Alec BaldwinÂ’s Comeuppance
Yes, heÂ’s a jerk, but conservatives should not rush to condemn people for their speech.
By Charles C. W. Cooke
December 2, 2013 8:00 AM
lec Baldwin has quite the talent for insults. Among his recent contributions to the genre are “right-wing trash bag,” which was aimed at an aide to New York mayoral hopeful Joe Lhota; “thoughtless little pig,” which he threw wildly at his own daughter during a voicemail tirade; and a pair of aspersions that I consider to be his best work, “f***ing little *****” and “toxic little queen,” both of which were delivered to a British gossip columnist who had provoked his ire. You’ll note the consistent rhythm of the last three: de-de-de-de-DA. Beautiful. Musical, even. The man can talk.
Baldwin certainly isn’t subtle, but when he is on form he really connects, spitting his invective in perfectly metered chunks. What Paul McCartney is to the three-minute pop song, Alec Baldwin is to the slur. Alas, his latest, the rather disappointing “c***sucking ***,” is not up to snuff. With its hard “G,” the epithet boasts the satisfying ending to which we’ve become so accustomed (“bag,” “pig”), but it doesn’t really scan properly, and, more significantly, it lacks the invention of his other work. If one is going to play on the sexuality of the victim, the ambiguous but acid “toxic little queen” is a doozy. “C***sucking ***” on the other hand? Too standard, and much more difficult to wriggle out of afterwards — as Baldwin’s astonishingly lame attempt demonstrated.
As sequels go, this was the last-ditch effort that even the most generous of critics couldn’t excuse. Among the notable public figures who felt compelled finally to leave his side were the American-British writer Andrew Sullivan and GLAAD’s own Rich Ferraro. Sullivan, who has evidently decided that Baldwin “cannot be defended any longer,” contended that Baldwin’s instincts under pressure “reveal who he actually is” and that what he “actually is” is a “raging, violent bigot.” Ferraro simply lamented that Baldwin had declined to turn his shouting into a learning opportunity. As a reward for their troubles, Sullivan and Ferraro were termed by Baldwin as part of “the fundamentalist wing of gay advocacy” and accused of “killing” his show.
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