Abishai100
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- Sep 22, 2013
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The modern world of profiteerism inspires film-makers to make movies such as "The Wolf of Wall Street" [2013]. This new age mindset is fertile for a prophetic stand between the knights of democracy and the warlocks of fascism. In this environment enters a pensive knight named Alas who is trying to redeem himself for the sins of his youth. Alas believes he is like Captain America (Marvel Comics), defender of American virtues. Alas does not realize that his faith is about to be tested.
Alas first meets a mad scientist named Dr. Wily who believes that speech impediments are counter-productive in the modern world of communications-based technologies (i.e., email, SMS, etc.). Dr. Wily finds individuals who suffer from speech impediments and creates caricatures of them to distribute on the Internet --- i.e., "Meet Wally, a Caucasian male whose speech impediment makes it nearly impossible to pronounce words clearly with the letter 'l' in them (i.e., kill, will, allusion, etc.)." These caricatures have become popular in social jokes, and they've created an atmosphere of bigotry against those suffering from speech impediments. Alas decided to take action and write a series of op-ed styled columns in the New Yorker magazine titled, "Patience with tech-turbulence communication breakdown and Internet hackers." These columns effectively end the tide of sarcastic jokes against people with speech impediments.
Alas then reads of a group of bank robbers who rob only from banks in predominantly Caucasian neighborhoods. The mission statement of this bank robbing team is to disseminate the notion that racism creates economic inequalities between races, prompting swift and radical vigilante actions such as anti-establishment bank robberies. Once again, Alas decides to take action by writing a series of op-ed styled columns in the New Yorker magazine, titled "Minimum wage guarantees targeted for financially-struggling ethnic minority groups in America." These columns change the general public sentiment once favoring the race-mission bank robbers.
Alas travels to Europe and meets an evil magician who recruits prostitutes for his stage woman-saw cutting trick during which the magician actually kills the prostitutes, unknown to the audience. When Alas realizes what the magician is doing, he asks him, "Why?" to which the magician replies, "These prostitutes spread plagues." Alas decides to end the reign of this cruel vigilante and creates a Christian street performance diorama with the slogan, "Prostitutes who find Christ." This street performance enrages the evil magician who loses motivation and decides to quit his diabolical show.
Alas goes back to America and during his Christian missionary activities, he meets a wild movie star named Leo who is about to make a propaganda film about the Salem Witch Trials. Alas tells Leo, "If you're going to make an incendiary film about witchcraft persecution, I suggest you encourage your screenwriters to add in dialogue/lines about Wiccan crimes." Leo agrees and the lines are included in the film. Movie audiences decide after watching the film that while the Salem Witch Trials may have been a mistake, witches, like anyone else, are susceptible to criminality and hence equally deserving of legal defense and rehabilitation.
Finally, Alas meets a Mexican druglord and his wife (named Terry and Ruth) in the border-town of Tijuana who have created a powerful narcotics dominion amidst all the tourism and traffic. Alas infiltrates their narcotics ring and finally meets Terry and Ruth face-to-face. Alas poses a social challenge for them, "Let me run a youth-coordinated lemonade stand in Tijuana, and if demand for narcotics goes down, you must leave Tijuana." Terry and Ruth agree, believing that a simple optimistic lemonade stand will not be enough to diminish the demand for narcotics. When the lemonade stand is a huge hit in Tijuana, Alas wins the challenge and Terry and Ruth leave the bordertown for good, shocked they were defeated by a simple lemonade stand.
Alas is so satisfied with his redemptive activities that he becomes a big fan of the Captain America (Marvel Comics) franchise and spends his retirement years talking to people about how pedestrianism art (comic books) speaks to a democratic interest in community values spiritualism. He wonders, however, if the strange and anti-social individuals he's tackled comprise a proverbial villainous army of darkness akin to ones presented in comic book art. Alas remains satisfied that his conviction about American virtues has led him to good works.
Army of Darkness (Film)
Alas first meets a mad scientist named Dr. Wily who believes that speech impediments are counter-productive in the modern world of communications-based technologies (i.e., email, SMS, etc.). Dr. Wily finds individuals who suffer from speech impediments and creates caricatures of them to distribute on the Internet --- i.e., "Meet Wally, a Caucasian male whose speech impediment makes it nearly impossible to pronounce words clearly with the letter 'l' in them (i.e., kill, will, allusion, etc.)." These caricatures have become popular in social jokes, and they've created an atmosphere of bigotry against those suffering from speech impediments. Alas decided to take action and write a series of op-ed styled columns in the New Yorker magazine titled, "Patience with tech-turbulence communication breakdown and Internet hackers." These columns effectively end the tide of sarcastic jokes against people with speech impediments.
Alas then reads of a group of bank robbers who rob only from banks in predominantly Caucasian neighborhoods. The mission statement of this bank robbing team is to disseminate the notion that racism creates economic inequalities between races, prompting swift and radical vigilante actions such as anti-establishment bank robberies. Once again, Alas decides to take action by writing a series of op-ed styled columns in the New Yorker magazine, titled "Minimum wage guarantees targeted for financially-struggling ethnic minority groups in America." These columns change the general public sentiment once favoring the race-mission bank robbers.
Alas travels to Europe and meets an evil magician who recruits prostitutes for his stage woman-saw cutting trick during which the magician actually kills the prostitutes, unknown to the audience. When Alas realizes what the magician is doing, he asks him, "Why?" to which the magician replies, "These prostitutes spread plagues." Alas decides to end the reign of this cruel vigilante and creates a Christian street performance diorama with the slogan, "Prostitutes who find Christ." This street performance enrages the evil magician who loses motivation and decides to quit his diabolical show.
Alas goes back to America and during his Christian missionary activities, he meets a wild movie star named Leo who is about to make a propaganda film about the Salem Witch Trials. Alas tells Leo, "If you're going to make an incendiary film about witchcraft persecution, I suggest you encourage your screenwriters to add in dialogue/lines about Wiccan crimes." Leo agrees and the lines are included in the film. Movie audiences decide after watching the film that while the Salem Witch Trials may have been a mistake, witches, like anyone else, are susceptible to criminality and hence equally deserving of legal defense and rehabilitation.
Finally, Alas meets a Mexican druglord and his wife (named Terry and Ruth) in the border-town of Tijuana who have created a powerful narcotics dominion amidst all the tourism and traffic. Alas infiltrates their narcotics ring and finally meets Terry and Ruth face-to-face. Alas poses a social challenge for them, "Let me run a youth-coordinated lemonade stand in Tijuana, and if demand for narcotics goes down, you must leave Tijuana." Terry and Ruth agree, believing that a simple optimistic lemonade stand will not be enough to diminish the demand for narcotics. When the lemonade stand is a huge hit in Tijuana, Alas wins the challenge and Terry and Ruth leave the bordertown for good, shocked they were defeated by a simple lemonade stand.
Alas is so satisfied with his redemptive activities that he becomes a big fan of the Captain America (Marvel Comics) franchise and spends his retirement years talking to people about how pedestrianism art (comic books) speaks to a democratic interest in community values spiritualism. He wonders, however, if the strange and anti-social individuals he's tackled comprise a proverbial villainous army of darkness akin to ones presented in comic book art. Alas remains satisfied that his conviction about American virtues has led him to good works.
Army of Darkness (Film)