange activity. Yep, it was the Age of Internet-Journalism (simultaneously low-brow and highly-marketable).
Ajay donned the identity of Shiva (Hindu god of destruction), Hanks adopted Vishnu (Hindu god of protection), and Cruise adopted Krishna (Hindu god of negotiation). Shiva, Vishnu, and Krishna addressed the modern civilization contradiction of pluralism-engaged commercial-exchange bereft of systematized ethnic-equality evaluations. The NAACP couldn't be expected to do everything, and Shiva, Vishnu, and Krishna looked at the modern symbolism of the African-American comic book superhero Green Lantern John Stewart (DC Comics). The 'trio of gods' believed Green Lantern John Stewart (GLJS) was a 'paragon' of pluralism-optimism.
As expected, GLJS was not an affable fellow or peace-loving hippie. He was a skilled warrior and weaponized super-force. He could make weapons-of-holograms on the fly with devastating ethereal impact, capable of rendering him invincible. GLJS was a warrior of defense, however, and was not meant for racism-oriented discussions regarding the placement of ethnic minorities as literary/comics/cinematic characters (or avatars!) in the public power pyramids. Shiva, Vishnu, and Krishna realized this truth and decided to hype GLJS as an 'ambassador' of race-relations negotiations in modern society.
As the 'trio of gods' prepared a film about the accessibility of natural environments such as rainforests untampered/uncontaminated by industrialization/civilization-pollution and toxic-waste, they used GLJS in their offbeat script. He'd be portrayed by African-American actor Denzel Washington who would provide an overvoice narration as a 'supervisor-figure' of the eco-drama. The trio of gods would evaluate how GLJS was serving as a representative of human-wide passion for life-sustainability on Earth and therefore was an 'ambassador' of his race. GLJS would investigate why mishandled or undetected toxic-waste symbolized modernism decay, while the trio of gods would study why mishandled/undetected toxic-waste symbolized modernism insanity. Was it body or mind? Who would win the argument?
As Steven Spielberg was attached to the film-project, he decided to cast actress Connie Nielsen (star of Gladiator and Mission to Mars) as DC Comics eco-terrorist anti-heroine Poison Ivy. Poison Ivy would challenge the claims and idealism of the 'trio of gods' and GLJS. However, the trio of gods would end up making private contracts with her, since she was a knowledgeable biochemist and botanist. Poison Ivy might offer insights into the nature of human curiosity about allele-diversification in the age of genetics and toxic-waste.
Americans are sensitive about toxic-waste, since of course, it makes modern civilization look irresponsible. Americans care about the EPA, the FBI, and the MLB. Americans like normally-regular daily-life activities and festivity and don't want to dread having mishandled toxic-waste lying around the niches of our unmonitored Earth-zones. Americans like stories about magical intellects 'debating' about powerful issues such as the virtue of industrialization. The Spielberg film, titled Toxic-Waste: The Ideal Hexagon was a big hit and reminded people of Soylent Green, The Andromeda Strain, and Congo. The film earned Spielberg the Nobel Prize in Media-Mythology.
Ajay Satan began working for a special computer-firm connected to IBM, evaluating how layerings of algorithms for process-request commands/communiques could fortify large sectors of American computing-networks and create a 'security e-quilt' capable of sophisticated defensibility and therefore a provinciality of the U.S. government (i.e., NSA). Ajay Satan started out as a radical Internet-blogger with dreams about being a 'radical American philosopher.' He was a fan of Frantz Fanon, Bob Ross, Bob Dylan, and Jack Kerouac. Now, he was the 'Steve Jobs of Media Myths.' This was a direct consequence of modernism machinery inventiveness.
Americans love comic book characters and storyboards about great feats of patriotic pride, courage, capitalism-optimism, and teamwork. The Justice League of America (JLA) is comprised of incredible beings capable of very unusual forms of national heroism. JLA is even being studied by history and anthropology professors/scholars at Yale University. The recently-adapted JLA film starring Ben Affleck further reminds us that outlandish stories about passion towards 'modernism ethics' (e.g., regarding industrialization/eco-pollution) seem to 'seep into' modern society. How have we evolved since the days of Sherlock Holmes?
Ajay, Hanks, and Cruise were considered new age 'media dolls.' Ajay started teaching Philosophy at Yale. He married his high-school sweetheart. Hanks and Cruise worked together with Scientology and the metaphysics-novels (Christianity-oriented) of Dan Brown. GLJS saw modest continued social appeal, and they might have referenced GLJS art for some sociocultural evaluations explored by ethnic-pluralism democracy advocates such as the NAACP. Toxic-waste was no myth, but certainly, all the populism hubbub and urban fare made commerce and capitalism 'mediums' through which to better praise 'modernism meteorology.'
THE END
====
