Speed Racer: Tom Cruise's Diary

Abishai100

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Sep 22, 2013
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This is a modern media-scroll inspired by American Beauty and Days of Thunder.




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American super-celebrity Tom Cruise realized his position as a 'society-media role-model' made him a natural diplomat of modern civilization, so he decided to start hyping the democratic symbolism of NASCAR (the car-racing sports organization).

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Americans liked Facebook, the Super Bowl, Subway restaurants, and MTV. How would Tom Cruise's brand of 'media patriotism' fit into this 'matrix' of consumerism ornaments?

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After much thinking, Cruise decided he was a lot like the cartoon race-car driver Speed Racer, a paragon of patriotic sportsmanship (at least in the universe of race-car driving!).

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Americans appreciated why Cruise made the NASCAR-themed film Days of Thunder (co-starring Robert Duvall, Cary Elwes, and Nicole Kidman). Cruise was an 'American standard.'

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Artists appreciated why Speed Racer media (cartoons, comics, movies, action-figures, etc.) represented American flowery and race-car ethos. Was capitalism a metaphor for Speed Racer metaphysics? Cruise believed it was...

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After the live-action visually-stunning movie adaptation of Speed Racer was made in 2008, consumers were conscious of new age aesthetics (in terms of media geometry). Who doesn't like car-racing?

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As with any civilization-achievement such as Speed Racer, there comes the reality of evil (and villains!). Would Cruise (and Speed Racer) be able to wrestle with the ominous presence of anti-social elements such as diabolical raceway drivers intent on creating mayhem/anarchy?

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Artists did not mind creating romantic portrayals of race-car sports and the thrill of competitive instincts and why it captured the spiritual fascination with teamwork as well as sportsmanship.

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No one likes car-crashes, so Cruise was busy with his media-agents working with the consumer-audience about the complexity of danger and the reality of violence. Would Cruise (aka, 'Speed Racer') be able to deal with the modern problem of terrorism and chaos?

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After a new Mad Max sequel was made, consumer audiences were excited about America's perspective about the visceral thrill of race-car ethos and the sense of competitive consciousness.

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Even kids and youngsters collected Hot Wheels race-car models and race-tracks, so Speed Racer (and Tom Cruise!) were fixed to be in a position of great civilization metaphysics. Would this be a real imaginarium-revolution?

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Tom Cruise also made the sports-media culture film Jerry Maguire (about an ethically-challenged American sports-agent confounded by new age capitalism/consumerism values/virtues). People were thinking of Cruise as a new age 'Barbie' and therefore a 'pro-humanism' Speed Racer(!).

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As with any American achievement there comes the spiritual danger of anti-Western terrorism. Terrorist groups such as ISIS and Cobra represented a new age danger regarding the marketing of networking-related vulnerabilities (i.e., capitalism-corruption). Would Speed Racer/Cruise stand against this modern problem of corruption-gauged political cynicism?

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GOD: Tom Cruise is the real Speed Racer!
SATAN: Is that an achievement or a vanity?
GOD: I think Americans appreciate sportsmanship/teamwork.
SATAN: Is race-car driving a reliable symbol of civilization?
GOD: Sure it is! Capitalism is all about managing competitive instincts.
SATAN: Americans watch too many movies...
GOD: Yes, but Planet Hollywood culture is a sign of networking optimism.
SATAN: I concede that fact; after all, movies reflect peaceful psychology.
GOD: Right; even American horror-films symbolize true sanity!
SATAN: Exactly; let's hype Tom Cruise as Speed Racer and Freddy Krueger.
GOD: Why not? Everyone likes drama...
SATAN: We have to be wary of terrorism (e.g., Cobra).
GOD: I think Cruise (and Speed Racer!) can serve 'American heaven'.
SATAN: Perhaps evil (e.g., anarchy/terrorism) is a reflection of psychosis...
GOD: Planet Hollywood can in fact be a reliable form of medicine.
SATAN: I agree there's nothing wrong with 'American yoga'.


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:dance:

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