Adam's Apple
Senior Member
- Apr 25, 2004
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Cut Buster Loose
By George F. Will for The Washington Post
March 3, 2005
In 1967 Lyndon Johnson added yet another piece to the jigsaw puzzle of national perfection: The Corporation for Public Broadcasting was born. Public television was a dubious idea even when concocted as a filigree on the Great Society. Why should government subsidize the production and distribution of entertainment and, even worse, journalism? Even if there were -- has there ever been? -- a shortage of either in America, is it government's duty to address all cultural shortages?
Today, with iPod earphone cords dangling from millions of heads, and movies flooding into homes where they jostle for plasma screen time with video games, Americans are entertaining themselves into inanition. Furthermore, journalism and imitations of it have become social smog. Even in airport concourses you are bombarded by televised human volcanoes verbally assaulting each other about the "news," broadly -- very broadly -- defined to include Kobe Bryant's presence on Michael Jackson's witness list.
In 1967 public television did at least increase, for many, the basic television choices from three -- CBS, NBC, ABC -- to four. Not that achieving some supposedly essential minimum was, or is, the government's business. In today's 500-channel environment, public television is a preposterous relic.
Not too long ago the Public Broadcasting Service tried an amazingly obtuse and arrogant slogan: "If PBS doesn't do it, who will?" What was the antecedent of the pronoun "it"? Presumably "culture" or "seriousness" or "relevance." Or something. But in a television universe that includes the History Channel, Biography, A&E, Bravo, National Geographic, Disney, TNT, BBC America, Animal Planet, the Learning Channel, the Outdoor Channel, Noggin, Nickelodeon, and scads of other cultural and information channels, what is the antecedent?
for full story
http://www.washingtonpost.com/wp-dyn/articles/A2711-2005Mar2.html
By George F. Will for The Washington Post
March 3, 2005
In 1967 Lyndon Johnson added yet another piece to the jigsaw puzzle of national perfection: The Corporation for Public Broadcasting was born. Public television was a dubious idea even when concocted as a filigree on the Great Society. Why should government subsidize the production and distribution of entertainment and, even worse, journalism? Even if there were -- has there ever been? -- a shortage of either in America, is it government's duty to address all cultural shortages?
Today, with iPod earphone cords dangling from millions of heads, and movies flooding into homes where they jostle for plasma screen time with video games, Americans are entertaining themselves into inanition. Furthermore, journalism and imitations of it have become social smog. Even in airport concourses you are bombarded by televised human volcanoes verbally assaulting each other about the "news," broadly -- very broadly -- defined to include Kobe Bryant's presence on Michael Jackson's witness list.
In 1967 public television did at least increase, for many, the basic television choices from three -- CBS, NBC, ABC -- to four. Not that achieving some supposedly essential minimum was, or is, the government's business. In today's 500-channel environment, public television is a preposterous relic.
Not too long ago the Public Broadcasting Service tried an amazingly obtuse and arrogant slogan: "If PBS doesn't do it, who will?" What was the antecedent of the pronoun "it"? Presumably "culture" or "seriousness" or "relevance." Or something. But in a television universe that includes the History Channel, Biography, A&E, Bravo, National Geographic, Disney, TNT, BBC America, Animal Planet, the Learning Channel, the Outdoor Channel, Noggin, Nickelodeon, and scads of other cultural and information channels, what is the antecedent?
for full story
http://www.washingtonpost.com/wp-dyn/articles/A2711-2005Mar2.html
