The Tech Diaries: Christianising Deans (Ivy League)

Abishai100

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Sep 22, 2013
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Does tech-development make you anxious about socialization (e.g., Ghost in the Machine)?




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Around the world, great inventions were being marketed and sci-tech had inspired many sci-fi writers and artists. These writers/artists were re-presenting civilization-consciousness regarding the value of intellectual properties and avatars/characters that symbolized advancements in science and technologies. Such avatars/characters included the 'Insecticons' which were fictional A.I. robots that transformed into laser-enhanced giant mechanical insects. The Insecticons captured a new age fascination with tech-labyrinths such as HDTV markets/companies (e.g., Samsung, Hitachi).

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A pair of mutant superheroes named Gambit and Cyclops were charged by the Trump Administration to protect various 'realms' of capitalism around the world by upholding mercantile contracts and advertising the peace-promotional aspects of commerce and how Samsung (South Korea) was creating trade-related pacts with incendiary neighbour-nation North Korea. Gambit and Cyclops were very strong; Gambit threw playing-cards which lit on fire and could burn enemies; Cyclops had a laser-visor capable of emitting metal-piercing high-frequency laser-light/energy. Gambit and Cyclops had to make sure that trade-routes between the East (e.g., Japan) and West (e.g., America) were secured.

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An adversary of darkness named Kyu, an evil Korean genius, was sent by terrorists to undermine these trade-routes Gambit and Cyclops were trying to protect for the Trump Administration, America, and humanity itself. Kyu had the power to hypnotize people and freeze them in fear. Kyu wanted to corrupt Gambit and Cyclops so they'd waste time fighting each other rather then defending capitalism. Kyu made an evil fortress in North Korea and allied various terrorist organizations so they'd be ready to strike at America and Europe as the harvest-season approached in America (autumn).

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KYU: Capitalism is not so easy to 'defend.'
GAMBIT/CYCLOPS: You're nothing more than a pirate/terrorist!
KYU: I'm merely a 'messenger.'
GAMBIT/CYCLOPS: Why is it that psychos believe they're destined for greatness?
KYU: It's America that suffers from 'delusions of grandeur.'
GAMBIT/CYCLOPS: You mean to subvert basic social contracts.
KYU: Mercantilism will not unite the world; only power and leadership can do that!
GAMBIT/CYCLOPS: Fascism is not 'leadership,' Kyu.
KYU: You two are only 'slaves' to the status quo...
GAMBIT/CYCLOPS: He who controls tech-trade-routes controls the 'spice' of civilization.
KYU: The Hitachi plasma-television is a trophy of technological advancement.
GAMBIT/CYCLOPS: We don't need cutthroats seizing the 'pride' of human imagination.
KYU: I will use trophies such as the Hitachi to create vanity and fear...
GAMBIT/CYCLOPS: You're simply a new Iago.
KYU: Iago was a Shakespearean character symbolizing Machiavellian realities!
GAMBIT/CYCLOPS: Wrong. Iago was a hellraiser who had to be quieted...
KYU: All this fuss over a television set.
GAMBIT/CYCLOPS: He who controls the spice, controls the world.


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As Gambit and Cyclops continued to fight with Kyu and debate over the virtues of capitalism and tech-marketing, a demonic dragon rose from the underworld to complicate matters. This dragon was known as Silver Dragon, and the intelligent but ruthless creature represented all the malice and mischief of the modern world --- namely, tech-arrogance and terrorism. Silver Dragon wanted to breathe his paralysing ice-breath onto Gambit, Cyclops, and even the incendiary Kyu to announce his presence as the 'father-figure dragon' of a new age wasteland of piracy and pretension. For once, Gambit, Cyclops, and Kyu had to work together to deal with Silver Dragon. Silver Dragon was the last obstacle to a Utopian vision of trade-oriented peace (e.g., Wall Street, NASDAQ, European Union, OPEC, Samsung, Nissan, Hong Kong, etc.).

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American film-makers were envisioning stories about great pioneers and adventurers. These film-makers cast iconic movie-stars such as Tom Cruise and Leo DiCaprio to portray these symbolic characters, real and fictional. Modernism had created a special optimism regarding the imagination behind progress and trade. The Age of Marco Polo was replaced by the Age of Steve Jobs. The only challenge to such creative representations of history was of course censorship, which threatened the vitality of liberal dialogue. The Democratic National Party (DNP) in America worked to ensure that commerce was not undermined by old-world dogma. Hollywood (USA) had become a manufacturer of 'network billboards' (e.g., Batteries Not Included, Casino, The Aviator, Ghost in the Machine).

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As all these modernism 'tech-diaries' took shape, Gambit and Cyclops continued to tackle the diabolical Kyu who began worshipping the ominous Silver Dragon who despite having returned to the underworld continued to cast an evil shadow on civilization. Gambit worked closely with the CIA to ensure that prestigious Ivy League schools in America were safeguarded from terrorism so students/scholars could continue to develop new age intellectual properties in peace. Multiple deans of these prestigious schools were responsible for balancing religion with science in the classroom, so Gambit knew that this 'new age crusade' spelled certain wisdom. Because the world was dominated by America, the new 'Empire,' and Christianity was the dominant religion in America, Christianity had become the 'ideological masthead' of temperance-advice. Was this all...a 'nerdism' indoctrination?


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