Dante
"The Libido for the Ugly"
We've done the music of the horrible decade, the politics? needs no 'splainin
but those movies...
but those movies...
— we are soon talking about our mutual affection for the critic Pauline Kael. A huge influence on Tarantino, Kael championed a kind of high-low trash-art aesthetic that was inclusive of both old-school foreign auteurs (Max Ophüls and Satyajit Ray) and new mavericks (Sam Peckinpah and Brian De Palma), while disdaining the polite, better-behaved American cinema of that era; we agree that she was so much more vital and interesting in the 1970s than in the 1980s. ‘‘The movies just weren’t up to snuff — she was better than the movies,’’ says Tarantino, a believer that the latter decade was among the worst for American film. But, he adds, ‘‘one of the weird things looking back at the ’70s reviews is that you can’t believe how mean she was to magnificent movies. She’s so rough on Don Siegel for making ‘Charley Varrick.’ ’’
http://www.nytimes.com/2015/10/12/t...interview.html?contentCollection=weekendreads
http://www.nytimes.com/2015/10/12/t...interview.html?contentCollection=weekendreads