The Amplifier Explained

I did a little research. They say the transistor amps delivers a more efficient sound longer, than the old tube amps. And are more compact, than the old tube amps.!!
Also MOSFET transistor amps deliver a very efficient and cleaner sound. Again everyone has their own likes and opinions.?!!? I like Transistor integrated circuit amps.
More power, less heat generated, very compact, and easy to rack mount. As a D.J., that's all I have been using all my life.
 
Here is a simple explanation of how amplification is achieved. I will use the vacuum triode as an example, but the same theory applies basically to the diode, other tube types (pentode, tetrode, etc.), and to the transistor.

The main difference with the transistor, especially as it is employed in computer chips is as a switch. It is either switched full on or full off, giving a high and a low (1 or 0), whereas in amplifier circuits, it is continually biased along the linear trans-conductive part of the conduction curve so that equal bias changes on the input results in an equal conduction level on the output.

The basic concept of an amplifier then is to effect a LARGE change/swing in output for a small change/swing in input. The basic vacuum tube amplifier:

View attachment 1100444

You have an input side where a small, line-level voltage signal is fed in, which controls
a much larger output voltage and current on the output side.

This is accomplished with three (tri) basic parts:
  1. The cathode which is usually doped with some material which when heated, emits electrons, so is negatively charged (often at ground potential).
  2. The anode side (often called B+) which holds a highly positive voltage (may be 300-400 VDC above the cathode).
  3. And the grid, which carries a small negative charge, connected to the input signal (decoupled from DC from the earlier input stage with a decoupling capacitor).

View attachment 1100445

In the heated cathode design, the cathode is heated up to emit its electrons. It is this heating up process which is why tubes must "warm up" before operating.
As the cathode heats and emits electrons, they form a "space charge" or cloud of electrons, which are the "fuel" of the circuit, held between the very negative cathode and the slightly less negative but still negative grid. Since like charges repel, the space charge is held here and all electrons are repelled from flowing to the anode. The volume is "down" and the amplifier emits no sound.

View attachment 1100446

Then when the input AC signal is applied to the control grid, the bias of the grid is biased more or less negative, increasing and decreasing the repulsive force of the grid. When the grid signal is biased less negatively enough, eventually, its repulsive force begins to be overcome by the strong attraction of the highly positive anode and electrons escape the space charge, flow past the grid and make it to the anode.

In this way, small variations in the low level input signal close to the cathode effect large swings in electron flow through to the anode (sometimes called The Plate). These cause large voltage swings dropped across the output resistor and current flows back to ground, thus, a tiny input signal in millivolts is /amplified/ to create an analogous but much larger output signal.

A diode is the same except it just has the two poles and the bias determines whether it is closed (shorted) to allow conduction or biased open to block all conduction.

Same with a transistor. The principle is pretty much the same except a semiconductor junction replaces the grid and much lower voltages are used. This is the basic principle behind all amplification.
I feel like I'm back in my Operational Amplifiers class! :)
 
The downside to vacuum tubes is filament voltage ... 200 VDC ? ... that'll kill you ... solid state electronics doesn't go over 5 VDC ... which is much much safer and ground wires are for girls ...

I think those numbers are correct ... since I've been a carpenter for forty years, it's been forty years since I dealt with any of this ... just an analog kind of guy living in a digital world ...
 
The downside to vacuum tubes is filament voltage ... 200 VDC ? ... that'll kill you ...

Hell, 25-40 volts applied correctly, can kill you. I've had tube amps with over 400 VDC. Color TVs used to carry up to 40,000 volts. One learns quickly to start discharging storage caps before servicing. This high voltage is both necessary to the tube and also part of the reason why they sound so much better than transistors.

Remember your old CRT TV sets? When you turned them off, you could hear the snaps and crackles of high voltage static charges draining off the picture tube.
 
Also, after a few years many Tube Amps have to replace their Tubes.! I've had a integrated circuit amp running for over 30 years, with no problem.
Protection circuitry activated only twice.!!?
 
Also, after a few years many Tube Amps have to replace their Tubes.!

The purpose of this thread was to illustrate the principle on which an amplifier operated, not to justify tubes or transistors. Yes, tubes run hot. Tubes wear out. But they are also designed to merely unplug and be easily replaced. And they sound more real.

The triode offers an easy way to understand amplifier operation without having to get into substrate doping, current carriers, depletion zones and electron-hole effects.
 
The purpose of this thread was to illustrate the principle on which an amplifier operated, not to justify tubes or transistors. Yes, tubes run hot. Tubes wear out. But they are also designed to merely unplug and be easily replaced. And they sound more real.

The triode offers an easy way to understand amplifier operation without having to get into substrate doping, current carriers, depletion zones and electron-hole effects.

IIRC - from my Navy Avionics and Advanced Avioinics classes - what a lot of people, I'm talking non-tech nerds here - think with amplifiers you get more out than you put in.

That's a simplified concept of course.

But in actuality you can never get more out then you put in. Amplifiers allow you to change the state of a device to cause an increased change in the output signal. You still have to supply - what I'll call the carrier wave - that the input signal varies in some way.

TANSTAAFL

WW
 
TANSTAAFL
Good point. It applies to all fields of physics. Basically, for every gain you make somewhere, you lose in disadvantage somewhere else.

But in actuality you can never get more out then you put in. Amplifiers allow you to change the state of a device to cause an increased change in the output signal. You still have to supply - what I'll call the carrier wave - that the input signal varies in some way.
Wall power ultimately becomes output current. I have 60+15 amp feed and subpanel feeding my home theater; Of that, about 20 amps go just to powering my stereo, maybe another 15 amps support it indirectly, about another 10 amps goes towards video gear, and the rest to overhead and miscellaneous services.
 
The very first tube invented was a diode tube which is a rectifier. The millivolts you ascribe isn't in the signal chain. That drop is called sag. A tube rectifier cannot keep up with a solid state rectifier in converting AC to DC.
Shark fin DC that is. Ok, sawtooth DC.
 
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lol - I had lunch with a 21 year old today, I go "you're probably too young to remember vacuum tubes" -

She goes, "you mean like hoses on a vacuum?" :p

I go "no, like an old radio, you know, tubes". Blank stare, glassy eyes.

I'll have to take her to the Guitar Center and give her an education.

I like the 4x or 6x 6550 amps. Ampeg V9 or SVT, Marshall Major, old 300 watt Sunn, like that. Roadies are essential, but the sound is incomparable. Guaranteed to deafen even the hard of hearing.

In the Marshall "Pig" (the earliest version of the Major) they were running 700 volts on the plates, and the cabinets were so good that if you cranked the amp it would blow the output cable right out of the jack. Which in turn made the amp blow up, it would literally light on fire because the tubes got cherry red and melted. But before they did that the plate wires would arc over inside the chassis.

Which is probably why Pigs are extremely rare these days.

Ah, the good old days. Now they use locking jacks to keep that from happening. If you back down to 600 volts it won't arc either, you'll be a lot safer.
They were easier to fix than solid state.
 
They were easier to fix than solid state.
Yes they were. Replace a tube or two, you're good to go. Nothing else ever went wrong with them. (Except after an arc, then the wires kind of become one with the chassis). :p Maybe replace a filter cap every 20 years... usually in the music biz the cosmetics would go long before the electronics.
 
Yes they were. Replace a tube or two, you're good to go. Nothing else ever went wrong with them. (Except after an arc, then the wires kind of become one with the chassis). :p Maybe replace a filter cap every 20 years... usually in the music biz the cosmetics would go long before the electronics.
I was fixing old tube machines, making nails back in the mid-1990s.
 
lol - I had lunch with a 21 year old today, I go "you're probably too young to remember vacuum tubes" -
She goes, "you mean like hoses on a vacuum?" :p
I go "no, like an old radio, you know, tubes". Blank stare, glassy eyes.
Sad, really sad. I mean, I was never in WWII but I know something of the war. I have never been to Iran but I know it is east of Iraq! How does one get an education having never even heard of the device which pretty much heralded in most every advance of the 20th century for which that girl loves and depends on?

That reminds me of the time I ran into a graduating class having just gotten their degree in electronics and I asked the group: "Can any of you tell me about the Fleming Valve?" I got 30 expressions of deer in the headlights.

I like the 4x or 6x 6550 amps. Ampeg V9 or SVT, Marshall Major, old 300 watt Sunn, like that. Roadies are essential, but the sound is incomparable. Guaranteed to deafen even the hard of hearing.
I'm a big fan of the classic A/B push-pull design power amp. Accurate, efficient and powerful.

Ah, the good old days. Now they use locking jacks to keep that from happening. If you back down to 600 volts it won't arc either, you'll be a lot safer.
They were good days, very good days. On the output side of things, I liked using screw down terminals for that reason. Otherwise, one connector I grew to respect was the Neutrik. Took a little getting used to its idiosyncrasies. Here is a picture of a pair I bought for my mid-bass woofer cabinets next to a standard phone plug.

PB173760-1.webp


And here it is after installation.

PB203785-1.webp


Positive capture design. Overkill throughout. Nothing is coming apart here.
 
Hell, 25-40 volts applied correctly, can kill you. I've had tube amps with over 400 VDC. Color TVs used to carry up to 40,000 volts. One learns quickly to start discharging storage caps before servicing. This high voltage is both necessary to the tube and also part of the reason why they sound so much better than transistors.

Remember your old CRT TV sets? When you turned them off, you could hear the snaps and crackles of high voltage static charges draining off the picture tube.

Yeah ... but with transistor circuits, we can use our tongue to test for voltage ... if we happen to forget our voltmeter back in the shop 100 miles away ... if one can't taste the difference between 5 VDC and 1.5 VDC, then one probably should become an engineer rather than a technician ... 5 volts can kill, but filament voltage does kill ... everytime with military equipment ... maybe the girlie girl circuits on the civilian side have grounding or some other protection ... and I do remember the girlie girl grounding with CRTs in a civilian shop ... no such luck during a firefight ...

These vacuum tube power supplies run hot enough to cook roast beef ... I've had to clean the fat drippings out of the chassis is how I know this ... a few layers of spilled soup always makes papa happy ... [rolls eyes] ...

That doesn't change an excellent description of how a transistor works ... thank you ... next up: pentodes, love them or leave them ...
 
Yeah ... but with transistor circuits, we can use our tongue to test for voltage ... if we happen to forget our voltmeter back in the shop 100 miles away ...
How cute. Forget one's voltmeter... I have a house filled with voltmeters, about 8 multi-testers and at least 4-5 AC type only detectors. Not counting scopes. I have an EU-made transistorized VOM that today adjusted for inflation would sell for over $1,100 new.

These vacuum tube power supplies run hot enough to cook roast beef ...
All depends on how hard you run the power transformer. I have one push-pull amp running EL34s that runs so hard that you need to keep a fan on the power transformer to keep it from getting too hot to touch.

That doesn't change an excellent description of how a transistor works ... thank you ... next up: pentodes, love them or leave them ...
Transistors make excellent bass amps for music below about 80 Hertz. Pentodes likewise are great; of more importance is the overall design and construction of the tube than what mode it operates in.
 
Here is a simple explanation of how amplification is achieved. I will use the vacuum triode as an example, but the same theory applies basically to the diode, other tube types (pentode, tetrode, etc.), and to the transistor.

The main difference with the transistor, especially as it is employed in computer chips is as a switch. It is either switched full on or full off, giving a high and a low (1 or 0), whereas in amplifier circuits, it is continually biased along the linear trans-conductive part of the conduction curve so that equal bias changes on the input results in an equal conduction level on the output.

The basic concept of an amplifier then is to effect a LARGE change/swing in output for a small change/swing in input. The basic vacuum tube amplifier:

View attachment 1100444

You have an input side where a small, line-level voltage signal is fed in, which controls
a much larger output voltage and current on the output side.

This is accomplished with three (tri) basic parts:
  1. The cathode which is usually doped with some material which when heated, emits electrons, so is negatively charged (often at ground potential).
  2. The anode side (often called B+) which holds a highly positive voltage (may be 300-400 VDC above the cathode).
  3. And the grid, which carries a small negative charge, connected to the input signal (decoupled from DC from the earlier input stage with a decoupling capacitor).

View attachment 1100445

In the heated cathode design, the cathode is heated up to emit its electrons. It is this heating up process which is why tubes must "warm up" before operating.
As the cathode heats and emits electrons, they form a "space charge" or cloud of electrons, which are the "fuel" of the circuit, held between the very negative cathode and the slightly less negative but still negative grid. Since like charges repel, the space charge is held here and all electrons are repelled from flowing to the anode. The volume is "down" and the amplifier emits no sound.

View attachment 1100446

Then when the input AC signal is applied to the control grid, the bias of the grid is biased more or less negative, increasing and decreasing the repulsive force of the grid. When the grid signal is biased less negatively enough, eventually, its repulsive force begins to be overcome by the strong attraction of the highly positive anode and electrons escape the space charge, flow past the grid and make it to the anode.

In this way, small variations in the low level input signal close to the cathode effect large swings in electron flow through to the anode (sometimes called The Plate). These cause large voltage swings dropped across the output resistor and current flows back to ground, thus, a tiny input signal in millivolts is /amplified/ to create an analogous but much larger output signal.

A diode is the same except it just has the two poles and the bias determines whether it is closed (shorted) to allow conduction or biased open to block all conduction.

Same with a transistor. The principle is pretty much the same except a semiconductor junction replaces the grid and much lower voltages are used. This is the basic principle behind all amplification.
A diode cannot amplify, just saying. I know you know this, but you mentioned diodes in such a way a non technical reader might get that impression.
 
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Most consumer electronics is now driven by Op amps (operational amps) instead of discreet circuitry, but the principle is still basically the same. BTW, an integrated amp is generally considered a preamp and power amp together in the same chassis.

On paper at least, op amps appear ideal, however, nothing still sounds as good as tubes.



A tube AKA valve, amplifier suffers from acoustic resonance effects far more than solid state devices do. The glass tube will/can resonate at audio frequencies and this is another source of distortion.
 
The tube vs transistor audio equipment argument is tired, every few years it rears its head as a new generation of the thermionic faithful emerge. The fact is, in tests nobody can reliably identify whether an audio amp uses tubes or semiconductors.

The biggest source of myths here are the HIFI enthusiasts (as they were once known) these folk will wax lyrical about tubes for hours yet in reality there is nothing that can be measured that shows any kind of significant difference.

The audio amplifiers with the lowest THD are solid state 0.00004%


I listen to music all day, have classical music playing all day on my PC or Sonos system and it never crosses my mind whether the amps or speakers are "high quality" I hear the music not the sound, my brain extracts music not sound, there's a huge subjective aspect to it and my brain filters out these "quality" aspects, it is the musical structure and timing that matters.

People who dwell on "quality" of musical equipment are like people who are more concerned about the font used for a book than the words themselves, they can't see the wood for the trees.
 
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