It is Jan. 24, 1984, and a young Steve Jobs is standing at center stage, introducing to shareholders of Apple Computer Inc. the "insanely great" machine that he's certain will change the world: a beige plastic box called the Macintosh. Here is the Wizard of Cupertino at the threshold of it all, years before the black mock turtleneck and blue jeans. He is utterly in command - of his audience and of his performance. All of the Jobs storytelling staples are emerging.
The hyperbole: "You have to see this display to believe it. It's incredible."
The villain: "And all of this power fits in a box that is one-third the size and weight of an IBM PC."
The tease: "Now I'd like to show you Macintosh in person. All of the images you are about to see on the large screen will be generated by what's in that bag."
He retreats into the shadows, pulls the inaugural Mac out of its satchel. He inserts a disk and boots up. Suddenly, on the screen - roughly pixelated by today's standards but, for 1984, stunning - a typeface rolls by to the theme from "Chariots of Fire." A picture of a geisha appears. Then a spreadsheet. Architectural renderings. A game of video chess. A bitmapped drawing of Steve Jobs dreaming of a Mac. The computer speaks. "Hello. I'm Macintosh. It sure is great to get out of that bag," it says. "It is with considerable pride that I introduce a man who's been like a father to me: Steve Jobs." Applause shakes the place. Steven Paul Jobs, basking in it, tries not to grin. He fails. The future, at this moment, is his.
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