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Carrey is worth $150 million. He’s doing fine.
Carrey is worth $150 million. He’s doing fine.
I have seen zero sign that Carrey is not doing well.Carrey is worth $150 million. He’s doing fine.
So, you consider having a lot of money doing well?
I have seen zero sign that Carrey is not doing well.Carrey is worth $150 million. He’s doing fine.
So, you consider having a lot of money doing well?
The author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
The author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
Most people are just like, "okay, douche." 
His paintings are spot on. Haven’t seen his new show, but it seems to have really moved the author of the shit article linked to in the OP.The author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
Apparently not many people liked it. Then there is his weird art. Let's be honest, Hollywood celebrities are their own brand of crazy.
I always find it rather humorous when Hollywood celebrities lecture US about morals and values and being honest, etc., etc.
The more money someone has, the more Republicans love and admire them. Doesn't matter what they do.Carrey is worth $150 million. He’s doing fine.
Trump had unprotected sex with a porn star and they live him most of all.
His paintings are spot on. Haven’t seen his new show, but it seems to have really moved the author of the shit article linked to in the OP.The author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
Apparently not many people liked it. Then there is his weird art. Let's be honest, Hollywood celebrities are their own brand of crazy.
I always find it rather humorous when Hollywood celebrities lecture US about morals and values and being honest, etc., etc.
The author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
To a dipshit, maybeThe author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
The style of his art is indicative of psychosis.
To a dipshit, maybeThe author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
The style of his art is indicative of psychosis.
^ example of psychotic posterTo a dipshit, maybeThe author doesn’t like Carrey’s show. Woah, Carrey must be a lunatic on the verge of suicide or something then.From the link above . . .
What has happened to Jim Carrey? Once a revered comedian with a big fan base, Carrey hasn’t made a good movie in 10 years, and the ones he’s in have been box-office bombs. Now he’s turned to drama, and like an army of funny men who tried it before, hoping for new respect as a serious actor from both critics and audiences, he is advised to brace himself. I admire Carrey for taking on a grim and sobering project made in Krakow, Poland, that requires a range he would never be asked to show in any American sitcom, but Dark Crimes is so lurid, irrelevant and unwatchable it makes you wonder if he ever read the script.
DARK CRIMES ★
(1/4 stars)
Directed by: Alexandros Avranas
Written by: Jeremy Brock
Starring: Jim Carrey, Charlotte Gainsbourg, Marton Csokas and Kati Outinen
Running time: 92 mins.
With hair cropped down to his scalp and a white beard, grappling with a strange Eastern European accent that sounds like Ace Ventura Pet Detective enrolled in a crash course at Berlitz, Carrey plays Tadek, a disgraced cop demoted to typing the details of criminal cases into the Krakow police archives. Desperate to restore his reputation and redeem himself by re-opening an old unsolved murder involving a prominent business man who frequented a notorious sex club called “The Cage”, he uncovers a cache of videos from The Cage showing a secret den of horror where violent crimes against women as sex objects were offered as entertainment.
The deeper he delves into the case, the more obsessed he becomes, watching over and over again the tapes of what went on at The Cage, while we moviegoers follow along—lots of naked women hanging from the ceiling and engaging in orgies with each other while the customers applaud. The rules: members who joined, by invitation only, could do anything they desired to the women, except murder them “because corpses did not look so good in makeup.” Finally, his wife serves his fried eggs during images of women chained and crawling on all fours like animals and asks, “Do we have to listen to this over breakfast?”
As ghastly as it is, you have to suppress a laugh. Is this for real? The screenplay teeters between depraved and confusing (“Truth is what you make it. Reality is perception.”) Say what?
Tadek’s chief suspect is Kozlov (Marton Czokas), a writer who lived upstairs above The Cage and recorded intimate details of the atrocities that occurred there. Clues lead to Kozlov’s lover Kasiaf (Charlotte Gainsbourg), a drug addict and former sex worker who sleeps with everyone, including Tadek. Tadek gets a false confession from the wrong man, all of his witnesses disappear, his wife and daughter leave him, the identity of the killer is supposed to be shocking but has the impact of shredded wheat. The ending is as tragic and depressing as it is inexplicable.
The director is someone named Alexandros Avranas, who doesn’t appear to be destined for much commercial success. What attracted Jim Carrey to this mess is anybody’s guess, but I doubt if it was the money. Filmed on ugly, sterile sets that can best be described as “Mussolini modern”, even the camerawork is bad. Dark Crimes backfires like a meal of refried beans, but you gotta give Carrey credit. He plays it with the poker-faced seriousness of a Death Row inmate awaiting execution.
The style of his art is indicative of psychosis.
examples of psychotic painting - Yahoo Image Search Results
try doing well without any money, and you'll learn real fast. it's a HUGE help, as long as you dont let it go to your head, which celebs seem to be unable to do.Carrey is worth $150 million. He’s doing fine.
So, you consider having a lot of money doing well?
