- Sep 22, 2013
- 4,956
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What if today's celebrities (who are really 'media diplomats') spoke out about pluralism-politics, populism-intrigue, and racism in America? Would such publicity/spotlight be conducive to journalism and democratic dialogue or would it create only more 'society chatter/gibberish'?
It seems that TrumpUSA caters to both citizenry-intrigue and metropolitan-cynicism.
What do you think? Who controls the media-aesthetics landscape more --- Democrats or Republicans?
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Leo was the world's hottest young movie-idol, having made both complex (Total Eclipse) and blockbuster (Titanic) films which made him a real 'star.' Leo was considered a real 'firecracker' in his personal life too, hotel-hopping and taking advantage of the luxuries/amenities of fortune and fame by vacationing in Atlantic City and Geneva. Leo also loved video-games and comic books and invested in Comic Con and E3 gaming/tourney events. Now, he took stock of all the media and fanfare surrounding his 'movie-star image.'
Leo decided he wanted to get involved in eco-activism and established the eco-conscious organization the Leonardo DiCaprio Foundation [LDF]. LDF was invested in various kinds of social outreach, education/awareness, and policy-reform activism designed to create more cultural interest in eco-related matters such as global warming, water-pollution/acid-rain, and toxic waste mismanagement. LDF became very prominent in the eco-activism 'landscape' so Leo decided to channel his newfound 'political spotlight' into two new Earth-themed projects --- Captain Planet (a fictional comic book eco-hero) and Robotech (Harmony Gold's delightful galactic A.I.-like robo-machinery adventure-and-war franchise about defending democracy and nature). Leo first directed his attention to a Robotech film-project starring Jude Law (a friend) so he could use one of his screenplay-ideas about the weight of intelligence in determining the delicate balance between technology and religion.
When Leo began work on his Captain Planet eco-conscious film-project, he wasn't sure who should be cast as the titular eco-defender, so he considered playing the character himself. He also wanted the new Captain Planet film to present ideas about how pluralism and racism confound new age sociopolitical interests in eco-reform and how 'TrumpUSA' could either benefit (through consumerism-advocacy and commerce ideals) or retard (by way of capitalism-indulgences and media-scandal controversies) new age social activism oriented idealism among young democratic voters. Leo concluded that immigration-meditation policies would facilitate a more 'racially-inclusive' discussion of eco-consciousness in America and therefore catalyze a more 'developed' sense of the 'economics' of racism in America. Would such a Captain Planet film capture the hearts/minds of consumers? What would Planet Hollywood 'culture' offer to this sociological dialogue?
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It seems that TrumpUSA caters to both citizenry-intrigue and metropolitan-cynicism.
What do you think? Who controls the media-aesthetics landscape more --- Democrats or Republicans?
====
Leo was the world's hottest young movie-idol, having made both complex (Total Eclipse) and blockbuster (Titanic) films which made him a real 'star.' Leo was considered a real 'firecracker' in his personal life too, hotel-hopping and taking advantage of the luxuries/amenities of fortune and fame by vacationing in Atlantic City and Geneva. Leo also loved video-games and comic books and invested in Comic Con and E3 gaming/tourney events. Now, he took stock of all the media and fanfare surrounding his 'movie-star image.'
Leo decided he wanted to get involved in eco-activism and established the eco-conscious organization the Leonardo DiCaprio Foundation [LDF]. LDF was invested in various kinds of social outreach, education/awareness, and policy-reform activism designed to create more cultural interest in eco-related matters such as global warming, water-pollution/acid-rain, and toxic waste mismanagement. LDF became very prominent in the eco-activism 'landscape' so Leo decided to channel his newfound 'political spotlight' into two new Earth-themed projects --- Captain Planet (a fictional comic book eco-hero) and Robotech (Harmony Gold's delightful galactic A.I.-like robo-machinery adventure-and-war franchise about defending democracy and nature). Leo first directed his attention to a Robotech film-project starring Jude Law (a friend) so he could use one of his screenplay-ideas about the weight of intelligence in determining the delicate balance between technology and religion.
When Leo began work on his Captain Planet eco-conscious film-project, he wasn't sure who should be cast as the titular eco-defender, so he considered playing the character himself. He also wanted the new Captain Planet film to present ideas about how pluralism and racism confound new age sociopolitical interests in eco-reform and how 'TrumpUSA' could either benefit (through consumerism-advocacy and commerce ideals) or retard (by way of capitalism-indulgences and media-scandal controversies) new age social activism oriented idealism among young democratic voters. Leo concluded that immigration-meditation policies would facilitate a more 'racially-inclusive' discussion of eco-consciousness in America and therefore catalyze a more 'developed' sense of the 'economics' of racism in America. Would such a Captain Planet film capture the hearts/minds of consumers? What would Planet Hollywood 'culture' offer to this sociological dialogue?
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