There was worlds of 3" strips left over from the Green Trip Around the World Quilt, so not one to run for an easy go of it, I decided the 3" strips would make an easy and quick start for another brick quilt (did a red one a couple of months back), and since the strips are a little wider, that means it takes fewer rows to make the same sized quilt. Unfortunately, when I get a pile of 10 quilts, I take them down to the Charity Bees closet, and I can smell the finish line!
Bricks are cut 3x7.5." Mortar except for outer row are 1" strips cut as needed; outer mortar strips are cut 1.5" and double as the first border; the outer border will be determined when 21 to 23 rows of bricklaying are done. The top and bottom rows as well as all odd rows will have 5 bricks across, and the even rows will have 3x4" half bricks on either end with 4 full 3x7.5" bricks. Somewhere in either calculation, seam allowance or cutting, there seems to be a slight error that causes the 5 brick rows to differ with the 4 + 2 half brick rows. It could be using the weft of the lime mortar fabric I picked is too stretchy and is resulting in a stretched side. Because of that, the next rows I sew will be on the warp, you can take that to the bank, because I can't stand it when my math doesn't match a perfect outcome. It has to be the weft if my math was true. I can't say it with certainty, but it won't be the first time an extra stretchy weft fabric caused a quilter to be an inch per yard off at the joining of rows. A lot of quilters don't mess with weft, they just cut everything vertically. I do all I can to work with wefts going side to side, because if you observe the warp top to bottom rule combined with the weft side to side rule, you get a quilt that stretches from side to side. This may not seem important, but actually, when a quilt is shared, somehow one partner becomes the one who jerks the quilt from side to side, while the other just sizzles upon waking up in the cold of a winter's night after weeks of deprivation of warmth may get irate to hostile. And that's why I like to warp quilts side to side. The mortar lime is a best-manufacturer type fabric and expensive. I'm sewing all kinds of fabric bricks--old, new, expensive, cheap, glazed, etc. When you are doing a charm quilt, some grim discoveries are made--that perfect fabric of scale and texture difference may also be sized to death or even a blend that got mislabeled as a cotton, or even linen or bamboo. Different fabrics have different characteristics. We are seeing manufacturers of quilt fabrics getting into lines of glazed cottons that really have as little give on the weft as the warp. I try to avoid those when picking fabrics for quilts, but church closet offerings can be just about anything.
So here are 3 pictures of the 5 rows I completed before coming here today:
Picture 1 - side shot of Lime Mortar, Green Brick Quilt
Picture 2 - probably willl end up being the bottom portion of the quilt, considering the sunflower print on green seems to have a certain upright appeal.
Picture 3 - the upper part of the 5 bottom rows, if that's what they are. (if a more blatant right-side-up one-way fabric appears, and it gets placed upside-down, that may mean I'm dealing with a top row. Once in a blue moon, I tear out a whole section to right the dominant one-way fabric that got loaded in sidewise or upside-down in a space-cadet moment. It doesn't matter that I have a thousand completed quilt works. The adage "everyone makes a mistake now and then" doesn't seem to apply because I make a lot more than my fair share of errors. That last quilt, the trip around the world? I can't even remember how many pieces got sewn in wrong and had to be ripped and redone (affectionately known as r&r to quilters) due to my ditzing at the wheel.