excalibur
Diamond Member
- Mar 19, 2015
- 18,178
- 34,504
- 2,290
Further proof of the decline and fall of the West. With America trying to outdo the EU and Canada.
GSTAAD—This is the best news since the Bush-Blair duo saved us from the nuclear holocaust Saddam was about to unleash upon us. Half a million—perhaps even one million—dead Iraqis later, we were, nevertheless, saved with minutes to spare, so we should always believe official sources. Especially when Uncle Sam is involved.
This time the good news is not nuclear but musical. The Mostly Mozart Festival has been canceled by New York’s Lincoln Center after fifty-odd years because of rising disdain for “elitism and exclusivity.” Instead, “the Criminal Queerness Festival,” as it’s called, is geared toward “neurodiverse audiences and the world’s first LGBTQIA mariachi group,” Welcome, Cardi B, Pusha T, and Snoop Dog; so long and goodbye, Wolfgang Amadeus Mozart.
I read that the final two Mostly Mozart concerts were packed, but in today’s low-life, celebrity-driven woke culture, disdain for great music and the miracle that is Mozart needs no excuses. Lincoln Center will probably soon be renamed George Floyd Memorial, or better yet, Black Lives Matter Hall. Art had, once upon a time, a responsibility to make the planet more beautiful. Mozart and thousands of others did just that. Now Damien Hirst and fellow “artists” like Snoop Dog make the planet as ugly as those who own their art or listen to their rap music. Wolfie, as I like to call the greatest of musical miracles, wrote six immortal operas including the Requiem, 41 symphonies, almost fifty concertos, 24 chamber works, and eighteen miscellaneous pieces, but is now replaced by “artists” who include the F-word, the N-word, and the S-word in every single woman-hating, violence-praising sentence of their singularly untalented noise. Bravo, and long live the decision-makers at Lincoln Center, who, incidentally, I have heard from an impeachable source, were all conceived by a chimp with a dose of the clap.
Never mind, as an eternal optimist said in Hiroshima after the blast, “It could get worse.” I know it could, but canceling Mozart for the cesspool that is rap and hip-hop is equivalent to choosing Lizzo over Lily James, or one with moles, boils, and warts over the divine Keira Knightley. And the irony is that no one from the packed house of the last concert dared say a word. That’s because the woke left defines what Americans can think and say nowadays, and no Christians, whites, or conservatives need apply, let alone Mozart fans.
What rankles is that aggressive minorities are imposing their ideology on the rest of us, and no one is doing anything about it. Rule Britannia and flag-waving at the proms should be ruled sacrosanct, as Mozart should have been at Lincoln Center. Unfortunately, as Douglas Murray wrote, “the growing divide…between what the people want and what a small elite at the top of politics, finance and the media want” are two different things. And yet remodeling society to a tiny minority’s image should be science fiction, not a syndrome of our weakness.
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www.takimag.com
GSTAAD—This is the best news since the Bush-Blair duo saved us from the nuclear holocaust Saddam was about to unleash upon us. Half a million—perhaps even one million—dead Iraqis later, we were, nevertheless, saved with minutes to spare, so we should always believe official sources. Especially when Uncle Sam is involved.
This time the good news is not nuclear but musical. The Mostly Mozart Festival has been canceled by New York’s Lincoln Center after fifty-odd years because of rising disdain for “elitism and exclusivity.” Instead, “the Criminal Queerness Festival,” as it’s called, is geared toward “neurodiverse audiences and the world’s first LGBTQIA mariachi group,” Welcome, Cardi B, Pusha T, and Snoop Dog; so long and goodbye, Wolfgang Amadeus Mozart.
I read that the final two Mostly Mozart concerts were packed, but in today’s low-life, celebrity-driven woke culture, disdain for great music and the miracle that is Mozart needs no excuses. Lincoln Center will probably soon be renamed George Floyd Memorial, or better yet, Black Lives Matter Hall. Art had, once upon a time, a responsibility to make the planet more beautiful. Mozart and thousands of others did just that. Now Damien Hirst and fellow “artists” like Snoop Dog make the planet as ugly as those who own their art or listen to their rap music. Wolfie, as I like to call the greatest of musical miracles, wrote six immortal operas including the Requiem, 41 symphonies, almost fifty concertos, 24 chamber works, and eighteen miscellaneous pieces, but is now replaced by “artists” who include the F-word, the N-word, and the S-word in every single woman-hating, violence-praising sentence of their singularly untalented noise. Bravo, and long live the decision-makers at Lincoln Center, who, incidentally, I have heard from an impeachable source, were all conceived by a chimp with a dose of the clap.
Never mind, as an eternal optimist said in Hiroshima after the blast, “It could get worse.” I know it could, but canceling Mozart for the cesspool that is rap and hip-hop is equivalent to choosing Lizzo over Lily James, or one with moles, boils, and warts over the divine Keira Knightley. And the irony is that no one from the packed house of the last concert dared say a word. That’s because the woke left defines what Americans can think and say nowadays, and no Christians, whites, or conservatives need apply, let alone Mozart fans.
What rankles is that aggressive minorities are imposing their ideology on the rest of us, and no one is doing anything about it. Rule Britannia and flag-waving at the proms should be ruled sacrosanct, as Mozart should have been at Lincoln Center. Unfortunately, as Douglas Murray wrote, “the growing divide…between what the people want and what a small elite at the top of politics, finance and the media want” are two different things. And yet remodeling society to a tiny minority’s image should be science fiction, not a syndrome of our weakness.
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