The story is true, but it barely comes to life with such a telling. Which is a shame, not just because it’s uncomfortable to be numbed by these themes, but also because director
Alejandro Monteverde well-clears the low bar for filmmaking one expects from movies that are message-first (and often come with similar faith-driven backers). Take away the noise surrounding it, and “Sound of Freedom” has distinct cinematic ambitions: a non-graphic horror film with what could be called an art-house sensibility for muted rage and precise, striking shadows derived from an already bleak world. If “Sound of Freedom” were less concerned with being something "important," it could be more than a mood, it could be a movie.
Sound of Freedom movie review (2023) | Roger Ebert
ditto.