Treeshepherd
Wood Member
What ever happened to the 120 page novel? Seems like the perfect fit for today's short attention span.
I went to the library to check out Tortilla Flat. That was loaned out so I grabbed Cannery Row. It's one of his longer works at almost 200 pages. The setting is the same, in a rough area of Monterey.
I don't remember there being much point to Tortilla Flat. It just succumbs to entropy. The magic of Steinbeck is in the aesthetic of small moments of friendship in the midst of tragedy. His characters are deeply flawed but capable of love and generosity. The backdrop is California during the Great Depression. It's always raw, but somehow he shows beauty amongst the abandoned lots where drunkards gather amongst heaps of rubbish. Steinbeck is not a moralist, just a portrait painter with words.
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
~Steinbeck
I went to the library to check out Tortilla Flat. That was loaned out so I grabbed Cannery Row. It's one of his longer works at almost 200 pages. The setting is the same, in a rough area of Monterey.
I don't remember there being much point to Tortilla Flat. It just succumbs to entropy. The magic of Steinbeck is in the aesthetic of small moments of friendship in the midst of tragedy. His characters are deeply flawed but capable of love and generosity. The backdrop is California during the Great Depression. It's always raw, but somehow he shows beauty amongst the abandoned lots where drunkards gather amongst heaps of rubbish. Steinbeck is not a moralist, just a portrait painter with words.
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
~Steinbeck