- Sep 22, 2013
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In earlier times, defenders of the realm were considered knights (i.e., Medieval Times) or Centurion (i.e., Roman Empire). In the time of the British Empire, Scotland Yard police popularity created the fictional folk police-detective Sherlock Holmes.
In recent times (in America), law enforcement and crime-fighting carries with it a very 'vernacular' tone in folklore and 'street-gossip,' which is reflected in colorful police-story films such as RoboCop and Inspector Gadget.
The demand in America for 'colorful policemen' parallels the popularity of vigilantism-daydream themed crime-fighting 'pulp-fiction storytelling' in comic books.
The colorful American crime-crusades depicted in the comic book stylized franchises Dick Tracy and Carmen Sandiego reflect a cultural interest in offbeat heroics, daredevil pickpockets, and zany characters in crime stories.
Hollywood (USA) has been making countless comic book adapted films recently such as The Dark Knight, Iron Man, Batman v Superman: Dawn of Justice, and Justice League.
This sort of 'colorfulness' in police depictions in popular media stands in stark contrast to news stories about American police brutality, LAPD corruption, and social criticism films such as Maniac Cop and Internal Affairs.
So how do we coordinate 'pulp-fiction theatrics' with 'crime-realism' storytelling?
This question is important for our modern age of media, since so many American youngsters watch TV and are exposed to crime-glorification films such as Natural Born Killers and Fight Club.
We don't want to resort to censorship...
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Dick Tracy (DT) and Carmen Sandieo (CS) became unlikely allies in a crusade to stop Spider-Man and Spider-Woman, two of America's finest vigilantes who suddenly turned into anti-social criminals in NYC. DT and CS knew they would have to undo the hero-worship of Spider-Man and Spider-Woman in the press, so people would be more prepared to deal with the spree of crime these two former 'superhuman' law officers were conducting. DT and CS decided to use 'yellow journalism' to bring down the social mystique of Spider-Man and Spider-Woman:
"It is our opinion that Spider-Man and Spider-Woman have ingested a deadly psychoactive drug while experimenting with a medicine designed to treat criminal insanity. This 'drug' has turned these two beloved vigilantes into deadly vandals, and it is up to the American people to separate fact from fiction for the moral health of the USA! In the meantime, take your kids to fire-stations and police-stations and have 'real heroes' talk to them about crime-fighting while DT and CS deal with Spider-Man and Spider-Woman who are in danger of becoming a new age 'Bonnie and Clyde'!"
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Dick Tracy (Film)
In recent times (in America), law enforcement and crime-fighting carries with it a very 'vernacular' tone in folklore and 'street-gossip,' which is reflected in colorful police-story films such as RoboCop and Inspector Gadget.
The demand in America for 'colorful policemen' parallels the popularity of vigilantism-daydream themed crime-fighting 'pulp-fiction storytelling' in comic books.
The colorful American crime-crusades depicted in the comic book stylized franchises Dick Tracy and Carmen Sandiego reflect a cultural interest in offbeat heroics, daredevil pickpockets, and zany characters in crime stories.
Hollywood (USA) has been making countless comic book adapted films recently such as The Dark Knight, Iron Man, Batman v Superman: Dawn of Justice, and Justice League.
This sort of 'colorfulness' in police depictions in popular media stands in stark contrast to news stories about American police brutality, LAPD corruption, and social criticism films such as Maniac Cop and Internal Affairs.
So how do we coordinate 'pulp-fiction theatrics' with 'crime-realism' storytelling?
This question is important for our modern age of media, since so many American youngsters watch TV and are exposed to crime-glorification films such as Natural Born Killers and Fight Club.
We don't want to resort to censorship...
====
Dick Tracy (DT) and Carmen Sandieo (CS) became unlikely allies in a crusade to stop Spider-Man and Spider-Woman, two of America's finest vigilantes who suddenly turned into anti-social criminals in NYC. DT and CS knew they would have to undo the hero-worship of Spider-Man and Spider-Woman in the press, so people would be more prepared to deal with the spree of crime these two former 'superhuman' law officers were conducting. DT and CS decided to use 'yellow journalism' to bring down the social mystique of Spider-Man and Spider-Woman:
"It is our opinion that Spider-Man and Spider-Woman have ingested a deadly psychoactive drug while experimenting with a medicine designed to treat criminal insanity. This 'drug' has turned these two beloved vigilantes into deadly vandals, and it is up to the American people to separate fact from fiction for the moral health of the USA! In the meantime, take your kids to fire-stations and police-stations and have 'real heroes' talk to them about crime-fighting while DT and CS deal with Spider-Man and Spider-Woman who are in danger of becoming a new age 'Bonnie and Clyde'!"
====
Dick Tracy (Film)