- Sep 22, 2013
- 4,956
- 250
- 85
Is American media/traffic something like a 'diarism-boutique'?
What would President Trump say?
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"America had become a land of great bazaars, media, and marketing and Wall Street flair. Even though anti-capitalism terrorists (e.g., ISIS) despised all this glitter/confetti, TrumpUSA had become a beacon for traffic flowery and media intrigue. In this flurry, two female rock musicians in Los Angeles named Jem and Pizzazz were coordinating a special charity-concert for eco-activism co-sponsored by the Leonardo DiCaprio Foundation. Jem/Pizzazz hoped to capitalize on all this commercial lighting by creating political platforms linked to music/entertainment. Was this a new phenomenon in American society, or could it be dated back to the early days of the 'New World'?"
"In fact, in the early days of the New World, the daring Native-American woman Pocahontas was courting drama and relationships with two European-American settler-men (John Rolfe and John Smith) who were interested in linking settlement lifestyles with political vision. Pocahontas's drama with these two men was not unlike the sociocultural intrigue Jem/Pizzazz created with their media-culture political platformed charity-concert. After all, wasn't Pocahontas a 'diplomat' of traffic historianship?"
"Of course, you can't simply equate traffic with media, and in the early days of the New World, journalism was scant/scarce, and 'media' was simply the 'folklore' spread by word-of-mouth by settlers, colonialists, and natives (e.g., Roanoke). So how should Americans coordinate intellectually all this 'founder's policy' intrigue regarding the links between social networking intrigue (e.g., Freemasons) and historianship-dioramas (e.g., The People's Court)? Is America basically a land of great pulpits?"
"Into all this drama rose the presence of a dark and insidious demon from the underworld named Hobgoblin. He was a skull-faced hooded man-creature who carried flaming pumpkin-bombs and soared around invisibly in NYC on Halloween Eve on an equally-invisible jet-glider and noted all the glitter and lights of Times Square traffic. Hobgoblin was a force of contention, and he despised America's unique brand of 'socialization imagination' (e.g., MTV's The Real World)."
JEM: All this 'American color' is quite complex, no?
PIZZAZZ: Yeah, television and capitalism makes for great folklore.
JEM: Are you a fan of Who Wants to Be a Millionaire?
PIZZAZZ: Yes, it's a cool little game-show, modernism-symbolic!
JEM: Well, America has a rich history of catering to fortune-fables.
PIZZAZZ: Sure; creating fortune-themed protests (e.g., Boston Tea Party).
JEM: Maybe the Home Shopping Network revolutionizes lifestyle-intellect.
PIZZAZZ: Yes, politicians in America are sensitive about everyday dialogue.
JEM: That's why People Magazine reflects American pride!
PIZZAZZ: Maybe in the early days of the New World, it was more about adventure.
JEM: Well, there's daring journalism today --- e.g., Vanity Fair.
PIZZAZZ: In that case, the development of traffic guides American aesthetics.
JEM: Sure; that's why the film American Psycho is so popular.
PIZZAZZ: In other words, Americans like 'welfare-medicine.'
JEM: Yes, and Roosevelt's New Deal reminded us of the appeal of securities.
PIZZAZZ: Maybe commerce/consumerism has created a new type of security.
JEM: Are you referring to Captain America comics-relevant free-speech marketing?
PIZZAZZ: No, I was referring more to The Drew Carey Show.
JEM: Cool...
====
What would President Trump say?
====
"America had become a land of great bazaars, media, and marketing and Wall Street flair. Even though anti-capitalism terrorists (e.g., ISIS) despised all this glitter/confetti, TrumpUSA had become a beacon for traffic flowery and media intrigue. In this flurry, two female rock musicians in Los Angeles named Jem and Pizzazz were coordinating a special charity-concert for eco-activism co-sponsored by the Leonardo DiCaprio Foundation. Jem/Pizzazz hoped to capitalize on all this commercial lighting by creating political platforms linked to music/entertainment. Was this a new phenomenon in American society, or could it be dated back to the early days of the 'New World'?"
"In fact, in the early days of the New World, the daring Native-American woman Pocahontas was courting drama and relationships with two European-American settler-men (John Rolfe and John Smith) who were interested in linking settlement lifestyles with political vision. Pocahontas's drama with these two men was not unlike the sociocultural intrigue Jem/Pizzazz created with their media-culture political platformed charity-concert. After all, wasn't Pocahontas a 'diplomat' of traffic historianship?"
"Of course, you can't simply equate traffic with media, and in the early days of the New World, journalism was scant/scarce, and 'media' was simply the 'folklore' spread by word-of-mouth by settlers, colonialists, and natives (e.g., Roanoke). So how should Americans coordinate intellectually all this 'founder's policy' intrigue regarding the links between social networking intrigue (e.g., Freemasons) and historianship-dioramas (e.g., The People's Court)? Is America basically a land of great pulpits?"
"Into all this drama rose the presence of a dark and insidious demon from the underworld named Hobgoblin. He was a skull-faced hooded man-creature who carried flaming pumpkin-bombs and soared around invisibly in NYC on Halloween Eve on an equally-invisible jet-glider and noted all the glitter and lights of Times Square traffic. Hobgoblin was a force of contention, and he despised America's unique brand of 'socialization imagination' (e.g., MTV's The Real World)."
JEM: All this 'American color' is quite complex, no?
PIZZAZZ: Yeah, television and capitalism makes for great folklore.
JEM: Are you a fan of Who Wants to Be a Millionaire?
PIZZAZZ: Yes, it's a cool little game-show, modernism-symbolic!
JEM: Well, America has a rich history of catering to fortune-fables.
PIZZAZZ: Sure; creating fortune-themed protests (e.g., Boston Tea Party).
JEM: Maybe the Home Shopping Network revolutionizes lifestyle-intellect.
PIZZAZZ: Yes, politicians in America are sensitive about everyday dialogue.
JEM: That's why People Magazine reflects American pride!
PIZZAZZ: Maybe in the early days of the New World, it was more about adventure.
JEM: Well, there's daring journalism today --- e.g., Vanity Fair.
PIZZAZZ: In that case, the development of traffic guides American aesthetics.
JEM: Sure; that's why the film American Psycho is so popular.
PIZZAZZ: In other words, Americans like 'welfare-medicine.'
JEM: Yes, and Roosevelt's New Deal reminded us of the appeal of securities.
PIZZAZZ: Maybe commerce/consumerism has created a new type of security.
JEM: Are you referring to Captain America comics-relevant free-speech marketing?
PIZZAZZ: No, I was referring more to The Drew Carey Show.
JEM: Cool...
====
