- Sep 22, 2013
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Comics: Cryptography
The fact that Hollywood (USA) would make a film about the AntiChrist, "The Omen" [1976] starring Gregory Peck, suggests that there is a social interest in using culture totems to characterize the persona/behaviours of Christ's adversary.
What are the useful cultural monograms/images/avatars that can help us understand the orientation of the AntiChrist?
The fictional American comic book super-villain Condiment King is an adversary of the urban crusader Batman (DC Comics) and terrorizes society with intolerable guns that shoot ketchup and mustard.
The Condiment King represents a perception of anti-socialism in our age of capitalism (i.e., Burger King, European Union, etc.) and can be useful perhaps in discussions about the colloquialization of divinity (i.e., temperance, abstinence, etc.).
In the provocative Danny Boyle film "The Beach" [2000] starring Leo DiCaprio, a young American traveller named Richard broods on the nature and quality of isolationism and alienation and comes to terms with the tangible aspects of the proverbial intellectual heart of darkness --- anti-socialism. At one point in the film, perhaps the film's most eerie/unusual sequence, Richard actually acts out on his angst and transforms himself into a leering hermit.
Could this image of Richard (a prince-turned-sour) be coordinated with the comics presentation of the anti-socialism prophet, the Condiment King? Comic art does, after all, speak to a social interest in pedestrianism graffiti and hence 'bazaar dialogue.'
The more comfortable we are in discussing the 'normalization' of evil, the better equipped we'll feel in talking about something as ominous as the ultimate enemy of Jesus Christ.
Condiment King (Batman Wikia)
The fact that Hollywood (USA) would make a film about the AntiChrist, "The Omen" [1976] starring Gregory Peck, suggests that there is a social interest in using culture totems to characterize the persona/behaviours of Christ's adversary.
What are the useful cultural monograms/images/avatars that can help us understand the orientation of the AntiChrist?
The fictional American comic book super-villain Condiment King is an adversary of the urban crusader Batman (DC Comics) and terrorizes society with intolerable guns that shoot ketchup and mustard.
The Condiment King represents a perception of anti-socialism in our age of capitalism (i.e., Burger King, European Union, etc.) and can be useful perhaps in discussions about the colloquialization of divinity (i.e., temperance, abstinence, etc.).
In the provocative Danny Boyle film "The Beach" [2000] starring Leo DiCaprio, a young American traveller named Richard broods on the nature and quality of isolationism and alienation and comes to terms with the tangible aspects of the proverbial intellectual heart of darkness --- anti-socialism. At one point in the film, perhaps the film's most eerie/unusual sequence, Richard actually acts out on his angst and transforms himself into a leering hermit.
Could this image of Richard (a prince-turned-sour) be coordinated with the comics presentation of the anti-socialism prophet, the Condiment King? Comic art does, after all, speak to a social interest in pedestrianism graffiti and hence 'bazaar dialogue.'
The more comfortable we are in discussing the 'normalization' of evil, the better equipped we'll feel in talking about something as ominous as the ultimate enemy of Jesus Christ.
Condiment King (Batman Wikia)