2aguy
Diamond Member
- Jul 19, 2014
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Milo is a new phenomenon......he is everything the left says they want a lefty to be...but he is a hard core conservative......here he dissects why the new Ghostbusters movie is bad.....and it has a lot to do with the leftism of hollywood......
Teenage Boys With Tits: Here's My Problem With Ghostbusters - Breitbart
Mostly, it’s a lack of intelligence. In the original movie, the bad guys weren’t actually the ghosts — everybody loves Slimer and the Marshmallow Man. No, the bad guys were the clueless bureaucrats in the government, who set off a supernatural crisis through bumbling and red tape.
In this film, by contrast, the enemy is all men, while the government ends up playing dad. Every man in the movie is a combination of malevolent and moronic. The chick ‘busters shame the mayor so much they end up getting government funding at the end. Like all feminists, they can only survive by sucking on the teat of Big Government.
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Let’s focus on how this movie will be interrogated by audiences: its style and politics. The weak, Twitter-style feminist quips come off as lame, unfunny, and resentful. This is especially puzzling in light of the women in the original movies, who captured the range of tough broads one finds in New York City.
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Patty is the worst of the lot. The actress is spectacularly unappealing, even relative to the rest of the odious cast. But it’s her flat-as-a-pancake black stylings that ought to have irritated the SJWs. I don’t get offended by such things, but they should.
Ghostbusters, the film acting as standard bearer for the social justice left, is full of female characters that are simply stand-ins for men plus a black character worthy of a minstrel show. Remember, the original film not only represented women well, but also had Winston Zeddemore, the character with his feet most firmly on the ground in the entire movie.
Teenage Boys With Tits: Here's My Problem With Ghostbusters - Breitbart
Mostly, it’s a lack of intelligence. In the original movie, the bad guys weren’t actually the ghosts — everybody loves Slimer and the Marshmallow Man. No, the bad guys were the clueless bureaucrats in the government, who set off a supernatural crisis through bumbling and red tape.
In this film, by contrast, the enemy is all men, while the government ends up playing dad. Every man in the movie is a combination of malevolent and moronic. The chick ‘busters shame the mayor so much they end up getting government funding at the end. Like all feminists, they can only survive by sucking on the teat of Big Government.
------
Let’s focus on how this movie will be interrogated by audiences: its style and politics. The weak, Twitter-style feminist quips come off as lame, unfunny, and resentful. This is especially puzzling in light of the women in the original movies, who captured the range of tough broads one finds in New York City.
----
Patty is the worst of the lot. The actress is spectacularly unappealing, even relative to the rest of the odious cast. But it’s her flat-as-a-pancake black stylings that ought to have irritated the SJWs. I don’t get offended by such things, but they should.
Ghostbusters, the film acting as standard bearer for the social justice left, is full of female characters that are simply stand-ins for men plus a black character worthy of a minstrel show. Remember, the original film not only represented women well, but also had Winston Zeddemore, the character with his feet most firmly on the ground in the entire movie.
