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In Egypt, and across the Arab world, writers are waking up to the transforming shock of a successful – if unfinished - revolution. From Cairo above all, fiction which depicted the vanquished uprisings of modern Arab history – and the bitter aftermath of defeat – had become a staple of dissident writing. Long before Twitter and Facebook, Arab literature had pleaded for liberation - and shown why that call would have to fail.
From the violently quashed anti-British student protests of February 1946 to the anti-Sadat bread riots of 1977 and more recent spasms of rage against the state machine, writers such as Latifa al-Zayyat, Ibrahim Aslan and Radwa Ashour have made the Cairo rebel rally and its suppression a symbol of thwarted hope. Tahrir Square often took a starring role.
Now all is changed – changed utterly. Across the region, generations of Arab authors pined for freedom but soberly expected no more than stupid censorship at best, torture, jail and exile at worst. As the Lebanese novelist Elias Khoury told me outside the walls of the Alhambra in Granada a couple of years ago, "The problem of the Arabic book is the problem of Arabic society. It is dictatorship and censorship. And this censorship isn't only against writers and books – it's against the whole society."
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