Poet's Corner

[chloe]

On Children

Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.

You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
which you cannot visit, not even in your dreams.
You may strive to be like them,
but seek not to make them like you.
For life goes not backward nor tarries with yesterday.

You are the bows from which your children
as living arrows are sent forth.
The archer sees the mark upon the path of the infinite,
and He bends you with His might
that His arrows may go swift and far.
Let our bending in the archer's hand be for gladness;
For even as He loves the arrow that flies,
so He loves also the bow that is stable.

Kahlil Gibran

 

[sky dancer]

Las Girlfriends

by Sandra Cisneros

Tip the barmaid in tight jeans.
She's my friend.
Been to hell and back again.
I've been there too.

Girlfriend, I believe in Gandhi.
But some nights nothing says it
quite precise like a lone Star
cracked on someone's head.

Last week in this same bar,
kicked a cowboy in the butt
who made a grab for Terry's ass.
How do I explain, it was all
of Texas I was kicking,
and all our asses on the line.

At Tacoland, Cat flamencoing crazy
circles round the pool
player with the furry tongue.
A warpath of sorts for every
wrong ever wronged us.

And Terry here has her own history,
A bar down the street she can't

 

[sky dancer]

You Bring Out the Mexican in Me

You bring out the Mexican in me.
The hunkered thick dark spiral.
The core of a heart howl.
The bitter bile.
The tequila lágrimas on Saturday all
through next weekend Sunday.
You are the one I’d let go the other loves for,
surrender my one-woman house.
Allow you red wine in bed,
even with my vintage lace linens.
Maybe. Maybe.

For you.

You bring out the Dolores del Río in me.
The Mexican spitfire in me.
The raw navajas, glint and passion in me.
The raise Cain and dance with the rooster-footed devil in me.
The spangled sequin in me.
The eagle and serpent in me.
The mariachi trumpets of the blood in me.
The Aztec love of war in me.
The fierce obsidian of the tongue in me.
The berrinchuda, bien-cabrona in me.
The Pandora’s curiosity in me.
The pre-Columbian death and destruction in me.
The rainforest disaster, nuclear threat in me.
The fear of fascists in me.
Yes, you do. Yes, you do.

You bring out the colonizer in me.
The holocaust of desire in me.
The Mexico City ‘85 earthquake in me.
The Popocatepetl/Ixtacchiuatl in me.
The tidal wave of recession in me.
The Agustín Lara hopeless romantic in me.
The barbacoa taquitos on Sunday in me.
The cover the mirrors with cloth in me.

Sweet twin. My wicked other,
I am the memory that circles your bed nights,
that tugs you taut as moon tugs ocean.
I claim you all mine,
arrogant as Manifest Destiny.
I want to rattle and rent you in two.
I want to defile you and raise hell.
I want to pull out the kitchen knives,
dull and sharp, and whisk the air with crosses.
Me sacas lo mexicana en mi,
like it or not, honey.

You bring out the Uled-Nayl in me.
The stand-back-white-bitch-in me.
The switchblade in the boot in me.
The Acapulco cliff diver in me.
The Flecha Roja mountain disaster in me.
The dengue fever in me.
The ¡Alarma! murderess in me.
I could kill in the name of you and think
it worth it. Brandish a fork and terrorize rivals,
female and male, who loiter and look at you,
languid in you light. Oh,

I am evil. I am the filth goddess Tlazoltéotl.
I am the swallower of sins.
The lust goddess without guilt.
The delicious debauchery. You bring out
the primordial exquisiteness in me.
The nasty obsession in me.
The corporal and venial sin in me.
The original transgression in me.

Red ocher. Yellow ocher. Indigo. Cochineal.
Piñon. Copal. Sweetgrass. Myrrh.
All you saints, blessed and terrible,
Virgen de Guadalupe, diosa Coatlicue,
I invoke you.

Quiero ser tuya. Only yours. Only you.
Quiero amarte. Aarte. Amarrarte.
Love the way a Mexican woman loves. Let
me show you. Love the only way I know how.

—Sandra Cisneros, 1994

 

[sky dancer]

Hard Rock Returns To Prison From The Hospital For The Criminal Insane

by Etheridge Knight


Hard Rock/ was/ "known not to take no shit
From nobody," and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Across his temple and plowed through a thick
Canopy of kinky hair.

The WORD/ was/ that Hard Rock wasn't a mean ******
Anymore, that the doctors had bored a hole in his head,
Cut out part of his brain, and shot electricity
Through the rest. When they brought Hard Rock back,
Handcuffed and chained, he was turned loose,
Like a freshly gelded stallion, to try his new status.
and we all waited and watched, like a herd of sheep,
To see if the WORD was true.

As we waited we wrapped ourselves in the cloak
Of his exploits: "Man, the last time, it took eight
Screws to put him in the Hole." "Yeah, remember when he
Smacked the captain with his dinner tray?" "he set
The record for time in the Hole-67 straight days!"
"Ol Hard Rock! man, that's one crazy ******."
And then the jewel of a myth that Hard Rock had once bit
A screw on the thumb and poisoned him with syphilitic spit.

The testing came to see if Hard Rock was really tame.
A hillbilly called him a black son of a bitch
And didn't lose his teeth, a screw who knew Hard Rock
>From before shook him down and barked in his face
And Hard Rock did nothing. Just grinned and look silly.
His empty eyes like knot holes in a fence.

And even after we discovered that it took Hard Rock
Exactly 3 minutes to tell you his name,
we told ourselves that he had just wised up,
Was being cool; but we could not fool ourselves for long.
And we turned away, our eyes on the ground. Crushed.
He had been our Destroyer, the doer of things
We dreamed of doing but could not bring ourselves to do.
The fears of years like a biting whip,
Had cut deep bloody grooves
Across our backs.

 

[eots]

BLACK POLISHED CHROME (Latino Chrome.)
The music was new black polished chrome And came over the summer like liquid night. The DJ's took pills to stay awake and play for seven days They went to the studio And someone knew him Someone knew the TV showman

He came to our homeroom party and played records And when he left in the hot noon sun and walked to his car We saw the chooks had written F‑U‑C‑K on his windshield He wiped it off with a rag and smiling cooly drove away He's rich. Got a big car.

My gang will get you Scenes of rape in the arroyo Seduction in cars, abandoned buildings Fights at the food stand The dust the shoes Open shirts and raised collars Bright sculptured hair.

Hey man, you want girls, pills, grass? C'mon... I show you good time. This place has everything. C'mon... I show you

Poetry - An American Prayer, The Doors

 

[sky dancer]

The grapes of my body can only become wine

After the winemaker tramples me.

I surrender my spirit like grapes to his trampling

So my inmost heart can blaze and dance with joy.

Although the grapes go on weeping blood and sobbing

"I cannot bear any more anguish, any more cruelty"

The trampler stuffs cotton in his ears:

"I am not working in ignorance

You can deny me if you want, you have every excuse,

But it is I who am the Master of this Work.

And when through my Passion you reach Perfection,

You will never be done praising my name."

Jelaluddin Rumi

 

[sky dancer]

THE INVITATION


It doesn't interest me what you do for a living.

I want to know what you ache for

and if you dare to dream of meeting your heart's longing.



It doesn't interest me how old you are.

I want to know if you will risk looking like a fool

for love

for your dream

for the adventure of being alive.



It doesn't interest me what planets are squaring your moon...

I want to know if you have touched the centre of your own sorrow

if you have been opened by life's betrayals

or have become shrivelled and closed

from fear of further pain.



I want to know if you can sit with pain

mine or your own

without moving to hide it

or fade it

or fix it.



I want to know if you can be with joy

mine or your own

if you can dance with wildness

and let the ecstasy fill you to the tips of your fingers and toes

without cautioning us to

be careful

be realistic

remember the limitations of being human.



It doesn't interest me if the story you are telling me

is true.

I want to know if you can

disappoint another

to be true to yourself.

If you can bear the accusation of betrayal

and not betray your own soul.

If you can be faithless

and therefore trustworthy.



I want to know if you can see Beauty

even when it is not pretty

every day.

And if you can source your own life

from its presence.



I want to know if you can live with failure

yours and mine

and still stand at the edge of the lake

and shout to the silver of the full moon,

"Yes."



It doesn't interest me

to know where you live or how much money you have.

I want to know if you can get up

after the night of grief and despair

weary and bruised to the bone

and do what needs to be done

to feed the children.



It doesn't interest me who you know

or how you came to be here.

I want to know if you will stand

in the centre of the fire

with me

and not shrink back.



It doesn't interest me where or what or with whom

you have studied.

I want to know what sustains you

from the inside

when all else falls away.



I want to know if you can be alone

with yourself

and if you truly like the company you keep

in the empty moments.





by

Oriah Mountain Dreamer

copyright © 1999 by Oriah Mountain Dreamer.

 

[eots]

LAMENT
Lament for my cock
Sore and crucified
I seek to know you
Acquiring soulful wisdom
You can open walls of mystery
Strip show
How to acquire death in the morning show
TV death which the child absorbs
Deathwell mystery which makes me write
Slow train, the death of my cock gives life
Forgive the poor old people who gave us entry
Taught us god in the child's prayer in the night
Guitar player
Ancient wise satyr
Sing your ode to my cock
Caress it's lament
Stiffen and guide us, we frozen
Lost cells
I sacrifice my cock on the alter of silence

 

[sky dancer]

Balances


in life
one is always
balancing
like we juggle our mothers
against our fathers
or one teacher
against another
(only to balance our grade average)
3 grains of salt
to one ounce truth
our sweet black essence
or the funky honkies down the street
and lately I've begun wondering
if you re trying to tell me something
we used to talk all night
and do things alone together
and i've begun
(as a reaction to a feeling)
to balance
the pleasure of loneliness
against the pain
of loving you

by Nikki Giovanni

 

[sky dancer]

Still I Rise

by Maya Angelou


You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

 

[eots]

A Salior at midnight by Elizabeth Sergeant

He noticed I bled a Little.."What are you anyway"..He whispered "are you a virgin" ?
"No..a poet"..I Said.."fuck me again"

 

[sky dancer]

The plums tasted
sweet to the unlettered desert-tribe girl-
but what manners! To chew into each!

She was ungainly, low-caste, ill mannered and dirty,
but the god took the fruit she'd been sucking.


Why? She knew how to love.
She might not distinquish
splendor from filth
but she'd tasted the nectar of passion.


Might not know any Veda,
but a chariot swept her away-
now she frolics in heaven, esctatically bound
to her god.


The Lord of Fallen Fools, says Mira,
will save anyone who can practice rapture like that-
I myself in a previous birth
was a cowherding girl
at Gokul.

Mirabai

 

[sky dancer]

The Agony and Ecstasy of Divine Discontent:

The Moods of Rumi




In the orchard and rose garden

I long to see your face.

In the taste of Sweetness

I long to kiss your lips.

In the shadows of passion

I long for your love.



Oh! Supreme Lover!

Let me leave aside my worries.

The flowers are blooming
with the exultation of your Spirit.



By Allah!

I long to escape the prison of my ego

and lose myself
in the mountains and the desert.



These sad and lonely people tire me.

I long to revel in the drunken frenzy of your love
and feel the strength of Rustam in my hands.



I’m sick of mortal kings.

I long to see your light.

With lamps in hand
the sheiks and mullahs roam
the dark alleys of these towns
not finding what they seek.



You are the Essence of the Essence,

The intoxication of Love.

I long to sing your praises
but stand mute
with the agony of wishing in my heart.

 

[editec]

Tribute to Poe
by editec


A large house on a snowy December
And I remember..

Fourteen rooms I'm told.
This house is very old.

Shall I ponder weak and weary?
There's tradition, there's Poe
and I know..

Deep in the bowel of this place
Some bricks are newer than the rest

The demeaner of the place called out for a face:

Eyes looking their last look;
as brick is mortared into nook;
disbelief turns to pleading;
pleading turns to screams..

I...

was reading when then screaming stopped.

I..

dropped the volume on the floor.

I..

listened at the wall, but

that was all.
That was all.

It is a snowy night in December, and
I remember..

Fourteen rooms, I'm told.
This house is very old.

 

[chloe]

Confused and distraught


Again I am raging, I am in such a state by your soul that every
bond you bind, I break, by your soul.
I am like heaven, like the moon, like a candle by your glow; I am all
reason, all love, all soul, by your soul.
My joy is of your doing, my hangover of your thorn; whatever
side you turn your face, I turn mine, by your soul.
I spoke in error; it is not surprising to speak in error in this
state, for this moment I cannot tell cup from wine, by your soul.
I am that madman in bonds who binds the "divs"; I, the madman,
am a Solomon with the "divs", by your soul.
Whatever form other than love raises up its head from my
heart, forthwith I drive it out of the court of my heart, by your soul.
Come, you who have departed, for the thing that departs
comes back; neither you are that, by my soul, nor I am that, by your soul.
Disbeliever, do not conceal disbelief in your soul, for I will recite
the secret of your destiny, by your soul.
Out of love of Sham-e Tabrizi, through wakefulness or
nightrising, like a spinning mote I am distraught, by your soul.

Rumi

 

[chloe]

This World Which Is Made of Our Love for Emptiness

Praise to the emptiness that blanks out existence. Existence:
This place made from our love for that emptiness!

Yet somehow comes emptiness,
this existence goes.

Praise to that happening, over and over!
For years I pulled my own existence out of emptiness.

Then one swoop, one swing of the arm,
that work is over.

Free of who I was, free of presence, free of dangerous fear, hope,
free of mountainous wanting.

The here-and-now mountain is a tiny piece of a piece of straw
blown off into emptiness.

These words I'm saying so much begin to lose meaning:
Existence, emptiness, mountain, straw:

Words and what they try to say swept
out the window, down the slant of the roof.


Rumi

 

[chloe]

"Daddy" Warbucks

In Memoriam

What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, fondle the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier...
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.

"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in your coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No. No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my breasts
and lay their lamps in my insides.
No. No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.

But I died yesterday,
"Daddy," I died,
swallowing the Nazi-Jap animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have

as we board our velvet train.


Anne Sexton

 

[chloe]

The Black Art

A woman who writes feels too much,
those trances and portents!
As if cycles and children and islands
weren't enough; as if mourners and gossips
and vegetables were never enough.
She thinks she can warn the stars.
A writer is essentially a spy.
Dear love, I am that girl.

A man who writes knows too much,
such spells and fetiches!
As if erections and congresses and products
weren't enough; as if machines and galleons
and wars were never enough.
With used furniture he makes a tree.
A writer is essentially a crook.
Dear love, you are that man.

Never loving ourselves,
hating even our shoes and our hats,
we love each other, precious, precious.
Our hands are light blue and gentle.
Our eyes are full of terrible confessions.
But when we marry,
the children leave in disgust.
There is too much food and no one left over
to eat up all the weird abundance.

Anne Sexton

 

[chloe]

With Mercy For The Greedy

for my friend Ruth, who urges me to make an
appointment for the Sacrament of Confesson

Concerning your letter in which you ask
me to call a priest and in which you ask
me to wear The Cross that you enclose;
your own cross,
your dog-bitten cross,
no larger than a thumb,
small and wooden, no thorns, this rose --

I pray to its shadow,
that gray place
where it lies on your letter ... deep, deep.
I detest my sins and I try to believe
in The Cross. I touch its tender hips, its dark jawed face,
its solid neck, its brown sleep.

True. There is
a beautiful Jesus.
He is frozen to his bones like a chunk of beef.
How desperately he wanted to pull his arms in!
How desperately I touch his vertical and horizontal axes!
But I can't. Need is not quite belief.

All morning long
I have worn
your cross, hung with package string around my throat.
It tapped me lightly as a child's heart might,
tapping secondhand, softly waiting to be born.
Ruth, I cherish the letter you wrote.

My friend, my friend, I was born
doing reference work in sin, and born
confessing it. This is what poems are:
with mercy
for the greedy,
they are the tongue's wrangle,
the world's pottage, the rat's star.


Anne Sexton

 

[sky dancer]

If You Forget Me


I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.

By Pablo Neruda