Classical music is a misnomer... it is only classical to us...
I love Aaron Copland's ability to capture the American spirit. And I love the Russian composers, they're kind of the heavy metal genre of composers...
The premier of Igor Stravinsky's Rite of Spring was so dissonant, and over the top it actually caused a riot in 1913...
Stravinsky's Riotous 'Rite of Spring'
[ame="http://www.youtube.com/watch?v=cMCd9DyzCCw"]http://www.youtube.com/watch?v=cMCd9DyzCCw[/ame]
Stravinsky's ballet The Rite of Spring (Le Sacre du Printemps) is often held up as a masterwork that changed modern music forever. Music commentator Miles Hoffman takes the distinction one step further.
"The Rite of Spring," Hoffman says, "represents one of the greatest creative leaps in not only the history of music, but in the history of the arts."
Stravinsky's music is famous for causing a riot at its premiere. It was a warm spring evening in Paris on May 29, 1913, and Hoffman says the well-heeled crowd at the Champs Élysées Theatre was not ready for jagged rhythms, crunching discord, and the strange jerking of the dancers on stage.
"The ballet was choreographed by the great Nijinsky," Hoffman says, "and the noise, fighting, and shouting in the audience got so loud, he had to shout out the numbers to the dancers so that they knew what they were supposed to do."
One shrewd musicologist wrote that "the pagans on stage made pagans of the audience."
Hoffman says that the idea of pagans is right on the mark.
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"It's a shocking piece," Hoffman says. "It's still startling to us today when we hear it, but it is not a confusing piece. It's compelling. We're hearing irregular rhythms, we're hearing instruments asked to go to the extremes of their capability, but we're also hearing patterns that we recognize, with pacing, contrast, fascinating harmonies, continuity — all the basic principles of what makes a piece of music work are all there. And that shows us the secret of Stravinsky's genius."
The Rite of Spring also opened doors to countless possibilities for future composers.
"It liberated many composers," Hoffman says, "and there were many imitators. I don't think you can listen to modern movie music without sooner or later hearing the influence of Stravinsky and the Rite.
"I like to think of this piece as a celebration of creativity, period. A new music is born, and sometimes births are violent."
http://www.npr.org/templates/story/story.php?storyId=88490677