Poet's Corner

[Ringtone]

Private Altars
by Michael Rawlings (a.k.a., Ringtone)​

I have seen the blood that flows from Private altars,
That glistens on wasted flesh and bone.
I have seen the tiny severed Fingers—

pink, adrift in murky, black waters.​

In all my feverish dreams I hear their muted screams,
And in their eyes, those bewildered eyes turned on callous faces,
I see a plea . . . and the wounded face of God.
“It is our Right!” they rant. “Our Right!”
“Yes,” I whisper, small and foolish,
“But the Babies, the little Babies.”

 

[Ringtone]

Washroom Meditations in Blue
by Michael Rawlings (a.k.a., Ringtone)​

Have you ever stood in crowded halls and listened to the footfalls

that approach you and pass you and leave you stranded?​

Have you ever sensed the faint and weightless drift beyond the temporal stream?
Did you touch it?
Did you taste it?
Were you frightened?
Have you ever stood in the pouring rain?
Or felt a Dread so acute that you believed yourself to be teetering

on the very edge of the blackest hole in your brain?​

Did you fall?
Have you ever walked on a rainbow?
Or felt the touch of a child’s hand—frail and tiny—

wrap itself around your smallest finger?​

Did the air hold its breath?
Did time stop?
Did you stop?
I should have been a monstrous insect, with fetid breath,

hanging on your bedroom wall.​

 

[Ringtone]

Dulce et Decorum est

by Wilfred Owen


Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys! An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

One of my all time favorites. It always brings to mind Dover Beach for me and vice versa:

Dover Beach
BY MATTHEW ARNOLD
The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

 

[Gdjjr]

I guess I prefer poetry set to music- there are lots of songs that are great poetry- I've written a few myself- the first probably 50 years ago

When Daddy left home, I was just a kid
I can't recall exactly what he did
But I can re mem ber, just as plain as day
The smile, on my Daddy's face

It was the smile, of a man born free
Free as a west Texas breeze
I know that I started in right then
wanting to be, a west Texas wind

I wanted to come and go as I pleased, do what I wanted to do
and mama knew as I grew older, what I was up to
She begged me to stay at home with her, begged me to stay in school
but, I knew that I couldn't stay anymore
so I kissed her good bye as I headed for the door

With a smile on my face of a man born free
Free as a west Texas breeze
I know that I started in right then
wanting to be, a - west- Texas- wind

 

[lg325]

A video of A reading of Poes Anna Bell Lee

 

[lg325]

Some Rudyard Kipling
If....

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream — and not make dreams your master;
If you can think — and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with Kings — nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And which is more: you'll be a Man, my son!
© by owner. provided at no charge for educational purposes
Like (658) 326

The Law Of The Jungle

Now this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.


Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.
Keep peace with the Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey!
© by owner. provided at no charge for educational purposes
Read more →
Like (25) 8

The Way Through The Woods

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate.
(They fear not men in the woods,
Because they see so few)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods….
But there is no road through the woods.
Line 20 There has seen much debate about the meaning of "skirt" at this point with 3 basic meanings predominant.
either
a 'skirt' is the hairy part of a horse tail
or
a "skirt" is an archaic word for part of a saddle
or
a "skirt" is an item of woman's clothing.

There is a apparently a letter from Kipling to his sister about a poem with a phantom and a female rider (See Kipling Society web site) but the poem is unspecified and the point is still in doubt as to which of the 3 legitimate references Kipling intended.
As in many things the readers are invited to interpret the meaning for themselves.
© by owner. provided at no charge for educational purposes
Read more →
Like (19) 21



Guestbook (4)Related poets:

(46)John Masefield

 

[lg325]

Still air
Rumble noise like machine
Freight train sound deafening
Wood splits, house shakes
Tornado passing

 

[lg325]

Untitled
BY JAMES BALDWIN
Lord,
when you send the rain
think about it, please,
a little?
Do
not get carried away
by the sound of falling water,
the marvelous light
on the falling water.
I
am beneath that water.
It falls with great force
and the light
Blinds
me to the light.

 

[lg325]

The Garden by Moonlight
BY AMY LOWELL
A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope and night-scented stock.
The garden is very still,
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.
Firefly lights open and vanish
High as the tip buds of the golden glow
Low as the sweet alyssum flowers at my feet.
Moon-shimmer on leaves and trellises,
Moon-spikes shafting through the snow ball bush.
Only the little faces of the ladies’ delight are alert and staring,
Only the cat, padding between the roses,
Shakes a branch and breaks the chequered pattern
As water is broken by the falling of a leaf.
Then you come,
And you are quiet like the garden,
And white like the alyssum flowers,
And beautiful as the silent sparks of the fireflies.
Ah, Beloved, do you see those orange lilies?
They knew my mother,
But who belonging to me will they know
When I am gone.

Source: Pictures of the Floating World (1919)

 

[lg325]

Changing The Past

© Donna More By Donna
Published: July 2011
The past is the past for a reason.
That is where it is supposed to stay,
But some cannot let it go.
In their heads it eats away

Until all their focus becomes
The person they used to be,
The mistakes they made in their life.
Oh, if only they could see

That you cannot change what happened,
No matter how hard you try,
No matter how much you think about it,
No matter how much you cry.

What happens in your lifetime
Happens for reasons unknown,
So you have to let the cards unfold.
Let your story be shown.

Don't get wrapped up in the negative.
Be happy with what you have been given.
Live for today not tomorrow.
Get up, get out, and start living,

Because the past is the past for a reason.
It's been, and now it is gone,
So stop trying to think of ways to fix it.
It's done, it's unchangeable; move on.
Advertisement



Source: Poem About Letting Go Of The Past, Changing The Past

 

[lg325]

By Edgar Guest More Edgar Guest
Home is the place where the laughter should ring,
And man should be found at his best.
Let the cares of the day be as great as they may,
The night has been fashioned for rest.
So leave at the door when the toiling is o'er
All the burdens of worktime behind,
And just be a dad to your girl or your lad--
A dad of the rollicking kind.

The office is made for the tasks you must face;
It is built for the work you must do;
You may sit there and sigh as your cares pile up high,
And no one may criticize you;
You may worry and fret as you think of your debt,
You may grumble when plans go astray,
But when it comes night, and you shut your desk tight,
Don't carry the burdens away.

Keep daytime for toil and the nighttime for play,
Work as hard as you choose in the town,
But when the day ends, and the darkness descends,
Just forget that you're wearing a frown--
Go home with a smile! Oh, you'll find it worth while;
Go home light of heart and of mind;
Go home and be glad that you're loved as a dad,
A dad of the fun-loving kind.








Source: Home And The Office By Edgar Guest, Famous Family Poem

 

[lg325]

Rural morning
Cold seeps in the house,
me under the blankets ,snug as a mouse.
Smells of coffee ,bacon and eggs,
causes me to rise and start my day.
Dark sky gives way to rising sun.
School bus coming, I need to run.
Seats are cold ,children still drowsy,
driver silent, glad no ones rowdy.
Childhood Memory

 

[gtopa1]

"Get Drunk!" - by Charles Baudelaire

One should always be drunk. That's all that matters;
that's our one imperative need. So as not to feel Time's
horrible burden one which breaks your shoulders and bows

you down, you must get drunk without cease.

But with what?
With wine, poetry, or virtue
as you choose.
But get drunk.

And if, at some time, on steps of a palace,
in the green grass of a ditch,
in the bleak solitude of your room,
you are waking and the drunkenness has already abated,
ask the wind, the wave, the stars, the clock,
all that which flees,
all that which groans,
all that which rolls,
all that which sings,
all that which speaks,
ask them, what time it is;
and the wind, the wave, the stars, the birds, and the clock,
they will all reply:

"It is time to get drunk!"

So that you may not be the martyred slaves of Time,
get drunk, get drunk,
and never pause for rest!
With wine, poetry, or virtue,
as you choose!"'

 

[lg325]

The Invitation

By Oriah Mountain Dreamer More Oriah Mountain Dreamer
It doesn't interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart's longing.

It doesn't interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.

It doesn’t interest me
what planets are
squaring your moon...
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life's betrayals
or have become shrivelled and closed
from fear of further pain.

I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it.

I want to know
if you can be with joy
mine or your own
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us
to be careful
to be realistic
to remember the limitations
of being human.

It doesn't interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.

I want to know if you can see Beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.

I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
"Yes."

It doesn't interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.

It doesn't interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.

It doesn't interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.

I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments









Source: The Invitation By Oriah Mountain Dreamer, Famous Inspirational Poem

 

[gtopa1]

The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls,
As if that soul were fled. --
So sleeps the pride of former days,
So glory's thrill is o'er,
And hearts, that once beat high for praise,
Now feel that pulse no more.

No more to chiefs and ladies bright
The harp of Tara swells;
The chord alone, that breaks at night,
Its tale of ruin tells.
Thus Freedom now so seldom wakes,
The only throb she gives,
Is when some heart indignant breaks,
To show that still she lives.
Thomas Moore

The Harp That Once Through Tara's Halls - The Harp That Once Through Tara's Halls Poem by Thomas Moore

Read The Harp That Once Through Tara's Halls poem by Thomas Moore written. The Harp That Once Through Tara's Halls poem is from Thomas Moore poems. The Harp That Once Through Tara's Halls poem summary, analysis and comments.

www.poemhunter.com

 

[gtopa1]

The Lay of the last Minstrel

NTRODUCTION.
The way was long, the wind was cold,
The Minstrel was infirm and old;
His withered cheek and tresses gray,
Seemed to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.
The last of all the Bards was he,
Who sung of Border chivalry;
For, well-a-day! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppressed,
Wished to be with them, and at rest.
No more, on prancing palfrey borne,
He carolled, light as lark at morn;
No longer, courted and caressed,
High placed in hall, a welcome guest,
He poured, to lord and lady gay,
The unpremeditated lay;
Old times were changed, old manners gone,
A stranger filled the Stuarts' throne;
The bigots of the iron time
Had called his harmless art a crime.
A wandering harper, scorned and poor,
He begged his bread from door to door;
And tuned, to please a peasant's ear,
The harp, a King had loved to hear.

He passed where Newark's stately tower
Looks out from Yarrow's birchen bower:
The Minstrel gazed with wishful eye--
No humbler resting place was nigh.
With hesitating step, at last,
The embattled portal-arch he passed,
Whose ponderous grate, and massy bar,
Had oft rolled back the tide of war,
But never closed the iron door
Against the desolate and poor.
The Duchess marked his weary pace,
His timid mien, and reverend face,
And bade her page the menials tell,
That they should tend the old man well:
For she had known adversity,
Though born in such a high degree;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody tomb!

When kindness had his wants supplied,
And the old man was gratified,
Began to rise his minstrel pride.
And he began to talk, anon,
Of good Earl Francis, dead and gone,
And of Earl Walter, rest him God!
A braver ne'er to battle rode:
And how full many a tale he knew,
Of the old warriors of Buccleuch;
And, would the noble Duchess deign
To listen to an old man's strain,
Though stiff his hand, his voice though weak,
He thought even yet, the sooth to speak,
That, if she loved the harp to hear,
He could make music to her ear.

The humble boon was soon obtained;
The aged Minstrel audience gained.
But, when he reached the room of state,
Where she, with all her ladies, sate,
Perchance he wished his boon denied;
For, when to tune his harp he tried,
His trembling hand had lost the ease,
Which marks security to please;
And scenes, long past, of joy and pain,
Came wildering o'er his aged brain--
He tried to tune his harp in vain.
The pitying Duchess praised its chime,
And gave him heart, and gave him time,
Till every string's according glee
Was blended into harmony.
And then, he said, he would full fain
He could recal an ancient strain,
He never thought to sing again.
It was not framed for village churls,
But for high dames and mighty earls;
He had played it to King Charles the Good,
When he kept court in Holyrood;
And much he wished, yet feared, to try
The long-forgotten melody.

Amid the strings his fingers strayed,
And an uncertain warbling made--
And oft he shook his hoary head.
But when he caught the measure wild,
The old man raised his face, and smiled;
And lightened up his faded eye,
With all a poet's extacy!
In varying cadence, soft or strong,
He swept the sounding chords along;
The present scene, the future lot,
His toils, his wants, were all forgot;
Cold diffidence, and age's frost,
In the full tide of song were lost.
Each blank, in faithless memory void,
The poet's glowing thought supplied;
And, while his harp responsive rung,
'Twas thus the LATEST MINSTREL sung..........

(too long to post in full of course ...)

Sir Walter Scott: The Lay of the Last Minstrel.

Greg

 

[gtopa1]

A poem Put into song version for a popular movie.

 

[gtopa1]

Oft, in the Stilly Night
Thomas Moore 1779 (Dublin) – 1852 (Bromham)

Oft, in the stilly night,
Ere slumber's chain has bound me,
Fond memory brings the light
Of other days around me;
The smiles, the tears,
Of boyhood's years,
The words of love then spoken;
The eyes that shone,
Now dimm'd and gone,
The cheerful hearts now broken!
Thus, in the stilly night,
Ere slumber's chain hath bound me,
Sad memory brings the light
Of other days around me.

When I remember all
The friends, so link'd together,
I've seen around me fall,
Like leaves in wintry weather;
I feel like one
Who treads alone
Some banquet-hall deserted,
Whose lights are fled,
Whose garlands dead,
And all but he departed!
Thus, in the stilly night,
Ere slumber's chain has bound me,
Sad memory brings the light
Of other days around me.

 

[lg325]

Life's Scars

By Ella Wheeler Wilcox More Ella Wheeler Wilcox
They say the world is round, and yet
I often think it square,
So many little hurts we get
From corners here and there.
But one great truth in life I've found,
While journeying to the West-
The only folks who really wound
Are those we love the best.

The man you thoroughly despise
Can rouse your wrath, 'tis true;
Annoyance in your heart will rise
At things mere strangers do;
But those are only passing ills;
This rule all lives will prove;
The rankling wound which aches and thrills
Is dealt by hands we love.

The choicest garb, the sweetest grace,
Are oft to strangers shown;
The careless mien, the frowning face,
Are given to our own.
We flatter those we scarcely know,
We please the fleeting guest,
And deal full many a thoughtless blow
To those who love us best.

Love does not grow on every tree,
Nor true hearts yearly bloom.
Alas for those who only see
This cut across a tomb!
But, soon or late, the fact grows plain
To all through sorrow's test:
The only folks who give us pain
Are those we love the best.
Advertisement



Source: Life's Scars By Ella Wheeler Wilcox, Famous Family Poem

 

[lg325]

Media
news ,social
truth, public, responsibility
Censorship is death of free thought
America?