The artist that fooled the art critics.

RandomPoster

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May 22, 2017
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"In February 1964, four paintings by a previously unknown avant-garde French artist named Pierre Brassau were exhibited at an art show in Göteborg, Sweden. Also at the show were works by artists from England, Denmark, Austria, Italy, and Sweden, but it was the works of the French artist that attracted all the attention.

Art critics, journalists, and students, glasses of wine in hand, silently contemplated Brassau's creations. Their praise was almost unanimous. Rolf Anderberg of the morning Posten later wrote that most of the works at the show were "ponderous," but not those of Brassau:

"Pierre Brassau paints with powerful strokes, but also with clear determination. His brush strokes twist with furious fastidiousness. Pierre is an artist who performs with the delicacy of a ballet dancer."

One lone critic panned Brassau's work, declaring, "Only an ape could have done this." As it turned out, this critic was correct. Pierre Brassau was, in fact, an ape. Specifically, he was a four-year-old West African chimpanzee named Peter from Sweden's Boras zoo.

Pierre Brassau was the invention of Åke "Dacke" Axelsson, a journalist at the Göteborgs-Tidningen, one of Goteborg's daily papers. He came up with the idea of exhibiting the work of a monkey in an art show as a way of putting critics to the test — would they be able to tell the difference between modern art and monkey art?"

Pierre Brassau, Monkey Artist

Can you tell which one of the following paintings was done by Pierre Brassau and which you can confidently say were not painted by a chimpanzee? Hint, only one was painted by a chimp.


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