Abishai100
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- Sep 22, 2013
- 4,970
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Since the modern world is preoccupied with the contours and efficiency of traffic-flow and data/information transit, people are naturally very sensitive about the experience of using tools/technology that makes the movement of capital easier (e.g., eTrade, eBay, NASDAQ, etc.).
Comic book characters signify a new age curiosity about sensitization to powers and dominions that were once foreign/alien to us: e.g., metallurgy = Iron Man (Marvel Comics); media = Video-Man (Marvel Comics); industrialization = Kingpin (Marvel Comics); mining = Plastic Man (DC Comics); energy-use = Green Lantern (DC Comics), etc.
In this sort of 'artistic arena,' exposure to the textures and textiles of various palettes can define our sense of engagement with evolution-anxiety emotions towards modernism 'failures' (e.g., industrialization-related eco-pollution, intellectual property theft on the Internet, urban bureaucracy claustrophobia, etc.).
Take, for example, the Marvel Comics super-villain Gray Goblin (Gabriel Stacy), a wayward and troubled son of Peter Parker (Spider-Man) and Gwen Stacy, who takes the biochemically-mutating 'goblin serum' originally developed by Dr. Norman Osborn (aka, 'Green Goblin') of Oscorp (a fictional avant-garde science-research-and-business firm) and becomes a gray-colored man-beast and general mayhem-artist (and urban terrorist).
Gray Goblin represents modern age anxieties about the proper management of science information and nature-tampering 'solutions,' and his 'neutral/apathetic' gray color symbolizes a general indecisiveness towards the governance priorities associated with species or Earth transforming scientific breakthroughs such as genetic cloning.
Pedestrian stories about Gray Goblin interacting and/or interfering with science protocols or civil procedures therefore reveal our modern civilization's focus on 'savage fascism' concerns.
In fact, when I read about Gray Goblin, I think about the overtly pro-capitalism policies of the Trump Administration. Should that inspire more 'Orwellian storytelling'?
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Gabriel Stacy realized he was running late for his interview (for the Daily Bugle) with Dr. Norman Osborn, CEO or Oscorp, NYC's most lucrative science-firm. Stacy agreed to sample Dr. Osborn's 'goblin serum' and see if it really was as dangerous as people were claiming. Stacy was given the assignment by his boss at the Bugle to take the right notes to construct a piece about the value and wondrous intrigue associated with any unusual transformation of the human body, since developments with the Human Genome Project (HGP) had everyone talking about Oscorp's investments in bizarre humanoid 'super-soldier' experiments with synthetically 'enhanced' brutes such as Juggernaut, Rhino, and Venom.
Stacy presented a fine article to the Daily Bugle after claiming that ingesting the goblin serum Dr. Osborn gave him merely made him feel much more energized and invigorated but in a way that standard 'uppers' such as Ritalin and coffee simply could not do. However, two weeks later, Stacy noticed his body was changing severely. His skin was turning gray, and he could suddenly hold muscular poses for long periods of time without losing energy! Stacy started calling himself 'Gray Goblin,' and he rushed to Oscorp to ask Dr. Osborn what should be the next course of action. Norman explained eerily, "You've been given a great power."
Gray Goblin soared around NYC on weekend nights on a special jet-glider Dr. Osborn had made for him at Oscorp. Gray Goblin carried pumpkin-bombs (just like Green Goblin), which he was instructed to use only for self-defense (by Dr. Osborn), but he was unaware that Norman was actually the Green Goblin. Gray Goblin sent a radio flyer to the NYU athletics department stating, "This school should host a tri-national women's field hockey tournament between Germany, Netherlands, and Argentina this summer to see how popular women's sports has become in modern media and academics!" NYU executives were puzzled until Dr. Osborn explained, "Gray Goblin is trying to convince us that progressive politics is something even a 'biochemical mutant' can entertain, so how come 'normal' people seem too lazy to do the same?"
The Daily Bugle labelled Gray Goblin as a modern AntiChrist with a surprising progressive-politics incendiary message of "Look before you taste!" Dr. Osborn believed Gray Goblin was an invaluable asset to his continuing work on the textures and viscosity of science-geared anti-establishmentarian politics. Dr. Osborn (aka, 'Gray Goblin') intended to 'use' Gray Goblin as a pawn in his new pseudo-Satanic 'terrorism game.' Osborn was going to convince Gray Goblin (Gabriel Stacy) to kidnap the First Lady (Melania Trump) and hold her as hostage until President Trump agreed to say on camera that he (like other members of the Cabinet) is a regular anti-science propaganda practitioner of witchcraft. Osborn believed this would change the face of 'capitalism politics.'
====
Psychology of Colors (Gray)
Comic book characters signify a new age curiosity about sensitization to powers and dominions that were once foreign/alien to us: e.g., metallurgy = Iron Man (Marvel Comics); media = Video-Man (Marvel Comics); industrialization = Kingpin (Marvel Comics); mining = Plastic Man (DC Comics); energy-use = Green Lantern (DC Comics), etc.
In this sort of 'artistic arena,' exposure to the textures and textiles of various palettes can define our sense of engagement with evolution-anxiety emotions towards modernism 'failures' (e.g., industrialization-related eco-pollution, intellectual property theft on the Internet, urban bureaucracy claustrophobia, etc.).
Take, for example, the Marvel Comics super-villain Gray Goblin (Gabriel Stacy), a wayward and troubled son of Peter Parker (Spider-Man) and Gwen Stacy, who takes the biochemically-mutating 'goblin serum' originally developed by Dr. Norman Osborn (aka, 'Green Goblin') of Oscorp (a fictional avant-garde science-research-and-business firm) and becomes a gray-colored man-beast and general mayhem-artist (and urban terrorist).
Gray Goblin represents modern age anxieties about the proper management of science information and nature-tampering 'solutions,' and his 'neutral/apathetic' gray color symbolizes a general indecisiveness towards the governance priorities associated with species or Earth transforming scientific breakthroughs such as genetic cloning.
Pedestrian stories about Gray Goblin interacting and/or interfering with science protocols or civil procedures therefore reveal our modern civilization's focus on 'savage fascism' concerns.
In fact, when I read about Gray Goblin, I think about the overtly pro-capitalism policies of the Trump Administration. Should that inspire more 'Orwellian storytelling'?
====
Gabriel Stacy realized he was running late for his interview (for the Daily Bugle) with Dr. Norman Osborn, CEO or Oscorp, NYC's most lucrative science-firm. Stacy agreed to sample Dr. Osborn's 'goblin serum' and see if it really was as dangerous as people were claiming. Stacy was given the assignment by his boss at the Bugle to take the right notes to construct a piece about the value and wondrous intrigue associated with any unusual transformation of the human body, since developments with the Human Genome Project (HGP) had everyone talking about Oscorp's investments in bizarre humanoid 'super-soldier' experiments with synthetically 'enhanced' brutes such as Juggernaut, Rhino, and Venom.
Stacy presented a fine article to the Daily Bugle after claiming that ingesting the goblin serum Dr. Osborn gave him merely made him feel much more energized and invigorated but in a way that standard 'uppers' such as Ritalin and coffee simply could not do. However, two weeks later, Stacy noticed his body was changing severely. His skin was turning gray, and he could suddenly hold muscular poses for long periods of time without losing energy! Stacy started calling himself 'Gray Goblin,' and he rushed to Oscorp to ask Dr. Osborn what should be the next course of action. Norman explained eerily, "You've been given a great power."
Gray Goblin soared around NYC on weekend nights on a special jet-glider Dr. Osborn had made for him at Oscorp. Gray Goblin carried pumpkin-bombs (just like Green Goblin), which he was instructed to use only for self-defense (by Dr. Osborn), but he was unaware that Norman was actually the Green Goblin. Gray Goblin sent a radio flyer to the NYU athletics department stating, "This school should host a tri-national women's field hockey tournament between Germany, Netherlands, and Argentina this summer to see how popular women's sports has become in modern media and academics!" NYU executives were puzzled until Dr. Osborn explained, "Gray Goblin is trying to convince us that progressive politics is something even a 'biochemical mutant' can entertain, so how come 'normal' people seem too lazy to do the same?"
The Daily Bugle labelled Gray Goblin as a modern AntiChrist with a surprising progressive-politics incendiary message of "Look before you taste!" Dr. Osborn believed Gray Goblin was an invaluable asset to his continuing work on the textures and viscosity of science-geared anti-establishmentarian politics. Dr. Osborn (aka, 'Gray Goblin') intended to 'use' Gray Goblin as a pawn in his new pseudo-Satanic 'terrorism game.' Osborn was going to convince Gray Goblin (Gabriel Stacy) to kidnap the First Lady (Melania Trump) and hold her as hostage until President Trump agreed to say on camera that he (like other members of the Cabinet) is a regular anti-science propaganda practitioner of witchcraft. Osborn believed this would change the face of 'capitalism politics.'
====
Psychology of Colors (Gray)