Disir
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- Sep 30, 2011
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Significant evidence now exists for the importance of sound in prehistory and research in this area has progressed over the past 30 years, with a number of archaeological finds that are thought to be musical instruments found in caves associated with palaeolithic occupation. Particularly well known are bone flutes of Aurignation date some 35-40,ooo years old and fairly advanced examples of an aerophones (bull roarers) from the same period. This shows the complex nature of instruments, yet surviving artefacts are not the sole method of examining prehistoric sounds.Establishing a baseline dataset
The project “Songs from the Caves” explores the acoustics of prehistoric painted caves in Northern Spain, to establish whether a secure relationship can be found internally between the positioning of motifs and sonic effects. Sound has the potential to provide information that is not available by only studying visual or material properties.
The project seeks to document the relationship of rock art and the acoustic characteristics of the spaces in which the paintings were made, providing two sets of complimentary quantifiable datasets that can be compared and analysed.
Reznikoff and Dauvois (1988) suggested a link between the positioning of cave paintings in southwest France and the patterning of acoustic resonances, reverberation and echoes. However the methodology used was not based on rigorous acoustical analysis, and was critiqued for being somewhat subjective with researchers using their own voices to search for vocal effects. The new research tests their original theory using a rigorous scientific methodology.
Songs from the caves : Archaeology News from Past Horizons
Publications | Songs of the Caves
This is so cool.