- Sep 22, 2013
- 4,956
- 250
- 85
Here's a cool love story symbolic of the modern intrigue associated with American detention.
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On the idyllic California college campus of UCLA, a visiting scholar of revolutionary politics, also an active member of Algerian socialist reform in post-French colonial Algeria, was visiting for a special event about revolution literature from around the world circulated in American colleges and universities. This visiting politics horse-man, Isaac Satan, was about the discover the strange pleasures of living in America and seeing the splendor of well-financed American schools like UCLA. Isaac was also about to be romantically challenged by an exchange with a bright and gorgeous new young political science professor at UCLA named Edie Planks who's going to teach Isaac why the California school is so ideally designed.
Isaac brought with him to UCLA a collection of FLN-themed artworks from Algeria, reflecting the development of socialist theory and socialization fear presentations in the arts and literature among the youngsters and young adults of Algeria. Isaac began sharing these artworks with the UCLA political science department, which caught the attention of young professor Edied Planks who found them quite stunning. She thought these avant-garde artworks symbolized a special interest in sociocultural dogma.
Now, the campus of UCLA was considered very metaphysical and intellectual simultaneously. They boasted well-financed academics and well-funded athletics. In fact, the UCLA men's college basketball team was considered legendary in the earlier era of NCAAB, before the reign of the Duke Blue Devils in the late 20th Century! So, Isaac was intrigued by this complementation of academic and athletic dioramas at UCLA during his special visit to the political science department.
Isaac began guest-lecturing at UCLA's various political science courses, undergraduate and graduate level, while also attending and co-hosting special night conferences on the role of literature in the dissemination of political ideology from around the world. This was great social thinking in modern times regarding the role of democracy and free-speech in the marketing of political education in American universities. That's why UCLA wanted to invest in this form of dioramic dialogue.
ISAAC: "When I came to this school as a guest/visitor, I was intrigued by education, but now I'm also stirred by America itself!"
It was during an outdoor event at UCLA during Isaac Satan's special visit to the iconic American university that he met the bright and beautiful young political science professor Edie Planks. Isaac was attending an outdoor luncheon co-hosted by the UCLA political science department during which prospective graduate students would ask Satan about the quality of free-speech in education regarding controversial politics from places outside America. When Edie Planks walked up to Isaac Satan and asked him what he thought about outdoor hosting of political rhetoric at UCLA, Isaac realized UCLA was recruiting bright young teachers invested in the environmental qualities of sociocultural drive.
EDIE: You must've studied interesting people in Algeria, Isaac Satan!
ISAAC: Well, one fellow, the radical Ali, was both a thief and a terrorist.
EDIE: Do you consider yourself a terrorist, Isaac?
ISAAC: Actually, I think of myself as a rhetoric thief of street politics!
EDIE: Sounds intellectual...and arrogant.
ISAAC: Are you threatened?
EDIE: I suppose this is all a bit daunting in terms of social thinking.
ISAAC: Algeria's been troubled since the days of French colonialism.
EDIE: So, how'd you find our beautiful campus?
ISAAC: I've noticed your university takes time to invest in excellence!
EDIE: Are you subtly trying to hit on me, sir?
ISAAC: I'm not that much older than you, Edie.
EDIE: Yeah I know, but I just broke up with someone, a departed professor.
ISAAC: Was he much older or your age?
EDIE: He was much older.
ISAAC: I see.
EDIE: Are you single?
ISAAC: I'm single!
EDIE: Are you lonely, I mean, does your work make you lonely?
ISAAC: Ya know, I feel lonely when I meet a beautiful smart woman.
EDIE: Like me?
ISAAC: Yes.
EDIE: This could be complicated.
ISAAC: I live in complication, Edie Planks.
EDIE: Call me tonight; we can go to an outdoor departmend dinner as dates.
ISAAC: Friday?
EDIE: You know of the event?
ISAAC: I got an e-invite but don't have a date.
EDIE: Now you do; you have me; an intrigued university doll.
ISAAC: Right.
EDIE: I wonder what I'll do with my evening dress?
Edie and Isaac attended the outdoor evening dinner-party event hosted by the UCLA political science department as dates. Isaac decided not to tell Edie he was working covertly with the P-IRA (Provisional Irish Republican Army) as a liaison bank robber and terrorism coordinator in Belfast, an ally from the world of FLN networks. In fact, Isaac was considered an invaluable smuggler of finances and terrorist personnel among the IRA seeking to make alliances with other freedom-fighting legacy groups around the world such as the FLN. Isaac decided not to tell Edie, because he'd secretly fallen hopelessly in love with her.
Isaac made a classic carousel-horse painting for Edie, and she loved it. The two began an intimate relationship, and Isaac proposed to her. Edie insisted he tell her more about his work with the FLN in Algeria, but Isaac suggested his double-life was best kept secret, to keep Edie distanced from the sheer madness of it all! Meanwhile, the two unusual individuals in modern times continued to court their symbolic romantic daydream.
EDIE: If something terrible happens to you, I won't forget our short romance.
ISAAC: Even short-lived romances have their own plates on Earth, Edie.
EDIE: Man, I wonder if we'd been better if we're chefs at a restaurant.
ISAAC: Our paths crossed simply because we're both...diligent.
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"Money is everything" (Ecclesiastes)
====
On the idyllic California college campus of UCLA, a visiting scholar of revolutionary politics, also an active member of Algerian socialist reform in post-French colonial Algeria, was visiting for a special event about revolution literature from around the world circulated in American colleges and universities. This visiting politics horse-man, Isaac Satan, was about the discover the strange pleasures of living in America and seeing the splendor of well-financed American schools like UCLA. Isaac was also about to be romantically challenged by an exchange with a bright and gorgeous new young political science professor at UCLA named Edie Planks who's going to teach Isaac why the California school is so ideally designed.
Isaac brought with him to UCLA a collection of FLN-themed artworks from Algeria, reflecting the development of socialist theory and socialization fear presentations in the arts and literature among the youngsters and young adults of Algeria. Isaac began sharing these artworks with the UCLA political science department, which caught the attention of young professor Edied Planks who found them quite stunning. She thought these avant-garde artworks symbolized a special interest in sociocultural dogma.
Now, the campus of UCLA was considered very metaphysical and intellectual simultaneously. They boasted well-financed academics and well-funded athletics. In fact, the UCLA men's college basketball team was considered legendary in the earlier era of NCAAB, before the reign of the Duke Blue Devils in the late 20th Century! So, Isaac was intrigued by this complementation of academic and athletic dioramas at UCLA during his special visit to the political science department.
Isaac began guest-lecturing at UCLA's various political science courses, undergraduate and graduate level, while also attending and co-hosting special night conferences on the role of literature in the dissemination of political ideology from around the world. This was great social thinking in modern times regarding the role of democracy and free-speech in the marketing of political education in American universities. That's why UCLA wanted to invest in this form of dioramic dialogue.
ISAAC: "When I came to this school as a guest/visitor, I was intrigued by education, but now I'm also stirred by America itself!"
It was during an outdoor event at UCLA during Isaac Satan's special visit to the iconic American university that he met the bright and beautiful young political science professor Edie Planks. Isaac was attending an outdoor luncheon co-hosted by the UCLA political science department during which prospective graduate students would ask Satan about the quality of free-speech in education regarding controversial politics from places outside America. When Edie Planks walked up to Isaac Satan and asked him what he thought about outdoor hosting of political rhetoric at UCLA, Isaac realized UCLA was recruiting bright young teachers invested in the environmental qualities of sociocultural drive.
EDIE: You must've studied interesting people in Algeria, Isaac Satan!
ISAAC: Well, one fellow, the radical Ali, was both a thief and a terrorist.
EDIE: Do you consider yourself a terrorist, Isaac?
ISAAC: Actually, I think of myself as a rhetoric thief of street politics!
EDIE: Sounds intellectual...and arrogant.
ISAAC: Are you threatened?
EDIE: I suppose this is all a bit daunting in terms of social thinking.
ISAAC: Algeria's been troubled since the days of French colonialism.
EDIE: So, how'd you find our beautiful campus?
ISAAC: I've noticed your university takes time to invest in excellence!
EDIE: Are you subtly trying to hit on me, sir?
ISAAC: I'm not that much older than you, Edie.
EDIE: Yeah I know, but I just broke up with someone, a departed professor.
ISAAC: Was he much older or your age?
EDIE: He was much older.
ISAAC: I see.
EDIE: Are you single?
ISAAC: I'm single!
EDIE: Are you lonely, I mean, does your work make you lonely?
ISAAC: Ya know, I feel lonely when I meet a beautiful smart woman.
EDIE: Like me?
ISAAC: Yes.
EDIE: This could be complicated.
ISAAC: I live in complication, Edie Planks.
EDIE: Call me tonight; we can go to an outdoor departmend dinner as dates.
ISAAC: Friday?
EDIE: You know of the event?
ISAAC: I got an e-invite but don't have a date.
EDIE: Now you do; you have me; an intrigued university doll.
ISAAC: Right.
EDIE: I wonder what I'll do with my evening dress?
Edie and Isaac attended the outdoor evening dinner-party event hosted by the UCLA political science department as dates. Isaac decided not to tell Edie he was working covertly with the P-IRA (Provisional Irish Republican Army) as a liaison bank robber and terrorism coordinator in Belfast, an ally from the world of FLN networks. In fact, Isaac was considered an invaluable smuggler of finances and terrorist personnel among the IRA seeking to make alliances with other freedom-fighting legacy groups around the world such as the FLN. Isaac decided not to tell Edie, because he'd secretly fallen hopelessly in love with her.
Isaac made a classic carousel-horse painting for Edie, and she loved it. The two began an intimate relationship, and Isaac proposed to her. Edie insisted he tell her more about his work with the FLN in Algeria, but Isaac suggested his double-life was best kept secret, to keep Edie distanced from the sheer madness of it all! Meanwhile, the two unusual individuals in modern times continued to court their symbolic romantic daydream.
EDIE: If something terrible happens to you, I won't forget our short romance.
ISAAC: Even short-lived romances have their own plates on Earth, Edie.
EDIE: Man, I wonder if we'd been better if we're chefs at a restaurant.
ISAAC: Our paths crossed simply because we're both...diligent.
====
"Money is everything" (Ecclesiastes)
