M
Man of 1951
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- #21
The Truth: Heston took his NRA show to Denver and did and said exactly what we recounted. From the end of my narration setting up Heston's speech in Denver, with my words, "a big pro-gun rally," every word out of Charlton Heston's mouth was uttered right there in Denver, just 10 days after the Columbine tragedy. But don't take my word read the transcript of his whole speech. Heston devotes the entire speech to challenging the Denver mayor and mocking the mayor's pleas that the NRA "don't come here." Far from deliberately editing the film to make Heston look worse, I chose to leave most of this out and not make Heston look as evil as he actually was.
Why are these gun nuts upset that their brave NRA leader's words are in my film? You'd think they would be proud of the things he said. Except, when intercut with the words of a grieving father (whose son died at Columbine and happened to be speaking in a protest that same weekend Heston was at the convention center), suddenly Charlton Heston doesn't look so good does he? Especially to the people of Denver (and, the following year, to the people of Flint) who were still in shock over the tragedies when Heston showed up.
As for the clip preceding the Denver speech, when Heston proclaims "from my cold dead hands," this appears as Heston is being introduced in narration. It is Heston's most well-recognized NRA image hoisting the rifle overhead as he makes his proclamation, as he has done at virtually every political appearance on behalf of the NRA (before and since Columbine). I have merely re-broadcast an image supplied to us by a Denver TV station, an image which the NRA has itself crafted for the media, or, as one article put it, "the mantra of dedicated gun owners" which they "wear on T-shirts, stamp it on the outside of envelopes, e-mail it on the Internet and sometimes shout it over the phone.". Are they now embarrassed by this sick, repulsive image and the words that accompany it?
I've also been accused of making up the gun homicide counts in the United States and various countries around the world. That is, like all the rest of this stuff, a bald-face lie. Every statistic in the film is true. They all come directly from the government. Here are the facts, right from the sources:
The U.S. figure of 11,127 gun deaths comes from a report from the Center for Disease Control. Japan's gun deaths of 39 was provided by the National Police Agency of Japan; Germany: 381 gun deaths from Bundeskriminalamt (German FBI); Canada: 165 gun deaths from Statistics Canada, the governmental statistics agency; United Kingdom: 68 gun deaths, from the Centre for Crime and Justice studies in Britain; Australia: 65 gun deaths from the Australian Institute of Criminology; France: 255 gun deaths, from the International Journal of Epidemiology.
Finally, I've even been asked about whether the two killers were at bowling class on the morning of the shootings. Well, that's what their teacher told the investigators, and that's what was corroborated by several eyewitness reports of students to the police, the FBI, and the District Attorney's office. I'll tell you who wasn't there -- me! That's why in the film I pose it as a question:
"So did Dylan and Eric show up that morning and bowl two games before moving on to shoot up the school? And did they just chuck the balls down the lane? Did this mean something?"
Of course, it's a silly discussion, and it misses the whole, larger point: that blaming bowling for their killing spree would be as dumb as blaming Marilyn Manson.
But the gun nuts don't want to discuss either specific points or larger issues because when that debate is held, they lose. Most Americans want stronger gun laws (among others, see the 2001 National Gun Policy Survey from the University of Chicago's National Opinion Research Center) and the gun lobbies know it. That is why it's critical to distract and alter the debate and go after anyone who questions why we have so many gun deaths in America (especially if he does it in best selling books and popular films).
I can guarantee to you, without equivocation, that every fact in my movie is true. Three teams of fact-checkers and two groups of lawyers went through it with a fine tooth comb to make sure that every statement of fact is indeed an indisputable fact. Trust me, no film company would ever release a film like this without putting it through the most vigorous vetting process possible. The sheer power and threat of the NRA is reason enough to strike fear in any movie studio or theater chain. The NRA will go after you without mercy if they think there's half a chance of destroying you. That's why we don't have better gun laws in this country every member of Congress is scared to death of them.
Well, guess what. Total number of lawsuits to date against me or my film by the NRA? NONE. That's right, zero. And don't forget for a second that if they could have shut this film down on a technicality they would have. But they didn't and they can't because the film is factually solid and above reproach. In fact, we have not been sued by any individual or group over the statements made in "Bowling for Columbine?" Why is that? Because everything we say is true and the things that are our opinion, we say so and leave it up to the viewer to decide if our point of view is correct or not for each of them.
So, faced with a thoroughly truthful and honest film, those who object to the film's political points are left with the choice of debating us on the issues in the film or resorting to character assassination. They have chosen the latter. What a sad place to be.
Actually, I have found one typo in the theatrical release of the film. It was a caption that read, "Willie Horton released by Dukakis and kills again." In fact, Willie Horton was a convicted murderer who, after escaping from furlough, raped a woman and stabbed her fiancé, but didn't kill him. The caption has been permanently corrected on the DVD and home video version of the film and replaced with, "Willie Horton released. Then rapes a woman." My apologies to Willie Horton and the Horton family for implying he is a double-murderer when he is only a single-murderer/rapist. And my apologies to the late Lee Atwater who, on his deathbed, apologized for having engineered the smear campaign against Dukakis (but correctly identified Mr. Horton as a single-murderer!).
Well, there you have it. I suppose the people who tell their make-believe stories about me and my work will continue to do so. Maybe they should be sued for knowingly libeling me. Or maybe I'll just keep laughing laughing all the way to the end of the Bush Administration -- scheduled, I believe, for sometime in November of next year.
Yours,
Michael Moore
Director, "Bowling for Columbine"
PS. From now on, I will deal with all wacko attackos on this page. If you hear something about me that doesn't sound quite right, check in here.
also, while we're on the issue of sources, i deeply question your sources. Not only are some of the claims just plain retarded. Not only are some of the links which apparently prove Michael Moore decieved the viewers not working (such as http://www.hardylaw.net/www.nrahq.org/administration/publications/tag/article2.shtml ), but some of the links where the author quotes what ppl say are from geocities sites. Quite reliable indeed eh? No doubt it poses some interesting things, interesting enough for me to want to rent michael moores movie again and try to check up on these things.