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Polish listed SME wins European award

Polish listed SME wins European award
05.12.2018 16:30
A listed Polish SME that runs Europe’s largest stem cell bank has won a prestigious award co-sponsored by the European Commission, according to media reports.
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Photo: jarmoluk/pixabay.com/CC0 Creative Commons

The Warsaw Stock Exchange-listed company, called Polski Bank Komórek Macierzystych, was announced as one of four winners of the 6th European Small and Mid-Cap Awards in Brussels on Tuesday.

The awards aim to promote best practices and highlight innovative European small and mid-sized companies that have gained access to capital markets via initial public offerings (IPO).

Polski Bank Komórek Macierzystych runs the largest stem cell bank in Europe and one of the 10 largest worldwide, according to the europeansmallandmidcapawards.eu website.

The company was singled out for praise in the Star of Innovation category.



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Congratulations to Polski Bank Komórek Macierzystych (PBKM) @PBKM_FamiCord for winning the Star of Innovation Award at #SMEAwards2018! Listed on @GPW_WSExchange @FESEBrussels @EuropeanIssuers @EU_Growth


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Meanwhile, another WSE-listed SME, Dino Polska, a Polish retail chain of grocery stores, was announced as one of two runners-up in the Star of 2018 category.

In total, 12 companies had been nominated for this year's European Small and Mid-Cap Awards in four categories, Poland's PAP news agency reported.

The European Small and Mid-Cap Awards are given out annually by the Federation of European Securities Exchanges (FESE) and EuropeanIssuers, an organisation representing the interests of publicly quoted companies across Europe, in cooperation with the European Commission’s Directorate-General for the Internal Market, Industry, Entrepreneurship and SMEs.
 
The king of the dumb Polaks.

Józef Piłsudski: Born 151 years ago today, the legacy of 'modern Poland's father’ still lives on

Józef Piłsudski: Born 151 years ago today, the legacy of 'modern Poland's father’ still lives on
HISTORY
MATT DAY DECEMBER 05, 2018
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Despite having his roots in socialist politics, Piłsudski wanted to remain politically neutral, believing the head of state should be above politics./PAP
He is famed as the father of modern Poland, a national icon and hero of the Polish struggle for independence.

But while few deny Józef Piłsudski is all these, the life and legacy of the man who remains at the heart of Poland comes packed with nuances that history often overlooks.

Born on December 5, 1867 into an impoverished Polish noble family in what is now Lithuania but was then part of Imperial Russia, Piłsudski was very much a child of the times. He rebelled against the enforced Russification that Poles had to endure, and the authoritarianism of the Tsars, which were desperately trying to hold their empire together as it began to buckle under the pressure of growing economic and political discontent.

Arrested as part of an alleged plot to assassinate Tsar Alexander III, Piłsudski served five years in exile in Siberia. He had also become active in left-wing politics but despite the internationalist outlook favoured by the hard left in those days he remained a Polish nationalist, eager to break Poland away from Moscow’s clutches.

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Piłsudski was born into an impoverished Polish noble family in what is now Lithuania but was then part of Imperial Russia. Pictured (l) with his older brother Bronisław. PAP

As Europe blundered towards war in the early 20th century, Piłsudski realised that a European conflict could provide the chance for the re-establishment of an independent Polish state.

He began to take the first steps of forming a Polish military organisation, which he hoped would form the nucleus of a Polish army. The organisation would eventually become the Polish Legions that would fight the Russian empire.

The end of the First World War and the collapse of the three empires that had ruled Poland did indeed, as Piłsudski had planned, pave the way for Polish independence. It also led him to being the fledgling country’s leader.

Despite having his roots in socialist politics, Piłsudski wanted to remain politically neutral, believing the head of state should be above politics. But he had clear ideas of what Poland should be like.

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Piłsudski rebelled against the enforced Russification that Poles had to endure, and the authoritarianism of the Tsars. In 1887 he was wanted by an arrest warrant.PAP

Piłsudski wanted a multi-ethnic Polish state incorporating the diverse group of nationalities and religions that inhabited the lands broadly regarded as Polish. In fact, he even considered trying to form a federation with Lithuania. To him Poland was more of a state rather than a people or a nation.

These notions would set him at odds with the growing popularity of nationalism centred on a particular national group found in many European countries at the time including Poland.

In 1926, frustrated with Polish politics Piłsudski came out of retirement and returned to the political fray via a coup.

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Piłsudski was the leader of independent Poland and enjoyed great popularity.PAP

The coup ushered in an era of the weakening of the democratic state in Poland, but while Piłsudski was very much at the heart of this until his death in 1935, historians regard his approach to politics as more paternalist than authoritarian.

After the Second World War the communists tended to gloss over or play down the life and legacy of Piłsudski.

The return of democracy changed this, and while his reputation as the father of modern Poland is now cemented into Polish history, his thoughts on what a Polish state should be like have faded into history.
 
Magnificient Polak.

Remembering Polish composer H.M. Górecki

Remembering Polish composer H.M. Górecki
06.12.2018 13:29
December 6 marks the 85th anniversary of the birth of Polish 20th-century composer Henryk Mikołaj Górecki.
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Henryk Mikołaj Górecki. Photo: Lech Kowalski and Włodzimierz Pniewski - scanned from Polish monthly "Studio" Nov/Dec 1993 page 8/Wikimedia Commons (Public Domain)

A leading figure on the Polish avant-garde music scene of the 1960s, Górecki rose to international fame thanks to the success of his 1976 Third Symphony.

Subtitled the Symphony of Sorrowful Songs, the piece broke popularity records in the 1990s. Its recording by the London Sinfonietta under David Zinman, with Dawn Upshaw as the soloist, sold over 1 million copies, rose high in the pop charts and was used on film soundtracks.

Górecki was particularly renowned for his choral settings, sacred music and chamber works. His close relationship with the American Kronos Quartet resulted in three string quarters, Already It Is Dusk, Quasi una fantasia, and Songs Are Sung, all of which achieved popularity.

Górecki died in November 2010, leaving several pieces unfinished. These include his Fourth Symphonyand Two Tristan Postludes and Chorale, both of which have been orchestrated by the composer’s son Mikołaj Górecki.

H.M. Górecki’s honours included the Order of the White Eagle, the highest Polish state distinction.
 
Polaks are so dumb.

Chasing Copernicus in Poland


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Sculpture of Copernicus in salt in the Wieliczka Salt Mine. Credit: Dennis Jarvis Flickr(CC BY-SA 2.0)

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Did you know that Nicolaus Copernicus, the Renaissance astronomer who argued Earth and other planets orbit the sun, lived, worked and died in Poland?

Until recently I never gave it much thought—but when I traveled to his country in August, I couldn’t stop following him around.

His likeness is painted on buildings and memorialized in statues in multiple Polish cities. His name graces street signs, museums and a fancy hotel. There’s even a rock-salt Copernicus in one of the subterranean caverns of the Wieliczka Salt Mine. Just as there’s no escaping the fact that the sun is the center of the solar system, you’re bound to run into at least one tribute to the legendary scientist somewhere around Warsaw, Kraków or Toruń.

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But Copernicus is perhaps the biggest star in the town where he wrote his most influential work, and where he’s buried. That place is Frombork, a red-roofed seaside village far removed from the soulless skyscrapers of Warsaw. My friend Dan Falk and I, both writers and science history geeks, decided to venture to this Baltic outpost to see where the great heliocentrist had worked out his worldview. Perhaps we, too, would have a moment of Copernican insight about our place in the cosmos.

WHO WAS THIS COPERNICUS GUY, ANYWAY?

Copernicus was born in Toruń, Poland, in 1473. He began his studies at Kraków University, now called Jagiellonian University, in 1491, and then headed to the University of Bologna to study law. He also studied medicine and received a doctorate in canon law. As canon of the Frombork cathedral, his role was largely administrative, but it guaranteed him a livable salary while he pursued astronomy as a hobby.

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Frombork Cathedral, where Copernicus served as canon. Credit: Elizabeth Landau
At that time, the widely accepted wisdom was that the planets and the sun revolved around a stationary Earth. But not everyone had always believed this. The ancient Greek astronomer Aristarchus, for example had proposed back in the third century BCE that Earth revolves around the sun instead. Whether he knew about Aristarchus’ idea or not, Copernicus built upon it in his book De revolutionibus orbis coelestium(On the revolution of heavenly bodies)—and rather than just wax philosophical, Copernicus worked out detailed mathematics describing the solar system, based on the assumptions that the Earth spins on its axis, orbits the sun and has a tilt.

Copernicus kept the manuscript for this book hidden for more than a decade, perhaps because he feared being ridiculed or condemned as a heretic. The book did get out, however, because toward the end of his life, his student Georg Rheticus convinced him to publish it. Copernicus didn’t live to see the volume’s impact; he died shortly after its publication, in 1543.

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Although Copernicus erroneously assumed the heavenly bodies orbited the sun in perfect circles, he correctly moved the Earth from its presumed location in the center of the universe to a relatively insignificant backseat. This was foundational for the influential astronomers who followed—including Galileo, who was put under house arrest for affirming the same truth. Today, understanding our solar system isn’t the only one in the Milky Way by a long shot, and that the Milky Way is one of many billions in the universe—and that perhaps there are even multiple universes—scientists use the phrase “Copernican Principle” for the idea that Earth has no special cosmic significance (except, of course, for us).

HOW FROMBORK CELEBRATES COPERNICUS

To get to Frombork, Dan and I had to catch a train to a town called Elbląg and then get a bus out of Elbląg’s tiny terminal. The bus followed a two-lane country road on a journey that included at least two farms with cows. Had we continued on this road beyond Frombork by car, it would be only about 11 more miles to a small part of Russia totally cordoned off from its motherland by other national borders. But we knew we were in the right spot when we saw a small bus shelter labeled Frombork, and subtitled “Kopernika.”

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As we walked uphill, Dan giddily started snapping photos of the red brick fortress walls that surround the cathedral complex. There was a lot to see, for sure, including a giant statue of Copernicus welcoming visitors on the main street; a museum in the Palace of the Bishops of Warmia; and the tomb of Copernicus himself, in the cathedral. The “Copernicus Tower” is the part of the complex where Copernicus may have done his work, although no one knows for sure. But this much is clear: in Frombork, Copernicus is king.

Inside the cathedral, there were at least two different Polish tour groups taking turns crowding around the tomb. While I waited for them to move along, I found an 18th century epitaph for Copernicus on one of the pillars of the nave—a small circular portrait surrounded by gold with a Latin inscription. A midday organ concert filled the vaulted Gothic ceilings with sounds from a 17th century masterwork.

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A pillar commemorating Copernicus's life and work stands just behind a glass window in the floor through which visitors can see the astronomer's coffin. Credit: Elizabeth Landau.
The highlight was surely Copernicus himself. His grave is marked with an enormous modern epitaph, and there’s a small viewing window in the floor so visitors can peek at a portrait of his face resting on his coffin. In contrast to the antique splendor of the Gothic basilica, the resting place of Copernicus lies below a towering black monolith with a representation of the sun and the orbits of planets radiating out from it. Between Jupiter and Saturn is a depiction of Copernicus, with information about his birth and death, identifying him as “astronomer,” “creator of the heliocentric theory” and “Warmian canon,” which refers to the region of Poland containing Frombork. Having traveled so far and heard so much about Copernicus in the past, Dan and I were awestruck as we stood atop the heliocentrist’s resting place. “I can’t believe we made it!” I blurted out.

With all that has happened in astronomy in the intermittent centuries—as we have come to understand how truly vast the universe is compared to the solar system—one might rhetorically say that Copernicus could have rolled over in his grave if he knew. In fact, in 2005 archaeologists dug up anonymous skeletal remains from beneath the Frombork cathedral, and DNA testing suggested they belonged to Copernicus (it’s a good thing he left some hairs in one of his books: they served as fodder for the genetic analysis). Historical portraits also allowed scientists to match the shape of the skull with Copernicus’ head. He was ceremoniously reburied in 2010, and his grave was outfitted with the large epitaph we saw.

In the museum, visitors can also see a reconstruction of what Copernicus’ study might have looked like, including books from his time and reproductions of some of the instruments of astronomy’s past—a spherical device called an astrolabe, a wooden square called a quadrant, and a giant contraption called a parallactic triangle, one of which Copernicus used to measure the distance to the moon. Several paintings of Copernicus watched over us as we admired these objects.

The most striking thing about Frombork was its sheer remoteness. It’s a place where almost everything seems to close by 5 P.M., including the museums and the outdoor cafés, and the last bus back to Elbląg was around 5:45. Walking down to the harbor area, we found little boats that were docked and empty. At the water’s edge, Dan and I were the only ones standing by a tiny strip of sand, admiring the sun’s reflection. At the top of the Belfry Tower, with the seemingly infinite Vistula Lagoon on the left and farmland everywhere else, I felt like we were at the edge of the world. After the visit I read that, more than four centuries earlier, Copernicus had shared my sentiment, calling Frombork “the most remote corner of the Earth.” How fitting that in this place that so clearly not the center of anything, Copernicus wrote about how the Earth is not the center, either.

THE BIGGER PICTURE

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A few days later, I had another moment of Copernican awe at the Collegium Maius at Jagiellonian University in Kraków, where the astronomer had studied (if you go, don’t forget to take a selfie with the Copernicus mannequin in the gift shop!). This museum has a photo of Earth seen from space, signed by Apollo 11 astronaut Neil Armstrong, the first man to walk on the moon. The message from Armstrong notes he donated this picture on the occasion of Copernicus’s 500th birthday in 1973. It was like a bridge through time connecting these two space pioneers.

For me, the photo underscored how, in the 475 years since Copernicus’ book was published, we have “uncentered” ourselves as people in so many ways. We have sent spacecraft to other planets and even to interstellar space. We know that at the largest scales there are likely billions of planets orbiting other stars (one of which is named Copernicus), more than 100 billion other galaxies, and a mysterious “dark matter” that greatly outweighs the ordinary atoms and molecules we’re made of.

At small scales, we know that there’s a whole world of tiny microbes with profound influence on our health and our bodies, and that we share a planet with countless organisms that all rely on the same basic biochemistry in order to be called “life.” But Earth’s life may not be the only form life can take, and our planet may not be the only place in space for life, as Caleb Scharf stresses in his aptly named book The Copernicus Complex. And as we develop faster computers and more sophisticated artificially intelligent systems, we will have to confront the notion of whether humans are even the dominant “center” of complex conscious thought.

We may be on the verge a lot more “uncentering” in the near future. I am proud to work at NASA’s Jet Propulsion Laboratory, which continues to push exploration and our understanding of the universe forward.

Today, I appreciate more than ever that the name Copernicus means much more than the man who looked at the stars above a vast Baltic lagoon. The astronomer could have never have imagined all the ways in which he has become a symbol for all of this modern perspective-changing.

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We needed that kind of symbol, so I’m glad his home country of Poland honors him in so many ways. Dreams of seeing beyond our immediate surroundings are built on the foundation that Copernicus laid.

Let us embrace being off-center!

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The author, with the cathedral and the sea. Credit: Dan Falk.
 
Polaks are the World's dumbest.

Computer science students from the University of Warsaw win the CERC

07.12.2018 change 07.12.2018

  • ©
Computer science students from the University of Warsaw win the CERC
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A team of students from the Faculty of Mathematics, Informatics, and Mechanics of the University of Warsaw won the 2018 ACM ICPC Central European Regional Contest (CERC). Students Jakub Boguta, Konrad Paluszek and Mateusz Radecki were the only ones to solve all 12 problems prepared by the organizers.

74 teams representing universities with the best computer science programs in Austria, Croatia, the Czech Republic, Poland, Slovakia, Slovenia and Hungary competed from November 30 to December 3 in the 2018 Central Europe Regional Contest (CERC) in Prague, the University of Warsaw reported on its website.

According to the university, despite technical difficulties during the competition, the winning team from the University of Warsaw was clearly ahead of the team from the University of Zagreb, which ended the competition with 10 problems solved. The winners will represent the University of Warsaw for the 25th time in a row in the finals of the ACM International Collegiate Programming Contest in April 2019 in Porto.

Other teams from the University of Warsaw took places: 3, 5, 16, 17 and 25.

3rd place in the competition, also with 10 tasks, went to another team from the Faculty of Mathematics, Informatics, and Mechanics of the University of Warsaw, whose members were: Maciej Hołubowicz, Dawid Jamka, Jan Tabaszewski.

The third team from the Faculty of Mathematics, Informatics, and Mechanics of the University of Warsaw in the top 5 solved 8 problems. The team members were: Karol Kaszuba, Łukasz Kondraciuk and Aleksander Łukasiewicz.

The University of Warsaw was represented by three more teams composed of Konrad Czapliński, Mateusz Puczel and Juliusz Straszyński; Franciszek Budrowski, Paweł Pawlik, Stanisław Strzelecki; Juliusz Pham, Rafał Łyżwa, Antoni Żewierżejew; they took places 16, 17 and 25 respectively.

According to the university, this year preparations for the competition were supervised by champions from previous years: Wojciech Nadara, Marcin Smulewicz and Marek Sokołowski.

Support during the students` preparations for the contest was provided by the Ministry of Science and Higher Education as part of the project "The Best of the Best! 3.0", long-term sponsors of teams from the University of Warsaw: PKO Bank Polski and Atende SA, as well as the authorities of the Faculty of Mathematics, Informatics, and Mechanics of the University of Warsaw
 
Polak power!

Polish nativity scene joins Hungarian cloth on UNESCO list - Emerging Europe

Polish nativity scene joins Hungarian cloth on UNESCO list
December 8, 2018
Claudia Patricolo
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2018_06_22-emerging-europe-event-team-30-120x120.jpg
Claudia Patricolo


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Two emerging European traditions – one in Hungary and the other in Poland – have been included on UNESCO’s latest Intangible World Heritage List.

In Hungary, a traditional technique for dyeing cloth has made the list, while in Poland the celebrated Krakow nativity scene has also been included.

To apply designs onto cloth, the Hungarian practitioners use hand-crafted blocks up to 300 years old, featuring regionally-inspired patterns as well as generic designs or Christian motifs. The representation of local flora and fauna is interrelated with the local culture of Hungary’s regions. Traditional indigo blue-dyeing does not end with printing, however: the textile chain involves preparing the raw materials and spinning, weaving, finishing, printing and dyeing them.

Businesses engaged in the practice today comprise mainly small, family-owned workshops, each requiring the cooperation of the various family members, who each participate in every step of the production regardless of their gender. Traditional knowledge is still based on journals dating back to the nineteenth century and passed on through observation and hands-on practice. Stakeholders feel a strong emotional bond with their products, and the element encapsulates a sense of pride in long-lasting family traditions.

Meanwhile, a Polish Christmas tradition dating back to the nineteenth century, Szopka Krakówski (the Krakow nativity scene) has also been inscribed the UNESCO list.

While the tradition of building the nativity scene (szopka) dates back to the nineteenth century, in 1937 Jerzy Dobrzycki, director of the Krakow Municipal Art Propaganda Office, decided to make the event a competition. Since then, hundreds of craftsmen have competed each year, some more than 50 times.

As with any tradition, the szopka has evolved over time. Initially they were built as nativity scenes surrounded by representations of the houses and monuments of Krakow, many today depict historical, cultural and contemporary social events relating to life in the city and around the world.

The szopka are displayed on the first Thursday of December, where makers begin to gather on Krakow’s main square from the early hours in the morning to find the best spot to present their work.

The Krakow szopka have gained global recognition, and can be viewed and admired for almost three months at the Kraków Nativity Scene Contest Exhibition at the Historical Museum of the City of Kraków (MHK).
 
Polish news now?........and i was just coming to terms with Fake news......man......~S~
 
Polaks.

Polish minister on humanitarian reconnaissance trip to Iraq

Polish minister on humanitarian reconnaissance trip to Iraq
08.12.2018 12:00
Poland’s minister for humanitarian aid, Beata Kempa, is on Saturday travelling to Iraq to appraise the humanitarian situation in areas affected by the offensive of the so-called Islamic State, she told Polish Radio.
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Photo: janeb13/pixabay.com/CC0 Creative Commons

The five-day visit is expected to help streamline the relief efforts of Polish NGOs operating in the country and developing international aid projects with organisations such as USAID, one of the largest official US aid organisations in the world.

Kempa said: “Over the past two years, the [Polish] government earmarked around PLN 5 million [EUR 1.17m, USD 1.33m] for aid in Iraq, but we seek to increase funding for the cause, redirect and systemise it.”

Kempa is to visit Baghdad, where she will meet the head of UNESCO in Iraq, Louise Haxthausen, and UN special envoy for Iraq Alice Walpole. On Sunday, Kempa will meet Iraqi foreign, environment and health ministers.

The agenda of Kempa’s trip also includes visits to Polish-funded aid projects across Iraqi Kurdistan.

These include the construction of enclosures and handing over livestock to widows with children. The Polish state has also funded 500 makeshift module houses and the reconstruction of workplaces such as doctors' offices, workshops and grocery shops.

In Kurdistan’s capital, Irbil, Kempa is expected to meet the President of the Kurdistan Democratic Party, Masoud Barzani, and Prime Minister of the Kurdistan Region, Masrour Barzani.
 
SobieskiSavedEurope said:
José said:
I never had the pleasure to visit the land of your ancestors, sobieski, but from what I've seen it's a beautiful country full of gorgeous nordic types with a people and a government who stubbornly refuse to adopt the multiracialist mental disease which is more than I can say about America.

Having said that, you'll have to forgive me but Azog's comic strip was funny as hell. :lmao::lmao:
Click to expand...

Eh, Poles have softer features, and higher cheek bones than the Nords, typically.

While the North of Poland is as Blonde as Sweden, the South of Poland is far darker, (My ancestors came from the South-East, Near the borders of Ukraine & Slovakia)

Podkarpackie Voivodeship is the most Right-Wing & Conservative part of Poland as well.
Click to expand...
I met some Gypsies from there once. Really.
 
So dumb.

https://www.radioworld.com/the-wire...ystem-available-for-sale-in-the-united-states

Acclaimed ZYLIA ZM-1 360-Degree Sound Recording System Available for Sale in the United States
DUNDEE HILLS GROUP
DEC 7, 2018


POZNAN, Poland — Dec. 7, 2018 — Zylia, the Poland-based manufacturer of multitrack audio recording technologies, today announced that its acclaimed ZYLIA ZM-1 microphone is now available for sale in the United States. Designed for bands and musical ensembles, sound engineers, podcasters, and audio creatives working in 3D audio, Ambisonics, and virtual reality, the new ZYLIA ZM-1 is an incredibly light, compact, and beautifully designed recording solution capable of delivering 48 kilohertz/24-bit resolution while capturing the full spatial sound scene.

The microphone is available for purchase online in the United States through B&H: Zylia | B&H Photo Video

"We're happy to share the remarkable technology of ZYLIA ZM-1 with musicians and audio engineers in the United States," said Zylia co-founder and chief operating officer Piotr Szczechowiak. "We think people will be impressed by its performance and attractive pricing."

The ZYLIA ZM-1 is a spherical microphone comprising 19 high-quality MEMS microphone capsules and offering 360-degree sound capture that can be configured and manipulated using ZYLIA Studio, ZYLIA Studio PRO, and ZYLIA Ambisonics Converter software. The ZYLIA ZM-1 can autodetect sound sources from around the microphone and then capture that sound into the software as separate tracks for further editing on a digital audio workstation. The system is very portable and requires only a USB connection to Mac or PC for both data transfer and power supply.

More information about Zylia and its technologies is available at www.zylia.co.

# # #

About Zylia

Zylia develops innovative, world-class recording technologies and turns them into products that improve the lives of musicians and audio creatives. With a passionate and dedicated team of almost 20 experts in music production, audio research, software, business and product development, the company crafts and delivers products with the potential to redefine and revolutionize the way sound and musical performances are recorded and produced. Leveraging their personal experience as musicians and tech gurus, along with input from music and audio communities around the world, Zylia's experts bring musicians agile recording tools that make it easy to be creative in any environment.
 
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