Deformity: Pan-Dressing/Lancet

Abishai100

VIP Member
Sep 22, 2013
4,956
250
85
When we read a comic strip about a flexible superhero such as Plastic Man (DC Comics) or a deformed super-villain such as Clayface (DC Comics), we subconsciously think about the genotypes/phenotypes that give rise to the human physique and how adaptation is related to body appearance.

The human brain sends all kinds of electrical signals/impulses to the different parts of the body and helps coordinate actions and reflexes. The human brain neurotransmitter (a brain chemical that gauges responses and memory categories) serotonin affects how the mind processes and creates dream-imagery during R.E.M. sleep (the period during sleep when dreams are richest). Serotonin, therefore, acts as a kind of 'messenger' for memory/creativity.

How we dream impacts how we view ourselves and our ability to interact with our environments.

When we entertain ourselves with movies/cartoons about Plastic Man or Clayface, we are implicitly engaging in a social negotiation about the human perspective on adaptation and transformation. Since transformation is so important to anticipation and self-awareness, deformities in the brain that affect serotonin levels, for example, could seriously affect how we are able to generally coordinate brain signals with overall mental happiness.

The modern world is gauged by networking sophistication (e.g., eTrade, Wall Street, etc.) and transit technologies (e.g., smartphones, super-trains, etc.). How we view society as 'grid-savvy' affects how we view the overall coordination of civilization. When civilization goes awry (e.g., terrorism), we feel that our dreams have become discoordinated and that we are literally destroying ourselves.

Understanding the phenotype of radiation survivors (e.g., Hiroshima), for example, illuminates how our species adapts in the brain/body/mind to undesirable shock and helps scientists understand the nature and scope of 'macro-deformities.'


Radiation Survivors

Trajectories of Anatomic Brain Development


pm.jpg
 
Ethnicity Egg


If we use the fictional African-American Marvel Comics superhuman character Man-Ape to talk about social presentations of 'ethnicity etiquette,' we might find that such a rendition of race/ethnicity is conducive for discussions about 'adaptive advantageousness.'

In other words, the reason we depict an African-American as a superhuman man-ape character in Marvel Comics storyboards is that we are curious about the 'appearance' of adaptation 'negotiation.' For example, we might make the remark, "African-Americans are better at basketball than Caucasians, since they are taller in stature and can make more efficient shots on the hoop." Likewise, we can make remarks such as, "Man-Ape is symbolic of a civilization fascination with adaptation obsession."

This simple ethnicity model suggests that how we *talk* about deformity may be related to how we *think* about social/political labours, and of course, how we think about labour affects how we talk about resistance.

For such reasons, I like to use Marvel's rendition of Man-Ape to create a completely new hypothetical anti-social comic book super-villain named The Deformer.

We have to be careful, of course, in refraining from using ethnicity models as a strict tool for dissecting adaptation, since Darwinian theory also tells us that environmental adaptation can be varied enough to cross the boundaries of structuralism. However, this ethnicity model can prove useful for the analysis of deforming illnesses such as Sickle-Cell Disease (SCD), which is found to be prevalent among African-Americans in the United States.






man-ape.png
 

Forum List

Back
Top