- Sep 22, 2013
- 4,956
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This is a modernism media comic inspired by my curiosity about intellectual 'Ivy-linguistics' (e.g., Yale University) and my love of the negotiation-intrigue films The Paper Chase and Talk Radio.
Signing off,
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Ajay was the Media Scarecrow who published essays about vigilantism in The New Yorker and dressed up in costumes meant to be used in suburbia-critique for the modern age of traffic and convenience (e.g., Facebook, Wall Street, World Bank, etc.). Standing against him was the wicked Hollywood actress Charlize Theron who was making vibrant and chilly films about Snow White. Theron (Charlize) believed that harvest-avatars such as 'Scarecrow' and 'Captain Planet' could not lead to any meaningful gesture toward theosophical revolution. Ajay (aka, 'Scarecrow') disagreed.
Ajay/Scarecrow posted pictures of himself alongside those of stills/images from Theron's Snow White films and compared them in terms of mob psychology cliques. Scarecrow insisted that Snow White was too complicated for his tastes in 'pedestrian punk,' but Theron asserted that new age renditions of older classics such as Snow White reflected a social investment in 'folklore spicing.' It was blog-world versus movie-world. Theron won of course but die-hard Orwellian comic book nerds/dweebs insisted Scarecrow (Ajay) be honored as a modernism-traffic 'diplomat/witness' of 'pedestrian pidgin.'
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Signing off,
====
Ajay was the Media Scarecrow who published essays about vigilantism in The New Yorker and dressed up in costumes meant to be used in suburbia-critique for the modern age of traffic and convenience (e.g., Facebook, Wall Street, World Bank, etc.). Standing against him was the wicked Hollywood actress Charlize Theron who was making vibrant and chilly films about Snow White. Theron (Charlize) believed that harvest-avatars such as 'Scarecrow' and 'Captain Planet' could not lead to any meaningful gesture toward theosophical revolution. Ajay (aka, 'Scarecrow') disagreed.
Ajay/Scarecrow posted pictures of himself alongside those of stills/images from Theron's Snow White films and compared them in terms of mob psychology cliques. Scarecrow insisted that Snow White was too complicated for his tastes in 'pedestrian punk,' but Theron asserted that new age renditions of older classics such as Snow White reflected a social investment in 'folklore spicing.' It was blog-world versus movie-world. Theron won of course but die-hard Orwellian comic book nerds/dweebs insisted Scarecrow (Ajay) be honored as a modernism-traffic 'diplomat/witness' of 'pedestrian pidgin.'
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