- Sep 22, 2013
- 4,956
- 250
- 85
Does modernism media remind you of candy?
This yarn was inspired by Pump Up the Volume...
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"American evangelists were paranoid about the impact on social consciousness created by new age terrorist groups (e.g., ISIS) bent on anti-Western civilization turbulence. They wondered if Occultism-oriented groups in the USA such as Satanists, Wiccans, and Luciferians would find newfound social celebrity in this suddenly new age of media-oriented social thrills/hysteria. These American evangelists wanted more objective journalism about ISIS from CNN (and CNN.com!)."
"Americans loved televised programs about merchandising and social activities such as MTV's The Real World, Lifestyles of the Rich and Famous, Family Ties, Jag, Law & Order, and Richie Rich. New age princes and playboys embraced a new media-oriented aesthetic biased towards publicized images of social conceptions of beauty and innocence. These princes/playboys may have considered the priesthood as a life-mission to 'spiritually compensate' for this modern civilization social activity indulgences. However, a number of them chose to assimilate into Babylon."
"American film-makers were conceiving of stories representative of all this modern social (American) interest in socialization paranoia and imagination control. They made films like A.I.: Artificial Intelligence, Minority Report, The Aviator, Edge of Tomorrow, and Terminator: Salvation. They wanted to capture this very modern psychological curiosity about the 'aesthetics' of intellectual crusades. Were Playboy Magazine, MTV, and Wall Street signs of modern primalism or new age metaphysics?"
"Archaeologists of the future might look back on our era and cite consumerism 'trophies' such as 1980s compact cassettes, JVC CD-players, Samsung Blu-ray players, and BMX bikes as symbols of post-Industrialization commerce and even creativity! These trophies of capitalism remind us of the everyday beauty hidden in a sea of social activity. Where there is ant-like behaviour, there is also the majesty/magic of organic life."
"Ajay Satan was a self-proclaimed Internet-blogging democracy-defender and vigilante who dressed up like radicals/revolutionaries and posted ideas/stories on the World Wide Web about the human experience of enduring the modern anathema of toxic-waste, eco-pollution, and acid-rain. Ajay (Satan) was a Comparative Literature professor at Yale University who doubled in life as a secret Internet-blogging 'vigilante.' He compared himself to the fictional American traveller-protagonist Richard (Leo DiCaprio) from Danny Boyle's nihilism-youthfulness film The Beach. Like Richard, Ajay was an advocate of 'anti-establishmentarianism introspection.' Ajay wondered if new age commerce (and media!) obsession would expectedly inspire evaluations of anti-civilization Occultism popularity (e.g., Helter-Skelter)."
"Alien: Covenant was the hip new Hollywood (USA) sci-fi horror-gem directed by Ridley Scott. It presented a prequel story in the Alien sci-fi horror-franchise about human space explorers engaging with terrifying predatory alien creatures known as 'Xenomorphs' which force them to re-evaluate the 'harmonics' of pure bloody survivalism. Alien: Covenant starred Michael Fassbender, Katherine Waterston, and Guy Pearce and was a nice modernism symbol of globalization-related evolution paranoia (e.g., Wall Street backlash-primalism). The Xenomorph was the official new Godzilla, as Dr. Ajay Satan suggested in his Yale course."
GOD: American media is full of imagineers.
SATAN: There are networking standards altering etiquette.
GOD: Yes, the World Bank, Facebook, and Wall Street all symbolize teamwork!
SATAN: That's why the Internet-hacker is the new age terrorist...
GOD: Yes, the Internet secures all kind of modern global activity.
SATAN: There are monitoring protocols and bodies however.
GOD: America's National Security Agency boasts a special 'cyber-division.'
SATAN: Will Hollywood forever create an 'impression' on humanity folklore?
GOD: Sure. Hollywood films such as Celebrity, Top Gun, and Cast Away are sacred.
SATAN: I wonder if all this media-traffic driven pornography and graffiti will be censored.
GOD: There has to be 'quality-control' in any 'empire.'
SATAN: Is America the most bold empire in human history?
GOD: It's at least as prolific as the British Empire.
SATAN: Will American-filmmakers make movies about the Occult?
GOD: Why not? Social groups these days are curious about 'alternative discourse.'
SATAN: I like with Pizza Hut, California Pizza Kitchen, and Little Caesar's Pizza.
GOD: Commercial traffic creates a social demand for 'tastebud-amenities.'
SATAN: Perhaps the modern politician is merely a 'host.'
====
This yarn was inspired by Pump Up the Volume...
====
"American evangelists were paranoid about the impact on social consciousness created by new age terrorist groups (e.g., ISIS) bent on anti-Western civilization turbulence. They wondered if Occultism-oriented groups in the USA such as Satanists, Wiccans, and Luciferians would find newfound social celebrity in this suddenly new age of media-oriented social thrills/hysteria. These American evangelists wanted more objective journalism about ISIS from CNN (and CNN.com!)."
"Americans loved televised programs about merchandising and social activities such as MTV's The Real World, Lifestyles of the Rich and Famous, Family Ties, Jag, Law & Order, and Richie Rich. New age princes and playboys embraced a new media-oriented aesthetic biased towards publicized images of social conceptions of beauty and innocence. These princes/playboys may have considered the priesthood as a life-mission to 'spiritually compensate' for this modern civilization social activity indulgences. However, a number of them chose to assimilate into Babylon."
"American film-makers were conceiving of stories representative of all this modern social (American) interest in socialization paranoia and imagination control. They made films like A.I.: Artificial Intelligence, Minority Report, The Aviator, Edge of Tomorrow, and Terminator: Salvation. They wanted to capture this very modern psychological curiosity about the 'aesthetics' of intellectual crusades. Were Playboy Magazine, MTV, and Wall Street signs of modern primalism or new age metaphysics?"
"Archaeologists of the future might look back on our era and cite consumerism 'trophies' such as 1980s compact cassettes, JVC CD-players, Samsung Blu-ray players, and BMX bikes as symbols of post-Industrialization commerce and even creativity! These trophies of capitalism remind us of the everyday beauty hidden in a sea of social activity. Where there is ant-like behaviour, there is also the majesty/magic of organic life."
"Ajay Satan was a self-proclaimed Internet-blogging democracy-defender and vigilante who dressed up like radicals/revolutionaries and posted ideas/stories on the World Wide Web about the human experience of enduring the modern anathema of toxic-waste, eco-pollution, and acid-rain. Ajay (Satan) was a Comparative Literature professor at Yale University who doubled in life as a secret Internet-blogging 'vigilante.' He compared himself to the fictional American traveller-protagonist Richard (Leo DiCaprio) from Danny Boyle's nihilism-youthfulness film The Beach. Like Richard, Ajay was an advocate of 'anti-establishmentarianism introspection.' Ajay wondered if new age commerce (and media!) obsession would expectedly inspire evaluations of anti-civilization Occultism popularity (e.g., Helter-Skelter)."
"Alien: Covenant was the hip new Hollywood (USA) sci-fi horror-gem directed by Ridley Scott. It presented a prequel story in the Alien sci-fi horror-franchise about human space explorers engaging with terrifying predatory alien creatures known as 'Xenomorphs' which force them to re-evaluate the 'harmonics' of pure bloody survivalism. Alien: Covenant starred Michael Fassbender, Katherine Waterston, and Guy Pearce and was a nice modernism symbol of globalization-related evolution paranoia (e.g., Wall Street backlash-primalism). The Xenomorph was the official new Godzilla, as Dr. Ajay Satan suggested in his Yale course."
GOD: American media is full of imagineers.
SATAN: There are networking standards altering etiquette.
GOD: Yes, the World Bank, Facebook, and Wall Street all symbolize teamwork!
SATAN: That's why the Internet-hacker is the new age terrorist...
GOD: Yes, the Internet secures all kind of modern global activity.
SATAN: There are monitoring protocols and bodies however.
GOD: America's National Security Agency boasts a special 'cyber-division.'
SATAN: Will Hollywood forever create an 'impression' on humanity folklore?
GOD: Sure. Hollywood films such as Celebrity, Top Gun, and Cast Away are sacred.
SATAN: I wonder if all this media-traffic driven pornography and graffiti will be censored.
GOD: There has to be 'quality-control' in any 'empire.'
SATAN: Is America the most bold empire in human history?
GOD: It's at least as prolific as the British Empire.
SATAN: Will American-filmmakers make movies about the Occult?
GOD: Why not? Social groups these days are curious about 'alternative discourse.'
SATAN: I like with Pizza Hut, California Pizza Kitchen, and Little Caesar's Pizza.
GOD: Commercial traffic creates a social demand for 'tastebud-amenities.'
SATAN: Perhaps the modern politician is merely a 'host.'
====
