I also think one of the reasons for all the attacks from the Dems and their supporters is frustration. When I was Debate in school, one of the things they taught us was to look for our "opponents" frustration. When debating/arguing a point, if you say something that is logical and makes a valid point, the "other side" will get frustrated because they can't respond. When that happens you can go in for the kill because they will start getting desperate and try saying anything that will attack you and take you away from the point.
So they start an anti-American radio network (that nobody listens to) that does nothing but bash the Adminstration and the people who support it.
The libs are frustrated because they can't get enough people to believe in their cause. They see the U.S. wanting to go back to the foundation that started our country. They will stop at nothing to try and convince the American people that this will lead us to ruin.
They have no real argument against this so they are frustrated.
Think about it. They had a candidate that was, at best, avearge. Then they get a opportunistic film-maker, some mediocre comedians, and a few actors/actresses - rally them together against the President saying what a failure he was and how the country is in terrible condition.
Then they can't understand how they lost.
A little sidenote: Rush might be paid, but so do they (when they can meet payroll). And if you think Michael Moore does this for warm-fuzzies and a seat at a political convention, you really have no clue.
From:
http://slate.msn.com/id/2117923/
--
Fahrenheit 9/11, now an event, took in more than $228 million in ticket sales worldwide, a record for a documentary, and sold 3 million DVDs, which brought in another $30 million in royalties. After the theaters took their share of the movie's gross (roughly 50 percent) and distributors deducted the marketing expenses (including prints, advertising, dubbing, and custom clearance) and took their own cut, the net receipts returned to Disney were $78 million.
Disney now had to pay Michael Moore's profit participation. Under normal circumstances, documentaries rarely, if ever, make profits (especially if distributors charge the usual 33 percent fee). So, when Miramax made the deal for Fahrenheit 9/11, it allowed
Moore a generous profit participation—which turned out to be 27 percent of the film's net receipts. Disney, in honoring this deal, paid Moore a stunning $21 million. Moore never disclosed the amount of his profit participation. When asked about it, the proletarian Moore joked to reporters on a conference call, "I don't read the contracts."