Calling all pagans...

[Treeshepherd]

 

[Pogo]

Samhain watch.... Putting together a little playlist... one of the most well known was made (more) famous by Fairport Convention, 1969:

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Backstory:
Tam lin (variously known as Tamlane, Tomlin, Tam Lien, Tam-a-Line, Tam Lyn, or Tam Lane) was a spirit who occupied the wooded area called Carterhaugh and collects either a possession, or the virginity, of any maiden passing though those woods.

When the heroine Janet collects a rose there, Tam Lin challenges her, Janet claims ownership over Carterhaugh, inherited from her father. Then she turns up pregnant. She returns to the wood in search of an abortion herb, meets Tam Lin second time and challenges him as to whether he was ever mortal, since she is now pregnant; he revels he was captured by the Queen of the Faeries upon falling from his horse, and every seven years these Faeries commend one of their people to hell, and tonight... on Hallowe'en... he fears he will be that victim, so they make a plan to rescue him. He informs Janet that he will be riding a white horse, and warns that the faeries will turn him into several different beasts but none will do her harm.

Child Ballad #39 if you're scoring at home. Or even if you're by yourself.

 

[Pogo]

Found an interesting read on this:

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At the song's outset, we meet our hero, a knight who is wounded and battle-weary; he could be a veteran of virtually any war in any era, and his war need not have been literal. Visitations from animal guides including ravens (sacred to Odin) and a hare (sacred to Eostre) inform him that his wounds cannot be healed by any normal means. His are spiritual wounds which will require supernatural healing. Both creatures direct him to seek out the "maid who dwells by the winding mere." An owl (sacred to Athena and a symbol of wisdom) further instructs the knight in the method of finding the witch he seeks: He must cast goldenrod into the witch's lake.

Throughout his adventures, the knight is aided by the three companions traditional to a knight: his horse, his hawk, and his hounds. In medieval folklore, these were often seen as extensions of the knight himself, symbols of his skill and strength. So it is significant that our hero tells them to wait behind as he approaches the mere. Like every spiritual seeker, he has to set aside his own ego and accomplishments before he can approach his subconscious, the gateway to Divine power.

However, as he approaches the mere, it's interesting to note that the knight bears the four magical tools with him. His sword and shield are at his side, his horn is ready should he need to summon his hounds, and the goldenrod he needs to summon the witch fills the role of the phallic wand. Of course, we don't need Freud to point out the significance of the knight placing his goldenrod in the witch's lake.

The knight's shield is of particular interest. Every time it is mentioned, from the second line on, it's referred to as "the rowan shield." Now, traditionally, shields were made from lindenwood, and poets dating back to the Beowulf period have consistently talked about linden shields. Rowan, on the other hand, is often associated with warding off magic. Could it be that this knight is not only spiritually wounded but also has built up shields that cut him off from the magical possibilities of the world?

In any case, once the knight uses the goldenrod to perform the Great Rite Symbolic on the lake, the witch springs forth from the water like a mystical revelation emerging from a seeker's subconscious. Unexpectedly, the witch has a centaurian form, half-maiden and half-horse; she represents the union of the human being with nature. The knight blows his horn to recall his helpful beasts, for he will need all of his faculties to catch the witch once she has entered this realm.

When at length the half-horse witch is apprehended by the knight's hounds and hawk, she transforms entirely into a maiden, clad in blue and silver as she stands in the moonlight. She commands the knight to sheathe his sword and lay down his shield. Once he has abandoned the aggression (or alternatively the logic) of the sword and the defensiveness of the shield, she kisses him three times; thus the knight is blessed by all three aspects of the Goddess. She then binds his wounds with the goldenrod, showing him that he has had the capacity to heal himself all along. Finally, he lies in her arms, achieving the Great Rite of union with the Divine Source. As the sun rises, he likewise rises from her embrace, not only fully healed, but also made invincible, for "none can harm the knight who's lain with the witch of the Westmereland."
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More later as time allows...