When I was younger , I perhaps did some of all the things you listed, and I am sure the women enjoyed it. I think much of the attraction was physical back then; how a man looks and shapes. But now I think those things are still attractions, but women are looking at how they " Sense a man" , looking at how he thinks and what kind of demeanor he has. His spirit, you know, our ways and being.
If they find a man that their spirit likes, and he appeals directly to her sexual desires; then I think she will be happy and things could grow from there.
I'm inclined to believe the attraction that draws White women to Black men is primarily physical rather than anything spiritual, intellectual, or purely emotional. Because I can't imagine women being drawn to a man who is short, 200 pounds overweight with bad breath, rotten teeth and balding -- no matter how "nice" he is.
If we examine historical literature, beginning with Shakespeare's,
Othello, we find that sex appeal between the gender holds that men are attracted to
fair (white) maidens, while women are attracted to men who are tall,
dark (presumably black), and handsome. The implication of this observation is affirmed by the fact that finding White women in the company of Black men is increasingly common (owing to proportionately increasing acceptance of integration) while finding Black women in the company of White men is consistently rare.
Edith Piaf, the former prostitute and beloved French cabaret singer of the 1920s, shocked the women (and enlightened the men) of Europe and America during that era by saying
deep in the soul of even the most demure and seemingly chaste woman rests a wanton whore whose smoldering passions long for release. Piaf also raised eyebrows in Paris and New York by brazenly appearing in public in the company of Black men.
What do you think of the idea that consorting with a Black man enables a White woman to release the raging whore within her, the hidden persona which cannot, or will not, respond to the attentions of a White lover. Shakespeare delicately suggests exactly this circumstance in his descriptions of Desdemona's attraction to Othello, the Black Moor? Your descriptions of the sexual responses of the White women you've known clearly suggest a release from inhibition.
If this is true the remaining question is whether the inhibition is rooted in sociological or psychological factors, or a little of both.