Opium KLM: Commercial Disease

Abishai100

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Sep 22, 2013
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Does commerce/capitalism remind you of crime or cravings?



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Airline passengers enjoyed playing card-games and drinking vodka on commercial flights from the East to the West and vice-versa. Airline companies had become quite lucrative, and Amsterdam's liberal policies towards marijuana had created quite a stir when the U.S. states of Colorado and California began debating about medical marijuana legalese, and suddenly, tourism to Amsterdam boomed (after a while), and KLM (Dutch airlines) was suddenly hot. Such is the casino game of commerce in the modern world.

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All kinds of bright and beautiful women signed up to be stewardesses for KLM. These KLM stewardesses would be 'diplomats' of a modernized consumerism/commerce. Wall Street and the European Union had replaced George Washington and Camelot, so travellers/pedestrians were thinking about the comforts of travel and the guarantees of safe shopping. Consumerism was the new 'aesthetic' and the new idols/heroes were Michael Jackson, Steve Jobs, and Dan Brown --- figures who delivered intellectual stimulation...on screens! KLM stewardesses were hostesses on commercial passenger flights from Europe to America which featured in-flight Hollywood (USA) movie-entertainment and of course KLM stewardesses discreetly distributing opium. Was this merely capitalism or was it also pageantry?

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Any drugworld connoisseur will tell you that opium is a high-demand narcotic which can be smoked or processed into the more trendy and addictive rendition --- heroin. KLM stewardesses working in this 'era' were no strangers to heroin/opium, but only smokable and ingested opium was distributed on commercial passenger flights. One KLM stewardess named Elsa was sure that all this commercial activity would spawn a new terrible disease, since passengers/consumers were basically exploiting all kinds of modern conveniences simply because they were available. Elsa was wise, and she surmised this new 'disease' would create abnormal levels of labor-conscious perspiration. She wondered if opium was suddenly a new wonder-element/substance (like gold or mint!).

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All passenger flights on KLM assure their travellers with detailed pictures and instructions about how to navigate/conduct themselves on flights and during emergencies. These 'instruction-cards' were quick training descriptions that reminded travellers of the professionalism of the flight-crew and KLM's commitment to hospitality and safety. No one would figure that a KLM stewardess would be involved in opium distribution on such passenger flights, but then again, quite a few travellers/tourists boarded these planes excited about new age consumerism-related amenities and 'conveniences' (such as in-flight euphoria and candy).

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After the 'Opium KLM' fever took hold across the globe and became an underground 'sensation' the fashion/fragrance company YSL (Yves Saint-Laurent) decided to issue a provocative new fragrance simply called Opium. This was not unlike Calvin Klein's 'waif-perfume' fashion/marketing campaign (e.g., Kate Moss) during the 1980s-1990s. Only YSL's Opium came in a mature box and bottle and without any special 'nifty' TV/radio-ads like Calvin Klein offered. No, YSL's Opium was simply what it seemed to be --- a testament of modern consumerism flair. So who would govern/supervise all this 'mall madness' (and the legions of crime-glorifying pulp-writers looking for a modern Billy the Kid)?

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Americans loved the capitalism-daydream real-estate fantasy board-game Monopoly (Parker Brothers) which featured multiple players competing to see who could gain more profitable investment-based properties and build upon them in ways that would create effective taxation dominions (perfectly legal!). Monopoly soon became a popular iPhone video-game app, and countless consumers travelling on KLM played Monopoly while in transit. It was a capitalism 'code-word' for commercial playfulness (not unlike how post-Civil War 'Reconstruction' became a 'code-word' for political grief). Would consumerism create its own 'aesthetic' (for scholars and artists alike)?

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GOD: I worry about Elsa's moral health.
SATAN: Commerce has made transit rather intriguing.
GOD: There's a difference between storytelling and indulgence.
SATAN: Everyone wants a 'James Bond of the skies.'
GOD: Don't these stewardesses have an obligation to be more responsible?
SATAN: No! Commerce creates a 'demand' for frivolity.
GOD: That's the nature of entertainment, but we have to be wary of indulgence.
SATAN: Yes, the stock market crash after the Roaring '20s reminded us of that insight.
GOD: Precisely; you can't simply ignore the oncoming hangover while partying...
SATAN: There's a Burger King in Afghanistan now.
GOD: Sure, but we have to keep 'tabs' on the World Bank for modern capitalism.
SATAN: Yes, there is much potential for division and war.
GOD: Remember the nuclear-crisis with North Korea preceding the PyeongChang Games?
SATAN: Yes, the PyeongChang Olympics reaffirmed ties between North and South (Korea).
GOD: The Trump Administration was overseeing commercial-pacts by North/South (Korea).
SATAN: Do you think commerce and consumerism creates real imagination?
GOD: Sure! Why else would American film-makers make Casino, Celebrity, and Candyman?
SATAN: Yes, all those films symbolize traffic-conscious modernism paranoia.
GOD: Traffic is the signature of commerce, and pacts separate politics from colonialism.
SATAN: Yes! Consumerism is a sort of 'dialogue' but can it 'cure' avarice?
GOD: There will always be an urge to exploit 'cholesterol-culture'(!).
SATAN: Let's consider the medical practicality of 'swimming with sharks.'


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:dance:

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